Spring, Middle Harbour [Sydney]
1938. Colour linocut, editioned 14/30, annotated “linocut”, dated, titled and signed in pencil in lower margin, 28.5 x 32cm. Minor cockling. Framed. More
1938. Colour linocut, editioned 14/30, annotated “linocut”, dated, titled and signed in pencil in lower margin, 28.5 x 32cm. Minor cockling. Framed. More
1866-1868. Colour lithograph, signed in image lower left, title below image, 29.8 x 46.8cm. Trimmed margins. Plate 17 from Eugene von Guerard’s Australian Landscapes, published by Hamel & Ferguson, Melbourne. Held in NGA. This image shows men and dogs after a kangaroo hunt. More
c1960s. Etching and aquatint, titled, annotated “etching and aquatint,” signed and numbered “12” in pencil in lower margin, 36 x 20.7cm. Old mount burn. Designed by architects Hennessy and Sheerin, the Hotel Metropole, which opened in 1890, had frontages on Young, Bent and Phillip streets. Described as a “splendid establishment,”..... More
1961. Counterproof etching with aquatint, signed in pencil in lower margin, 13.3 x 13.3cm. Framed. State iv. Ref: Mollison, Fred Williams, Etchings, 1968, #187, p121. Held in AGNSW. A counterproof is a print taken from another just printed, while the ink is still wet; this is done by being passed..... More
c1930s. Colour linocut, monogrammed in block lower right, signed in pencil in lower margin, 18.8 x 28cm. Minor discolouration overall, laid down on original backing. More
1966. Colour lincout, titled, editioned 13/20, signed and dated in ink in lower margin, 36.3 x 42.3cm. Creases, tears, missing portions, discolouration and foxing to margins. Held in NGA. Named after the von Stieglitz family of pastoralists who settled in the area in 1835, Steiglitz is an old gold mining..... More
1829. Seven engravings including title page, each engraving titled and captioned “Drawn and engraved by J. Carmichael, Sydney” in restored text below image, 25.3 x 19cm (title page); 14.8 x 22.9cm (approx. each). Trimmed platemarks, pinholes, minor foxing or stains. All laid down on acid-free backing. Titles read: (1) Sydney..... More
c1925. Etching, titled, editioned 11/30 and signed in pencil in lower margin, 15 x 28.8cm. Retouching to discolouration in image upper right, stains to margins. Held in NGA. The Pyrmont Bridge, which replaced the first bridge built in 1858, had one of the largest swing spans in the world at..... More
1933. Etching, signed, dated and titled in plate upper left to centre, editioned 7/50 and signed in pencil in lower margin, 23.5 x 20.8cm.Slight foxing, soiling and old mount burn to margins. Image held in the National Gallery of Australia. Born in Sunbury, Victoria, John Shirlow was the “first Australian..... More
1887. Soft-cover booklet with wood engraving frontispiece, 21.9 x 13.8cm. Slight creases to edges of pages, soiling, tears and small missing portions to cover. Text continues “By John Tebbutt, Fellow of the Royal Astronomical Society, London, Member of the Royal Society of N. S. Wales; and Corresponding Member of the..... More
1980. Etching with aquatint, annotated “state proof”, signed and dated in pencil in lower margin, 48.2 x 60.3cm. More
1824. Hand-coloured aquatint with etching, text with artist, title and date in plate below image, 17.3 x 27.3cm. Minor foxing, slight creases to margins. Framed. Text includes “J. Lycett del et execut’r. London, published Sept’r 1st, 1824, by J. Souter, 73 St Paul’s Church Yard.”. More
1990. Linocut, artist’s stamp on image lower right, titled, editioned 3/6, signed and dated in pencil in lower margin, 32.8 x 25.5cm. Held in NGA. More
1924/1932. Etching with aquatint and stipple, titled, dated “1924” with annotation in plate lower left, editioned 24 [out of 50],” signed and dated “1932” in pencil in lower margin, 16 x 21.6cm. Annotation reads “E’ched by L. Lindsay from the photograph by Wm Dixson, 1924, NSW.” Held in SLNSW. This..... More
1918. Etching, signed in plate lower left, signed and annotated “no. 8” in pencil in lower margin, 16.3 x 24.4cm. Irregular margins, repaired portions and tears. Laid down on acid-free backing. An impression of this etching was published in a limited edition book Lindsay produced with Sydney Ure Smith, titled..... More
1925. Drypoint, signed, titled and editioned 8/30 in pencil in lower margin, 12.4 x 18.7cm. Stains, creases and foxing to image, glue stains and rubbing to margins. Ref: Mendelssohn #365. Carcoar is a town in the Central West region of New South Wales. The town has been classified by the..... More
c1930s. Linocut, initialled in block lower left, titled, numbered “5” and signed in pencil in lower margin, 29.5 x 26.5cm. Slight printing stains to margins. St James’ Church was designed by architect Francis Greenway (1777-1837). Lisette Anna Kohlhagen studied at the South Australian School of Arts and Crafts in Adelaide..... More
1980. Lithograph, editioned 74/80 in pencil and faded signature in ink on image lower left, 51.6 x 66.4cm. Minor foxing to left edge of image, slight mount burn. Ref: Kolenberg #44. More
1977. Soft-ground etching, annotated “soft ground, A/P”, titled, signed and dated in pencil in lower margin, 20 x 24.7cm. Slight stains to margins, glue remnants and paper loss verso. Ref: Kolenberg #20. Held in AGNSW, with alternative title “House in Tasmania.” Deloraine is a riverside town in Tasmania with an..... More
1977. Soft-ground etching, annotated “A.P.,” editioned 8/21, signed and dated in pencil in lower margin, 20.1 x 25cm. Old mount burn. Ref: Kolenberg #20, listed with alternate title House in Tasmania. More
1922/1976. Etching, signed and dated “1922” in plate lower left, editioned 32/90, titled, signed and dated “1922-76” in pencil in lower margin, 15.1 x 10.1cm. Slight foxing to margins. Ref: Kolenberg #1. More
c1936. Linocut, titled and signed in pencil in lower margin, 19.5 x 28.1cm. Slight foxing to right portion of image and margins, creases to lower left corner. Provenance: Adelaide Perry estate via Artarmon Galleries. Held in NGA. British-born painter, printmaker and teacher Mary Cooper Edwards immigrated to Australia in 1914..... More
1891. Wood engraving, titled, signed “M. Evergood Blashki” and dated in pencil in lower margin, 21 x 17.3cm. Foxing to margins, tipped to original backing. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p15. Exhibited at the Great Synagogue, Sydney, 1989. Held in the National Gallery of Australia..... More
c1931. Monotype with added ink and watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature on mount below image, 7.5 x 12cm. Crease to lower left corner of image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p66. Exhibited in Kozminsky Galleries..... More