![Item #CL176-118 Grey Roofs, Prahran [Victoria]. Alan Sumner, Australian](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-118.jpg?width=320&height=427&fit=bounds&v=1492661811)
Grey Roofs, Prahran [Victoria]
1944-1946. Screenprint, 35.7 x 39.9cm. Margin soiled with printer’s ink. Unsigned working proof. Ref: Butler #4. More
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Rickety Farm Gates
1944-1946. Screenprint, 34.7 x 43cm. Soiled margins with printer’s ink. Unsigned working proof. Ref: Butler #6. More
Hobart Government House
1949. Etching, signed and dated in plate lower right, editioned 20/50, titled and signed in pencil in lower margin, 26.3 x 20cm. Slight foxing to image upper right. Held in SLNSW. Hobart Government House is considered to be a “fine example of an early Victorian country house in neo-Gothic style..... More
![Item #CL203-60 Scarborough Bus [Perth, WA]. Vaclovas Ratas, 1910–1973 Lithuanian/Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL203-60.jpg?width=320&height=427&fit=bounds&v=1633911519)
Scarborough Bus [Perth, WA]
1952. Wood engraving, initialled in block lower left, editioned 8/25, annotated “Perth, WA”, dated, signed and titled in pencil in lower margin, 12.6 x 12.6cm. Slight foxing to margins. Image held in the Art Gallery of WA, the Art Gallery of NSW and the National Gallery of Australia. Vaclovas Ratas..... More
![Item #CL183-140 A View Of Middle Harbour [Sydney]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-140.jpg?width=320&height=427&fit=bounds&v=1486091815)
A View Of Middle Harbour [Sydney]
c1954. Etching, titled, dated “ca. 1954”, editioned 11/30 and signed in pencil in lower margin, 15.9 x 15.7cm. Minor foxing to margins. Framed. Sydney-born Elizabeth Rooney was a key artist in the revival of printmaking in Sydney in the early 1960s. In 1949 Rooney studied the etching process under Herbert..... More
![Item #CL183-141 Up Hill, Essex Street [The Rocks, Sydney]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-141.jpg?width=320&height=427&fit=bounds&v=1486091815)
Up Hill, Essex Street [The Rocks, Sydney]
1966. Etching, titled, editioned 11/30, signed and dated in pencil in lower margin, 54.1 x 29.8cm. Minor foxing to image centre, lower right and margins. More
![Item #CL183-142 The Night The Bridge Came Down [Old Railway Arch Bridge, North Sydney]....](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-142.jpg?width=320&height=427&fit=bounds&v=1486012721)
The Night The Bridge Came Down [Old Railway Arch Bridge, North Sydney]
1966-1968. Etching with aquatint, titled, annotated “artist’s proof 3”, signed and dated in pencil in lower margin, 30 x 44.9cm. Old mount burn. In order to expand the Bradfield Highway approach to the Sydney Harbour Bridge, the old railway arch bridge, as depicted in this image, had to be dismantled..... More
Ghost Town
c1973. Lithograph, titled and signed in pencil below image, 40.4 x 65.5cm. Repaired tears to left and right edges, slight paper loss to image lower left, old mount burn. The town is most likely Hammond in South Australia. More
![Item #CL183-143 Two Dogs, Hunter Street [Sydney]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL183-143.jpg?width=320&height=427&fit=bounds&v=1486012721)
Two Dogs, Hunter Street [Sydney]
1976. Etching and aquatint, titled, editioned 2/12, signed and dated in pencil in lower margin, 16 x 24.2cm. Minor cockling and foxing to margins. Framed. More
![Item #CL176-91 The Great Rock [Uluru aka Ayers Rock]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL176-91.jpg?width=320&height=427&fit=bounds&v=1492661863)
The Great Rock [Uluru aka Ayers Rock]
1977. Soft-ground etching, editioned 78/90, signed and dated “24.4.77” in pencil in lower margin, 20 x 24.9cm. Ref: Kolenberg #21. Besides his painting and drawing, Rees created just 23 etchings up to 1977, and thereafter the only prints he worked on were lithographs. More
![Item #CL166-147 The Lane Cove River [NSW]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-147.jpg?width=320&height=427&fit=bounds&v=1492487784)
The Lane Cove River [NSW]
1978. Soft-ground etching, editioned 90/90 in pencil, and signed and dated in ink in lower margin, 25 x 30.4cm. Minor surface loss to upper margin. From the 1978 series Tribute to Sydney. Ref: Kolenberg #27. More
![Item #CL198-148 Dusk At Drummoyne [NSW]. Lloyd Rees, 1895–1988 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL198-148.jpg?width=320&height=427&fit=bounds&v=1576815115)
Dusk At Drummoyne [NSW]
1979. Softground etching with watercolour, annotated “A/P” and “Softground watercolour etching”, titled, signed and dated in ink in lower margin, 9.7 x 17.2cm. Slight stains to margins, old mount burn. This etching is after the watercolour study from Rees’ “A Tribute to Sydney” series. The view was taken “from the..... More
