Shady Characters
c1909. Colour lithograph, signed with text in image lower left to right, title in lower margin, 24.6 x 46.4cm. Slight creases and minor tears to margins. Text reads South China Morning Post. More
c1909. Colour lithograph, signed with text in image lower left to right, title in lower margin, 24.6 x 46.4cm. Slight creases and minor tears to margins. Text reads South China Morning Post. More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
c1918/1922. Colour woodcut, titled and signed in pencil with faint text and copyright date in letterpress in lower margin, 51.6 x 38.2cm. Slight rubbing and soiling to margins and verso. Text reads “Copyright USA 1922.” This image is illustrated in Holden, Hall Thorpe: Coloured Woodcuts, 1980, p77, with a comment that..... More
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More
1895/1935. Lithograph with sheet music, monogrammed lower left, 26 x 19.5cm. Minor foxing. Double-sided frame. This is the fourteenth of fourteen song titles in the series Mélodies de Désiré Dihau. Each was issued by Paris music publisher C. Joubert with the text “Melodies sur le des Poesies de Jean Richepin”..... More
1886. Lithograph, captioned “Richard Wagner” in image upper centre, 23.2 x 15.1cm. Soiled margins. From the series of illustrations on the work of composer Richard Wagner. Ref: Mason #61. More
c1930s. Drypoint, signed by Rushbury and titled in an unknown hand in pencil in lower margin, 37.2 x 21.9cm. Minor foxing and soiling to margins. More
1983. Etching, aquatint and roulette, signed in plate lower left, annotated “Pl. V”, editioned 35/65 and signed in pencil in lower margin, 27.5 x 21.1cm. Minor foxing to image. Framed. Ref: Henry Moore: Mother and Child Etchings, 1988, p28. More
1974. Etching with aquatint, editioned 48/50 and signed in pencil in lower margin, 22.4 x 17.6cm. Minor foxing and stains to right margin. Held in Tate Gallery. More
1971. Colour lithograph, 29.9 x 23.1cm. Slight paper remnants to upper left edge. Published for XXe Siècle, no. 36. Held in Tate Gallery. More
1971/1973. Colour lithograph, 30.2 x 23cm. Originally drawn in 1971, an issue of 90 signed and numbered copies was released in 1972. This print comes from the subsequent 1973 issue of 3,000 unsigned copies from XXe Siècle. Ref: Cramer #182. More
1969. Etching, editioned 22/100, signed and dated in pencil in lower margin, 30.8 x 24cm. Minor foxing overall. Held in the Tate collection. More
c1920. Drypoint, signed in plate upper right, editioned 31/100 and signed in pencil in lower margin, 16.3 x 14cm. More
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
c1908. Photogravure, 53.2 x 36.8cm (paper). Missing portion to lower margin, repaired tears, creases. Linen-backed. Text continues “Copyright by Mishkin, New York. 2725C. Issued by Thomas A. Edison, Inc, Orange, NJ.”. More
c1908. Photogravure, signed and annotated “NY” in image centre right, 55.8 x 35.6cm (paper). Missing portion to lower margin, repaired tears. Linen-backed. Text continues “Metropolitan Opera Company. Issued by Thomas A. Edison, Inc, Orange, NJ. 3144.” Emmy Destinn (1878-1930) was a Czech-born operatic soprano who had a career both in..... More
c1941. Colour woodcut, artist’s seal in block lower left, 33.5 x 24.7cm. Upper corners taped to original paper mount. Image possibly from Kawanishi’s 1941 series Scenes from a Port Town. His work is held in numerous international museums, including MoMA, the Art Institute of Chicago, and the British Museum with..... More
c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and..... More
c1940s. Colour lithograph, initialled in image lower left, annotated “state 2”, titled and signed in pencil in lower margin, 27.5 x 29.4cm. Repaired tears to image upper right and lower centre, slight stains and creases to margins. Haute-Savoie is in the Auvergne-Rhône-Alpes region of eastern France. The first Winter Olympic..... More
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
1933. Colour linocut, titled, signed, editioned 9/25 and dated in pencil in lower margin, 36.1 x 25.5cm. Ink residue from printing process around untrimmed margins. “Isabel de Bohun Lockyer was one of the few artists outside the Grosvenor School to use linocut for colour printmaking in England during the 1920’s..... More
1928. Colour linocut, titled, signed, dated and editioned 10/25 in pencil in lower margin, 13.8 x 18.7cm. Slight ink deposits and stains to margins. More