1948. Portfolio of six cliché verre prints, each with title in image lower left, editioned 43/150 and signed in pencil lower right, 20.2 x 25.3cm to 27 x 25.4cm (images); 36.6 x 32cm (portfolio). Minor creases and slight foxing to edge of margins; stains, discolouration and scuffing to portfolio. Print..... More
1949. Etching, signed and dated in plate lower right, editioned 20/50, titled and signed in pencil in lower margin, 26.3 x 20cm. Slight foxing to image upper right. Held in SLNSW. Hobart Government House is considered to be a “fine example of an early Victorian country house in neo-Gothic style..... More
1950s. Etching, titled, annotated “trial proof” and signed in pencil in lower margin, annotated in another hand in pencil verso, 20 x 29.4cm. Slight crinkles and soiling to margins. Annotation reads “Artist with the Sydney Bulletin and well known as an illustrator.” Norman Hetherington was the creator of the popular..... More
c1950. Mezzotint with etching, signed by Lindsay, annotated “R.L.” and editioned 23/75 in another hand in pencil in lower margin, 17.2 x 24.2cm. Slight soiling to margins. Ref: Mendelssohn #595, dated “c1950?”. More
1951. Soft-ground etching with aquatint printed in colour, captioned “The Fool”, signed and editioned 16/50 in pencil below image, title printed in colour verso, 27 x 36cm. Paper tape over image upper left, minor tear to right and lower edges, old mount burn. Image used as the main double page..... More
![Item #CL183-158 [Vignette For “The Blind Man”]. David Strachan, Brit./Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-158.jpg?width=320&height=427&fit=bounds&v=1486012732)
1951. Etching and aquatint with poem, signed in plate and editioned 7/50 in pencil on image lower left, 30 x 39.7cm. Minor discolouration. Framed. Image created for Kershaw, Accent and Hazard, 1951. Illustrated in Klepac, David Strachan, 1993, p118. More
1952. Colour linocut, titled, editioned 13/30, signed and dated in pencil in lower margin, 22.5 x 23.5cm. Minor stains to margins. Held in NGA. Born in Victoria, painter and graphic artist Harry Rosengrave attended the National Gallery School (Vic.), the George Bell School and the Melbourne Technical College. A close..... More
![Item #CL203-60 Scarborough Bus [Perth, WA]. Vaclovas Ratas, 1910–1973 Lithuanian/Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL203-60.jpg?width=320&height=427&fit=bounds&v=1633911519)
1952. Wood engraving, initialled in block lower left, editioned 8/25, annotated “Perth, WA”, dated, signed and titled in pencil in lower margin, 12.6 x 12.6cm. Slight foxing to margins. Image held in the Art Gallery of WA, the Art Gallery of NSW and the National Gallery of Australia. Vaclovas Ratas..... More
1953. Colour lithograph, titled, editioned 13/20, signed and dated in pencil on image lower left to right, 27.8 x 33.5cm. Uneven trimmed margins. Held in NGA. More
![Item #CL183-140 A View Of Middle Harbour [Sydney]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-140.jpg?width=320&height=427&fit=bounds&v=1486091815)
c1954. Etching, titled, dated “ca. 1954”, editioned 11/30 and signed in pencil in lower margin, 15.9 x 15.7cm. Minor foxing to margins. Framed. Sydney-born Elizabeth Rooney was a key artist in the revival of printmaking in Sydney in the early 1960s. In 1949 Rooney studied the etching process under Herbert..... More
c1955. Drypoint, titled and signed in pencil in lower margin, typed annotation on label affixed to frame verso, 15.3 x 28.4cm. Discolouration overall. In original frame. Label reads “Frame made from teak, old Australia’s deck.” Held in SLNSW collection. HMAS Australia (II) was commissioned in 1928. During WWII Australia (known..... More
