William Street [Sydney]
c1920s. Drypoint, editioned 11/25, titled and signed in pencil in lower margin, 15 x 12.6cm. More
c1920s. Drypoint, editioned 11/25, titled and signed in pencil in lower margin, 15 x 12.6cm. More
c1930s. Etching, editioned 8/75, titled and signed in pencil in lower margin, 18.3 x 26.4cm. Slight foxing overall, cracking to platemark, old mount burn. More
1837. Lithograph, text including plate number “11”, artist, lithographer and title above and below image, 18.2 x 26.3cm. Stains, paper loss, tears and repaired perforations to margins, old mount burn. Text reads “Sabatier d’apres E.B. de la Touanne. Lith de Benard et frey. (Port Jackson nouvelle, Galles meriodionale [New South..... More
1929. Drypoint, signed and dated in plate lower left, editioned 1/50, titled and signed in pencil below image, 24.1 x 15.3cm. Minor surface loss and paper remnants to image lower left and centre right, stains and crinkles to margins, repaired tears to lower portion of image, old mount burn. Born..... More
c1910. Etching, signed “Tiger” in plate lower left, editioned 4/50, titled and signed in pencil in lower margin, 22.2 x 15.7cm. Repaired tears, minor soiling and surface loss to upper portion of image and margins. Laid down on acid-free backing. Held in the National Gallery of Australia collection. More
1935. Etching, signed and dated in plate lower left, editioned 4/50 and signed in pencil in lower margin, 19.5 x 26.7cm. Foxing to margins, old mount burn. More
c1922. Etching, titled, editioned 44/75 and signed in pencil in lower margin, 13.5 x 16.3cm. Glue stains to upper margin, minor foxing overall. More
c1920s. Etching, titled, editioned 25/100 and signed in pencil in lower margin, 14 x 23.3cm. Slight foxing. Held in State Library of NSW. More
1925. Etching, monogrammed and dated in plate lower left, titled, editioned 27/75 and signed in pencil in lower margin, 18.6 x 15cm. More
c1930. Etching, signed in pencil in lower margin, 20.6 x 39.1cm. Tears to margins, old mount burn. More
1920. Etching, titled, numbered “11” and signed in pencil in lower margin, 7.2 x 13.5cm. Stains and minor paper remnants to image centre, pinholes and repaired tears to upper margin, old mount burn. Held in Sydney Living Museums (SLM), with the comment “‘Elizabeth Farm House, Parramatta’ was one of 34..... More
c1916. Etching, titled, annotated “no. 17” and signed in pencil in lower margin, 12.7 x 19.9cm. Repaired tear to lower left edge of margin, minor stains and surface loss to image upper right, pinholes to margins, old mount burn. The National Library of Australia holds a sketch which was most..... More
c1921. Etching, titled, editioned 11/50 and signed in pencil in lower margin, 9.8 x 12.8cm. Old mount burn. “In August 1921 Mort wrote to the Vaucluse Park Trustees seeking permission to make a sketch in the courtyard at Vaucluse House, and in November 1921, following a Wentworth celebration day at..... More
1919. Drypoint, annotated “‘17’, drypoint”, titled and signed in pencil in lower margin, 30.2 x 20.2cm. Minor cockling and foxing to upper and lower margins. Framed. Held in NGA. This print was included in the 1983 Gruner exhibition at the Art Gallery of NSW. It is Gruner’s largest drypoint. More
1919. Etching, signed in pencil in lower margin, 5.5 x 8.3cm. Slight foxing to upper margin. This etching is accompanied with the envelope it was posted in, which is addressed to J. Lane Mullins, Esq., of Kincopal [sic] Chambers, Moore St, Sydney. Held in The Art Gallery of NSW. John Francis..... More
1986. Etching with aquatint, titled, editioned 24/30, signed and dated in pencil in lower margin, 25.1 x 50.4cm. Slight foxing overall. Depicts the Goldsbrough Mort building which was built in 1883 as a wool store. Held in NGA. More
c1981. Etching, annotated “etching, 1st state“ and “A/P 2/5”, titled and signed in pencil in lower margin, 19.7 x 13.6cm. Soiling and foxing. Framed. Held in NGA. More
1966-1968. Etching with aquatint, titled, annotated “artist’s proof 3”, signed and dated in pencil in lower margin, 30 x 44.9cm. Old mount burn. In order to expand the Bradfield Highway approach to the Sydney Harbour Bridge, the old railway arch bridge, as depicted in this image, had to be dismantled..... More
1976. Etching and aquatint, titled, editioned 2/12, signed and dated in pencil in lower margin, 16 x 24.2cm. Minor cockling and foxing to margins. Framed. More
1966. Etching, titled, editioned 11/30, signed and dated in pencil in lower margin, 54.1 x 29.8cm. Minor foxing to image centre, lower right and margins. More
c1954. Etching, titled, dated “ca. 1954”, editioned 11/30 and signed in pencil in lower margin, 15.9 x 15.7cm. Minor foxing to margins. Framed. Sydney-born Elizabeth Rooney was a key artist in the revival of printmaking in Sydney in the early 1960s. In 1949 Rooney studied the etching process under Herbert..... More
1929. Etching, editioned 4/50, titled, annotated, signed and dated in pencil in lower margin, 18.1 x 23.5cm. Rubbing to signature and date. Annotation reads “said to have been home of ‘Commodore’ Blue. Built 1819.” Held in NGA. Billy Blue, a West-Indian convict who arrived in Australia in 1801, was granted..... More
c1930s. Etching, annotated, titled and signed in pencil and ink in lower margin, 16.2 x 24.6cm. Slight cracks to plate mark due to excessive impression, tape to corners of margins. Annotations include a cancelled edition note and “Old street across Pyrmont Bridge. Etched on zinc. These houses were drawn and..... More