Two Dogs, Hunter Street [Sydney]
1976. Etching and aquatint, titled, editioned 2/12, signed and dated in pencil in lower margin, 16 x 24.2cm. Minor cockling and foxing to margins. Framed. More
1976. Etching and aquatint, titled, editioned 2/12, signed and dated in pencil in lower margin, 16 x 24.2cm. Minor cockling and foxing to margins. Framed. More
c1976. Collage of found wood engraving and process screen prints on line block background, signed by Gleeson in ink on image upper right, 14.3 x 20.9cm. Minor tears to edges of image. Framed. More
1976. Etching, editioned 1/50, titled, signed and dated in pencil in lower margin, 44.9 x 60.8cm. Minor foxing to margins. More
1976. Etching with sfumato, signed, dated and annotated in pencil and inscribed “To Rocky with David’s love” in ink on image lower centre, 25.7 x 27.9cm (paper). Foxing, slight paper loss. Annotation reads “Sfumato over etching proof.” In 1966 Boyd began using candle flame to achieve a smoky effect. He..... More
1976. Lithograph with watercolour, signed and editioned 28/100 in ink lower right, 49.6 x 44.5cm (paper). Repaired tears and old tape to upper edge, minor creases and slight stains overall, paper overlay to image lower centre. This image was first used as the poster to advertise an exhibition held at..... More
1977. Aquatint, editioned 14/90, signed and dated in pencil in lower margin, 41 x 44.3cm. Slight cockling. Framed. More
1977. Soft-ground etching, editioned 78/90, signed and dated “24.4.77” in pencil in lower margin, 20 x 24.9cm. Ref: Kolenberg #21. Besides his painting and drawing, Rees created just 23 etchings up to 1977, and thereafter the only prints he worked on were lithographs. More
1978. Soft-ground etching, editioned 90/90 in pencil, and signed and dated in ink in lower margin, 25 x 30.4cm. Minor surface loss to upper margin. From the 1978 series Tribute to Sydney. Ref: Kolenberg #27. More
1978. Aquatint with etching, editioned 8/50, titled and signed in pencil in lower margin, 22.5 x 15cm. Some surface loss and slight stains to margins, old mount burn. Ref: Powell #24A, listed as the first state. More
1978. Linocut, titled, editioned 8/25, signed and dated in pencil in lower margin, 30.1 x 15.4cm. Slight foxing and crinkles to margins. Framed. Ref: Smith #106, from the series on workers constructing Melbourne’s underground railway loop. Held in NGA. More
1979. Etching, titled, dated “24th Nov. 1979” and signed “Kingo” in plate lower left to right, editioned 4/20, signed and dated in pencil in lower margin, 15.1 x 18.4cm. Slight foxing overall. More
1979. Softground etching with watercolour, annotated “A/P” and “Softground watercolour etching”, titled, signed and dated in ink in lower margin, 9.7 x 17.2cm. Slight stains to margins, old mount burn. This etching is after the watercolour study from Rees’ “A Tribute to Sydney” series. The view was taken “from the..... More
1980. Hand-coloured lithograph, signed and dated in ink and editioned 22/80 in pencil on image lower left to right, 66.5 x 51cm. Framed. Hand-coloured with watercolour by David Rankin. Ref: Kolenberg #52. More
c1980s. Hand-coloured linocut, editioned 9/10 and signed in crayon lower left and right, 50.4 x 60cm. More
c1980s. Etching, annotated “A/P,” titled and signed in pencil in lower image, 19.8 x 14.8cm. Minor foxing, old mount burn. More
c1980s. Colour screenprint, editioned 96/100, titled and signed in pencil in lower margin, 27.9 x 24.1cm. New Zealand-born artist Blake Twigden is a “specialist painter of zoological and botanical subjects in oils on hardboard and in gold leaf, pen and watercolour. Since 1972 he has published eight limited edition books..... More
c1980. Etching, editioned 86/100, titled and signed in pencil with printer’s blind stamp “WHP” in lower margin, 29.6 x 30.1cm. Minor soiling to margins. This image was illustrated in the first edition of the book by Charles Blackman with text by Nadine Amadio, Charles Blackman, The Lost Domains, 1980. It shows..... More
c1981. Etching, annotated “etching, 1st state“ and “A/P 2/5”, titled and signed in pencil in lower margin, 19.7 x 13.6cm. Soiling and foxing. Framed. Held in NGA. More
c1975-1982. Group of 15 colour screenprints, most signed, editioned, dated and titled in pencil on image lower left to right or in lower margin, 56.7 x 76cm or 76.6 x 57.3cm (approx. each). Some with slight foxing or tears to edges or margins. Provenance: Printer for Sydney Ball. A detailed..... More
1981/1982. Etching, editioned 21/50 in pencil, facsimile signature and estate stamp in lower margin, 13.9 x 13.1cm. Estate stamp reads “Atelier Russell Drysdale.” This etching was part of a group of etchings commissioned by Beagle Press to illustrate a book of short stories by Henry Lawson. It was not included..... More