1974. Colour screenprint, signed, titled, dated and editioned 9/34 in ink in lower margin, 42 x 69.7cm. Minor crinkles and foxing to margins, slight mount burn. Illustrated in Grishin, Garry Shead and the Erotic Muse, 2001, p55. Rare early work. More

1975. Etching, editioned 15/40, titled signed and dated in pencil in lower margin, 50 x 33.5cm. Slight foxing to margins. Louis Kahan had a long artistic career, commencing in Paris, where he first worked for a renowned couturier. He designed costumes and fashion for Josephine Baker, Collette and the Folies..... More

1976. Ink drawing, initialled and dated lower right, 18.8 x 11.6cm. Foxing to image centre left and lower right. More

c1976. Collage of found wood engraving and process screen prints on line block background, signed by Gleeson in ink on image upper right, 14.3 x 20.9cm. Minor tears to edges of image. Framed. More

1976. Etching with sfumato, signed, dated and annotated in pencil and inscribed “To Rocky with David’s love” in ink on image lower centre, 25.7 x 27.9cm (paper). Foxing, slight paper loss. Annotation reads “Sfumato over etching proof.” In 1966 Boyd began using candle flame to achieve a smoky effect. He..... More

1977? Lithograph, initialled and dated in image lower right, editioned 3/5 in pencil lower left, 17.9 x 17cm. Framed. Rare, uncommon image which is not listed in Bloomfield’s book on Frank Hinder’s lithographs. More

1977. Soft-ground etching, editioned 78/90, signed and dated “24.4.77” in pencil in lower margin, 20 x 24.9cm. Ref: Kolenberg #21. Besides his painting and drawing, Rees created just 23 etchings up to 1977, and thereafter the only prints he worked on were lithographs. More

1978. Soft-ground etching, editioned 90/90 in pencil, and signed and dated in ink in lower margin, 25 x 30.4cm. Minor surface loss to upper margin. From the 1978 series Tribute to Sydney. Ref: Kolenberg #27. More

1978. Aquatint with etching, editioned 8/50, titled and signed in pencil in lower margin, 22.5 x 15cm. Some surface loss and slight stains to margins, old mount burn. Ref: Powell #24A, listed as the first state. More

1978. Linocut, titled, editioned 8/25, signed and dated in pencil in lower margin, 30.1 x 15.4cm. Slight foxing and crinkles to margins. Framed. Ref: Smith #106, from the series on workers constructing Melbourne’s underground railway loop. Held in NGA. More

1979. Softground etching with watercolour, annotated “A/P” and “Softground watercolour etching”, titled, signed and dated in ink in lower margin, 9.7 x 17.2cm. Slight stains to margins, old mount burn. This etching is after the watercolour study from Rees’ “A Tribute to Sydney” series. The view was taken “from the..... More

c1980. Woodcut with colour linocut, titled, editioned 3/17 and signed in pencil in lower margin, 46.4 x 36.6cm. Slight stains to margins. Held in Bathurst Regional Art Gallery. More

c1980s. Hand-coloured linocut, editioned 9/10 and signed in crayon lower left and right, 50.4 x 60cm. More