Titania And Bottom
c1980s. Etching, annotated “A/P,” titled and signed in pencil in lower image, 19.8 x 14.8cm. Minor foxing, old mount burn. More
Australian
Lyrebird
c1980s. Colour screenprint, editioned 96/100, titled and signed in pencil in lower margin, 27.9 x 24.1cm. New Zealand-born artist Blake Twigden is a “specialist painter of zoological and botanical subjects in oils on hardboard and in gold leaf, pen and watercolour. Since 1972 he has published eight limited edition books..... More
The Painter Of The White Cat’s Garden
c1980. Etching, editioned 86/100, titled and signed in pencil with printer’s blind stamp “WHP” in lower margin, 29.6 x 30.1cm. Minor soiling to margins. This image was illustrated in the first edition of the book by Charles Blackman with text by Nadine Amadio, Charles Blackman, The Lost Domains, 1980. It shows..... More
Hyde Park, Sydney
c1981. Etching, annotated “etching, 1st state“ and “A/P 2/5”, titled and signed in pencil in lower margin, 19.7 x 13.6cm. Soiling and foxing. Framed. Held in NGA. More
![Item #CL166-5 [Abstractions]. Sydney Ball, b.1933 Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-5_1.jpg?width=320&height=427&fit=bounds&v=1492485876)
[Abstractions]
c1975-1982. Group of 15 colour screenprints, most signed, editioned, dated and titled in pencil on image lower left to right or in lower margin, 56.7 x 76cm or 76.6 x 57.3cm (approx. each). Some with slight foxing or tears to edges or margins. Provenance: Printer for Sydney Ball. A detailed..... More
![Item #CL166-51 [Woman With Infant]. Russell Drysdale, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-51.jpg?width=320&height=427&fit=bounds&v=1492486428)
[Woman With Infant]
1981/1982. Etching, editioned 21/50 in pencil, facsimile signature and estate stamp in lower margin, 13.9 x 13.1cm. Estate stamp reads “Atelier Russell Drysdale.” This etching was part of a group of etchings commissioned by Beagle Press to illustrate a book of short stories by Henry Lawson. It was not included..... More
![Item #CL166-149 Afternoon Light, Sandy Bay [Tasmania]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-149.jpg?width=320&height=427&fit=bounds&v=1492487785)
Afternoon Light, Sandy Bay [Tasmania]
1982. Lithograph, editioned 62/75, signed and dated in pencil in lower margin, 30.1 x 40.1cm. Slight foxing overall. Ref: Kolenberg #67. More
![Item #CL187-168 Abbotsleigh, Wahroonga [Sydney, NSW]. Austin Platt, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL187-168.jpg?width=320&height=427&fit=bounds&v=1496128110)
Abbotsleigh, Wahroonga [Sydney, NSW]
1982. Etching, editioned 48/100, titled, dated and signed in pencil in lower margin, 17 x 26.9cm. Slight surface loss to lower portion of image. Abbotsleigh is a private girls’ school in the upper north shore of Sydney, founded in 1885. Austin Platt may have included this image among his illustrations..... More
![Item #CL203-70 “New Lithographs” [Tasmanian Views]. Lloyd Rees, 1895–1988 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL203-70_1.jpg?width=320&height=427&fit=bounds&v=1633911526)
“New Lithographs” [Tasmanian Views]
1982. Suite of 13 lithographs, first two images editioned 38/40, the rest editioned 38/75, each signed and dated in pencil with printer “Fred Genis” blind stamp in lower margin, sizes range from 30.4 x 40cm to 30 x 57.3cm. In original folio, as issued. The entire suite is illustrated in..... More
And He Told Me He Was Taking Me To The River To See The Phosphorescent Swans
1983. Etching, engraving and aquatint, editioned 16/20, titled, signed and dated in pencil in lower margin, 23 x 41.9cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website. More
Beware Of Lightning Flashing From The Telephone Receiver And Striking Your Ear
1983. Etching, engraving and aquatint, titled in plate lower centre, editioned 11/20, titled, signed and dated in pencil in lower margin, 42.5 x 23cm. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “It is said that winning the Lotto has about the same probability as being..... More
A Man And Two Monsters Consuming The Earth
1983. Etching, engraving and aquatint, editioned 10/20, titled, signed and dated in pencil in lower margin, 17.9 x 46cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “In 1983 large areas of rainforest near the foreshore of Mission Beach in North Queensland..... More
