c1930s. Colour linocut, titled and signed in pencil in lower margin, 21.3 x 20.8cm. Minor cockling to edges. Framed. British-born Mary Packer Harris was a painter, printmaker, designer and embroiderer who also wrote and published books on art and Quaker beliefs. She taught at the South Australian School of Arts..... More

c1931. Etching, editioned 1/50, signed and titled in pencil in lower margin, 41.5 x 32.8cm. Slight foxing, paper remnants and old mount burn to margins. This image of Hobart, which is most likely Emanuel’s largest etching, is held in the National Gallery of Australia. Born in New Zealand, Cedric Emanuel..... More

1932. Etching, titled, editioned 84/90 and signed “E. Warner” in pencil in lower margin, 19.5 x 31.5cm. Old tape and repaired minor tears to edges of paper, foxing to upper margin, old mount burn. Held in SLNSW. British-born Warner trained as an engraver before first travelling to Australia in 1910..... More

1932. Drypoint, editioned 20/30, titled, signed and dated in pencil in lower margin, 18 x 15.4cm. More

1932. Etching, monogrammed and dated in plate lower right, editioned 1/30, titled and signed in pencil in lower margin, 16 x 30.3cm. Minor crinkles overall and soiling to margins. More

c1933. Linocut, monogrammed in block lower right with title and artist in letterpress in lower margin, 14.6 x 20.3cm. Published in an edition of 1200 in Manuscripts, no. 12, 1935, p31. Illustrated in Coppel, Linocuts of the Machine Age, no. DB/23, p158. More

c1934. Etching, partially obscured title and signed in pencil in lower margin, 25.3 x 35.1cm. Foxing and repaired surface loss, repaired tears and missing portions to plate mark and margins. Laid down on acid-free paper. Rare, not listed in Mendelssohn. More

c1934. Group of five prints consisting of three lithographs, one with added graphite, one aquatint, and one etching with drypoint, three images titled and each signed in image lower left or right, 8.2 x 15.1cm to 19.6 x 26cm. Foxing and minor creases overall. Titles of lithographs read (1) Collins..... More

c1935. Etching, editioned 16/35, titled and signed in pencil in lower margin, 21.4 x 15.1cm. Faint mount burn. More

1935. Etching, signed in plate lower left, signed and titled in pencil in lower margin, 13.5 x 21.1cm. Slight foxing and stains to image and margins, old mount burn. Ref: Mendelssohn #520. Held in NGV with Lindsay’s annotation “I inhabited a room in the building left of the Carpenter’s in..... More

c1936. Linocut, titled and signed in pencil in lower margin, 19.5 x 28.1cm. Slight foxing to right portion of image and margins, creases to lower left corner. Provenance: Adelaide Perry estate via Artarmon Galleries. Held in NGA. British-born painter, printmaker and teacher Mary Cooper Edwards immigrated to Australia in 1914..... More

1938. Etching, editioned “no. 41”, titled and signed in pencil in lower margin, 27.7 x 30.5cm. Slight foxing to upper portion and lower margin. Framed. Held in AGNSW. Illustrated in The Etchings of Cedric Emanuel, 1980, plate 2, with Emanuel’s comment “The first drawing of the etching was done from..... More

c1940s. Etching with soft ground, titled, editioned 1/25 and signed in pencil in lower margin, 17.6 x 22.6cm. Slight surface loss to margins, old mount burn. More