![Item #CL166-148 Caloola Tree [Werri Beach, NSW]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-148.jpg?width=320&height=427&fit=bounds&v=1492487784)
Caloola Tree [Werri Beach, NSW]
1980. Lithograph, editioned 74/80 in pencil and faded signature in ink on image lower left, 51.6 x 66.4cm. Minor foxing to left edge of image, slight mount burn. Ref: Kolenberg #44. More
Hyde Park, Sydney
c1981. Etching, annotated “etching, 1st state“ and “A/P 2/5”, titled and signed in pencil in lower margin, 19.7 x 13.6cm. Soiling and foxing. Framed. Held in NGA. More
![Item #CL166-149 Afternoon Light, Sandy Bay [Tasmania]. Lloyd Rees, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL166-149.jpg?width=320&height=427&fit=bounds&v=1492487785)
Afternoon Light, Sandy Bay [Tasmania]
1982. Lithograph, editioned 62/75, signed and dated in pencil in lower margin, 30.1 x 40.1cm. Slight foxing overall. Ref: Kolenberg #67. More
![Item #CL187-168 Abbotsleigh, Wahroonga [Sydney, NSW]. Austin Platt, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL187-168.jpg?width=320&height=427&fit=bounds&v=1496128110)
Abbotsleigh, Wahroonga [Sydney, NSW]
1982. Etching, editioned 48/100, titled, dated and signed in pencil in lower margin, 17 x 26.9cm. Slight surface loss to lower portion of image. Abbotsleigh is a private girls’ school in the upper north shore of Sydney, founded in 1885. Austin Platt may have included this image among his illustrations..... More
![Item #CL203-70 “New Lithographs” [Tasmanian Views]. Lloyd Rees, 1895–1988 Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL203-70_1.jpg?width=320&height=427&fit=bounds&v=1633911526)
“New Lithographs” [Tasmanian Views]
1982. Suite of 13 lithographs, first two images editioned 38/40, the rest editioned 38/75, each signed and dated in pencil with printer “Fred Genis” blind stamp in lower margin, sizes range from 30.4 x 40cm to 30 x 57.3cm. In original folio, as issued. The entire suite is illustrated in..... More
Upper Tamar River, Tasmania
1984/1985. Lithograph with watercolour, initialled “L.R.”, signed twice, and dated “’85” twice on image in black and blue ink upper left and lower right, 16.7 x 22.3cm. Slight foxing to lower margin. Ref: Kolenberg #89. Uncoloured copy held in NGA. This lithograph was signed by Rees in two different time..... More
![Item #CL192-149 Bicentennial Project, Fig Street, [Pyrmont, NSW]. Elizabeth Rooney, Aust](https://joseflebovicgallery.cdn.bibliopolis.com/pictures/CL192-149.jpg?width=320&height=427&fit=bounds&v=1524199167)
Bicentennial Project, Fig Street, [Pyrmont, NSW]
1986. Etching with aquatint, titled, editioned 24/30, signed and dated in pencil in lower margin, 25.1 x 50.4cm. Slight foxing overall. Depicts the Goldsbrough Mort building which was built in 1883 as a wool store. Held in NGA. More
Rainforest
1992. Colour lithograph, editioned 22/35, titled, signed and dated in pencil below image, 36.7 x 46.4cm. Minor cockling. Framed. Held in QUT Art Collection, Brisbane. More
Castle Rock, Cape Schank and Crater Of Mount Eggles, Victoria
1866–1868. Two colour lithographs, signed in image lower right, each with title and one with “Hamel & Ferguson Lithographers” blind stamp in lower margin, 33.3 x 48.9cm and 30.1 x 48.5cm. One with repaired tears to margins including image edges, slight soiling. Both plates are from a series of 24..... More
Out of stock
A View In New South Wales
1789. Engraving, artist, title and date in plate below image, 20.2 x 25.6cm. Unevenly trimmed margins, repaired tears to left margin, minor crinkles, foxing. Laid down on acid-free tissue. Text reads “R. Cleveley, delt. T. Medland, sculp. Published June 4, 1789 by J. Stockdale.” Illustrated in The Voyage of Governor..... More
Port Jackson Harbour, In New South Wales With A Distant View Of The Blue Mountains, Taken From South Head
1812. Engraving, text including artist, engraver, title and date in plate below image, 26 x 38.6cm. Trimmed to platemark, foxing overall, repaired creases and tears to edges. Framed. Text includes “Drawn by J. Eyre. Engraved by W. Preston. Dedicated to his Excellency Lachlan Macquarie, Governor of New South Wales, published..... More
View Of Hunter’s River, Newcastle, New South Wales
1820. Hand-coloured engraving, artist, title and date in plate above and below image, 23.4 x 34cm. Text includes “IX. Engrav’d by W. Preston from a drawing by Capt’n Wallis, 46th Reg’t. London. Pub’d Sept’r 1, 1820, at R. Ackermann’s, 101 Strand.” Held in NGA. More
A View Of Hawkesbury And The Blue Mountains, New South Wales
c1818/1821. Hand-coloured engraving, text including plate number “I”, artist, engraver, title and date in plate below image, 40.8 x 60.5cm. Old vertical fold, slight foxing and repaired minor tears to margins. Laid down on acid-free paper. Text reads “Engraved by W. Preston from an original drawing by Capt. Wallis, 46th..... More