![Item #CL166-150 Sunrise At Sandy Bay [Tasmania]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-150.jpg?width=320&height=427&fit=bounds&v=1492487785)
Sunrise At Sandy Bay [Tasmania]
1985. Colour lithograph, editioned 2/50, signed and dated in pencil with publisher’s blind stamp in lower margin, 39.6 x 52cm. The stamp shows an embossed “chook” which was the trademark for publisher Fred Genis. Illustrated in Kolenberg, Lloyd Rees: A Catalogue Raisonné, 1986, #82. Held in the Art Gallery of..... More
![Item #CL176-3 L’Atelier De Comps [Studio Composition]. Ian Armstrong, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-3.jpg?width=320&height=427&fit=bounds&v=1492661048)
L’Atelier De Comps [Studio Composition]
1985. Colour lithograph, editioned 1/15, titled, signed and dated in pencil in lower margin, 30.3 x 22.7cm. Old mount burn. Held in National Gallery of Australia. More
Upper Tamar River, Tasmania
1984/1985. Lithograph with watercolour, initialled “L.R.”, signed twice, and dated “’85” twice on image in black and blue ink upper left and lower right, 16.7 x 22.3cm. Slight foxing to lower margin. Ref: Kolenberg #89. Uncoloured copy held in NGA. This lithograph was signed by Rees in two different time..... More
![Item #CL166-70 [Gymea Lily]. Bruce Goold, b.1948 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-70.jpg?width=320&height=427&fit=bounds&v=1492486446)
[Gymea Lily]
1986. Hand-coloured linocut, editioned 4/50, signed and dated in pencil in lower margin, 30 x 30.3cm. More
![Item #CL192-149 Bicentennial Project, Fig Street, [Pyrmont, NSW]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-149.jpg?width=320&height=427&fit=bounds&v=1524199167)
Bicentennial Project, Fig Street, [Pyrmont, NSW]
1986. Etching with aquatint, titled, editioned 24/30, signed and dated in pencil in lower margin, 25.1 x 50.4cm. Slight foxing overall. Depicts the Goldsbrough Mort building which was built in 1883 as a wool store. Held in NGA. More
Godfrey Up A Gum Tree
1986. Colour linocut, editioned 10/40, titled, signed and dated in pencil in lower margin, 37.5 x 25cm. Artist’s work is represented in the NGA. Printmaker Angela Newberry, a graduate of the Royal College of Art in London, has practised exclusively as a printmaker since 1984, sharing her time between Australia..... More
Brave Cowboy Bill Says Hello
1988. Linocut, annotated “A/P”, titled, signed and dated in lower margin, 32.5 x 43cm. Minor foxing to image lower right and margins. Stephen King originally studied printmaking at the Sydney College of the Arts. After graduating, he moved to London for postgraduate study at St Martin’s School of Arts. On..... More
“Hold Me,” He Said, “I’m Coming”
1988. Etching, engraving and aquatint, editioned 17/20, titled, signed and dated in pencil in lower margin, 22.8 x 29.8cm. Slight stains to margins. From the series “Suburban People.” Ref: Ron McBurnie website, with the comment “He was not expecting to be held in an anticlimactic way at the conclusion of..... More
Turtle And Lizard
1988. Linocut, editioned 3/40, titled, signed and dated in pencil in lower margin, 39.9 x 31.8cm. Slight foxing to margins. Held in NGA. More
Death Of The Regent Theatre, Sydney
1989. Hand-coloured etching, editioned 8/25, titled, signed and dated in pencil in lower margin, 21.6 x 20.8cm. More
![Item #CL198-100 [The Banjo Player]. Will Mahony, 1905–1989 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL198-100.jpg?width=320&height=427&fit=bounds&v=1576814956)
[The Banjo Player]
c1930/1989. Woodcut, signed in block upper right and in pencil in lower margin, 12.8 x 10.1cm. This image is most likely a self-portrait, as Mahony was known to play the banjo. London-born cartoonist, illustrator and printmaker Will Mahony is the son of Australian artist Frank P. Mahony. Ref: DAAO. More
Dangerous Liaisons
1989. Etching, editioned 39/50, titled and signed in pencil in lower margin, 39.2 x 47.5cm. Slight foxing. Framed. This image is held in National Gallery of Australia with a comment on Charles Blackman’s printmaking background: “Born in Sydney on 8 December 1928, where he studied drawing, Charles Blackman was self-taught as..... More