1956. Etching, editioned 11/12, signed and dated in pencil in lower margin, 15.1 x 9.9cm. Slight foxing and soiling to margins, old mount burn. Ref: Mollison #88. Held in National Gallery of Australia. More
1959. Linocut, signed and dated in pencil in lower margin, 51.1 x 23.2cm. When artist Albert Namatjira died in 1959 of heart failure, Counihan created this linocut, showing the artist crucified. Later Counihan stated “He was a man between two cultures, and I respected him very much. I felt that..... More
![Item #CL192-14 Strontium 90 [Anti-Nuclear]. Noel Counihan, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-14.jpg?width=320&height=427&fit=bounds&v=1524199161)
1959. Linocut, titled, editioned 30/50, signed and dated in pencil in lower margin, 56.1 x 42.5cm. Slight stains to image and edge lower left, minor creases and scuffing overall. Ref: Smith #55. Held in NGA. Strontium-90 is a “radioactive isotope of strontium produced by nuclear fission...[It] has applications in medicine..... More
c1960s. Pair of colour monotypes, titled and signed in ink below image, 31 x 25cm and 27 x 21cm. Framed. Ronald Hewison Steuart was a life member of the Australian Watercolour Institute, which he joined in 1934. He won the Wynne Prize in 1958. His work is held in AGNSW..... More
1960. Etching, titled, signed and dated in pencil in lower margin, 22.6 x 30cm. More
![Item #CL176-128 [Houses]. Imre Szigeti, Hungarian/Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-128.jpg?width=320&height=427&fit=bounds&v=1492661817)
c1960s. Ink and watercolour, Greek sigma monogram lower right, 56.3 x 77.5cm. Small hole and surface loss centre right, old mount burn. Before migrating to Sydney in 1939, Hungarian-born cartoonist and illustrator Imre Szigeti illustrated approximately 100 books, including editions of Poe and Baudelaire. Ref: DAAO. More
1961. Linocut, editioned 14/25, titled, signed and dated in pencil in lower margin, 48.6 x 33.8cm. Reinforced cracks to image and edges of margins with printing smudges, old mount burn. Held in NGA; AGNSW. Perth-born Sue Buckley studied in Sydney with Desiderius Orban and exhibited her work from the 1940s..... More
1961. Linocut, signed, editioned 22/33A and dated in pencil in lower margin, 50.9 x 36.9cm. Old mount burn. Lithuanian-born Salkauskas studied art in Paris and Germany after WWII. In 1949 he moved to Australia and worked as a house painter in Sydney while pursuing his art career. He joined the..... More
![Item #CL166-167 [Female Nude With Leaves]. David Strachan, British/Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-167.jpg?width=320&height=427&fit=bounds&v=1492487797)
1961. Etching with aquatint, inscribed “With best wishes”, signed and dated in pencil below image, 14.2 x 7.4cm. Minor creases to edges, trimmed plate mark. More
1962. Colour woodcut, signed, editioned 12/30, dated, annotated “sequence no. 456” and titled in pencil in lower margin, 37.9 x 51.3cm. Minor crinkles, old mount burn. Lithuanian-born Eva Kubbos, whose work is influenced by Jackson Pollock and Mark Rothko, moved to Australia in 1952, after studying art in Berlin. She..... More
1962. Colour lithograph, editioned 21/45, titled, signed and dated in pencil below image, 42.3 x 54.3cm. Perforations to left and right margins, surface loss and rubbing to margins, old mount burn. Held in NGA. More
c1962-1963. Etching with aquatint, edition of “25” and signed in pencil in lower margin, 34.9 x 40.1cm. Minor rubbing to image centre left. Held in AGNSW. More
1962-c1963. (a) Pencil study, titled, signed and dated in pencil upper right and lower left, 42.7 x 37cm. Foxing overall. Framed. Ref: Klepac #108. (b) Linocut with screenprint, titled, editioned 6/30 and signed in pencil in lower margin, 32.5 x 27.8cm. Missing portions, paper loss and tears to right margin..... More
