Santa Maria, [Venice]
1907. Etching, initialled in plate lower left, signed in pencil in lower margin, 27.8 x 36.8cm. From a limited edition of 150. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #108. More
1907. Etching, initialled in plate lower left, signed in pencil in lower margin, 27.8 x 36.8cm. From a limited edition of 150. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #108. More
c1930s. Etching, signed by Brangwyn and titled in an unknown hand in pencil in lower margin, 34.2 x 30cm. Slight stain to left edge of image, repaired tear to upper left margin, soiling and foxing to margins, old mount burn. More
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
1907. Etching, monogrammed “S.” in plate lower left, signed and titled in pencil in lower margin, 17.6 x 25.1cm. Slight stains and crinkles to margins. Shows the tower of All Saints’ Church, the oldest section of which has been dated to the latter half of the 15th century. Held in..... More
1927. Colour woodcut, signed and dated in pencil in lower margin, 24.5 x 18.2cm. Pinholes, old glue stains and minor creases to margins. Also known as François Maret, Frans Ermengem was a Belgian poet, painter, illustrator and art critic. Ref: Wiki. More
1867. Etching, initialled in plate lower left, text including artist’s name, date and title in plate below image, collector’s stamp verso, 19.5 x 10.6cm. Slight discolouration. Text reads “Frédéric Leighton, pinx. & sculp. Royal Academy 1867. Pastorale. Gazette de Beaux-Arts. Imp. Delâtre, Paris.”. More
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
c1920s. Colour linocut, signed and annotated in German “handdruck” [printed by hand] in pencil on image lower right, and numeric annotations in pencil in lower margin and verso, 12.2 x 10.2cm. Slight discolouration to lower margin. German artist Fritz Lang is known for his woodcuts, linocuts, lithographs, book illustrations and..... More
c1930s. Etching with hand-colouring, signed in pencil and artist’s seal in lower margin, 20 x 35cm. Old tape marks to upper margin, faint old mount burn. Japanese-born artist and illustrator Nakamizo learned printmaking from Joseph Pennell. Employed under the Federal Public Works of Art Project during the 1930s, Nakamizo’s work..... More
c1930s. Etching, signed in plate lower right, signed in pencil in lower margin, 20 x 25.3cm. Old mount burn. More
c1935. Etching, monogrammed in plate upper right, signed in pencil in lower margin, 22.6 x 27.8cm. Tape to upper margin, evidence of printer’s ink fingerprints to margins, old mount burn. More
1946. Colour screenprint, titled, signed and dated in pencil in lower margin, 27.6 x 27.7cm. Held in Cleveland Museum of Art. More
c1920. Etching, signed in plate lower left, signed in pencil in lower margin, 25.7 x 34cm. Minor discolouration and stains overall, creases to margins. More
c1930s. Etching, signed in plate lower left, 25.2 x 30.1cm. Minor soiling and repaired slight tear to lower margin. Ennis was a painter who also became known for the stained glass window he designed for the United States Military Academy at West Point, NY. Ref: Art Institute, Chicago. More
1932. Etching with remarques, captioned “Hesiodos And Mousa” in Greek in plate, signed in ink in lower margin, 36.5 x 29.9cm. Minor foxing and repairs to image upper and lower right, slight stains and paper loss to margins. In 1930, Vollard asked Braque to illustrate a text for him; Braque..... More
1936. Colour aquatint, initialled and dated in plate lower left, 31.8 x 22.4cm. Minor foxing to margins. Framed. From Passion, published by Vollard in 1939. Edition of 270. Ref: Wofsy #344. More
1976. Lithograph, captioned, dated, titled and signed in pencil below image, 29.5 x 24.1cm. Old mount burn. Caption reads “Water and Broad Streets, Lower Manhattan.” Image depicts the Financial District located in the Lower East Side of the New York City. Accompanying this lithograph is the original exhibition catalogue, Gerald..... More
1922. Etching with stipple, signed in plate upper left, signed by Brockhurst and titled in another hand in pencil in lower margin, 13.9 x 11.2cm. Slight mount burn. Published in an edition of 76. The title refers to the French-Moorish cap or headband worn by women from Dax in the..... More
c1963. Colour lithograph with stencil, signed in image lower right, editioned 161/250 and signed in pencil below image, 39.5 x 29.8cm. Framed. Oil painting of the same subject is held in AGNSW. The Art Institute Chicago holds another copy of this print. The founder of the Metaphysical art movement, Giorgio..... More
c1970s. Colour lithograph, signed and editioned XXIV/XXV in pencil below image, 43.3 x 59.5cm. Minor creases and stains to edges and upper centre of image. The founder of the Metaphysical art movement, Giorgio de Chirico was a prolific artist, working to his 90th year. Primarily known as a painter, he..... More
1970. Colour lithograph, editioned 2/60, titled and signed in pencil with artist’s blind stamp in lower margin, 34.7 x 41.6cm. Framed. Castor, a figure in Greek mythology, was the twin brother of Polydeuces (Pollux), and is one of the twin stars that form the constellation Gemini. He was the son..... More
1978. Lithograph, captioned below image, editioned 74/75, signed and dated in pencil with publishing line to edge of lower margin, 15 x 14.8cm. Framed. Publishing line reads “Copyright Glen Baxter 1978. Published by Anthony Stokes Ltd. Printed by Ithaca Press.”. More