Australian
Four [Children]
1974. Four-plate photo-etching, editioned 12/60, signed and dated in pencil in lower margin, 17.3 x 59.6cm (overall). Slight stains to margins. “Bea Maddock was one of the most significant Australian printmakers from the 1970s, during which time her pioneering use of photo-etching had a broad impact in Australia, especially during..... More
Patrick White
1975. Etching, editioned 15/40, titled signed and dated in pencil in lower margin, 50 x 33.5cm. Slight foxing to margins. Louis Kahan had a long artistic career, commencing in Paris, where he first worked for a renowned couturier. He designed costumes and fashion for Josephine Baker, Collette and the Folies..... More
[Woman And Baby At Bus Stop]
c1976. Ink drawing, signed “Victoria Roberts Roth” in image lower right, 13.7 x 13.8cm. Victoria Roberts is an illustrator for The New Yorker magazine and an author of children’s books. She studied at National Art School in Sydney between 1974 and 1976. Ref: DAAO. More
[Woman Singing Into Microphone]
1976. Ink drawing, initialled and dated lower right, 18.8 x 11.6cm. Foxing to image centre left and lower right. More
Two Dogs, Hunter Street [Sydney]
1976. Etching and aquatint, titled, editioned 2/12, signed and dated in pencil in lower margin, 16 x 24.2cm. Minor cockling and foxing to margins. Framed. More
[A Gathering]
c1976. Collage of found wood engraving and process screen prints on line block background, signed by Gleeson in ink on image upper right, 14.3 x 20.9cm. Minor tears to edges of image. Framed. More
History Of Australia – First Life
1976. Etching, editioned 1/50, titled, signed and dated in pencil in lower margin, 44.9 x 60.8cm. Minor foxing to margins. More
[Eve With Apple]
1976. Etching with sfumato, signed, dated and annotated in pencil and inscribed “To Rocky with David’s love” in ink on image lower centre, 25.7 x 27.9cm (paper). Foxing, slight paper loss. Annotation reads “Sfumato over etching proof.” In 1966 Boyd began using candle flame to achieve a smoky effect. He..... More
Erotica
1976. Lithograph with watercolour, signed and editioned 28/100 in ink lower right, 49.6 x 44.5cm (paper). Repaired tears and old tape to upper edge, minor creases and slight stains overall, paper overlay to image lower centre. This image was first used as the poster to advertise an exhibition held at..... More
[Two Tahitian Figures]
1977. Aquatint, editioned 14/90, signed and dated in pencil in lower margin, 41 x 44.3cm. Slight cockling. Framed. More
The Great Rock [Uluru aka Ayers Rock]
1977. Soft-ground etching, editioned 78/90, signed and dated “24.4.77” in pencil in lower margin, 20 x 24.9cm. Ref: Kolenberg #21. Besides his painting and drawing, Rees created just 23 etchings up to 1977, and thereafter the only prints he worked on were lithographs. More
The Lane Cove River [NSW]
1978. Soft-ground etching, editioned 90/90 in pencil, and signed and dated in ink in lower margin, 25 x 30.4cm. Minor surface loss to upper margin. From the 1978 series Tribute to Sydney. Ref: Kolenberg #27. More
The Commuter
1978. Aquatint with etching, editioned 8/50, titled and signed in pencil in lower margin, 22.5 x 15cm. Some surface loss and slight stains to margins, old mount burn. Ref: Powell #24A, listed as the first state. More
Miner, Jolimont [Melbourne, Victoria]
1978. Linocut, titled, editioned 8/25, signed and dated in pencil in lower margin, 30.1 x 15.4cm. Slight foxing and crinkles to margins. Framed. Ref: Smith #106, from the series on workers constructing Melbourne’s underground railway loop. Held in NGA. More
Has Debbie Reynolds Sold Her Bus Tickets Yet? [Brett Whitely’s Studio]
1979. Etching, titled, dated “24th Nov. 1979” and signed “Kingo” in plate lower left to right, editioned 4/20, signed and dated in pencil in lower margin, 15.1 x 18.4cm. Slight foxing overall. More
Dusk At Drummoyne [NSW]
1979. Softground etching with watercolour, annotated “A/P” and “Softground watercolour etching”, titled, signed and dated in ink in lower margin, 9.7 x 17.2cm. Slight stains to margins, old mount burn. This etching is after the watercolour study from Rees’ “A Tribute to Sydney” series. The view was taken “from the..... More
Timeless Cliffs II
1980. Hand-coloured lithograph, signed and dated in ink and editioned 22/80 in pencil on image lower left to right, 66.5 x 51cm. Framed. Hand-coloured with watercolour by David Rankin. Ref: Kolenberg #52. More
Caloola Tree [Werri Beach, NSW]
1980. Lithograph, editioned 74/80 in pencil and faded signature in ink on image lower left, 51.6 x 66.4cm. Minor foxing to left edge of image, slight mount burn. Ref: Kolenberg #44. More
[The Mango Tree]
c1980s. Hand-coloured linocut, editioned 9/10 and signed in crayon lower left and right, 50.4 x 60cm. More