The Shop Window
1930. Colour linocut, titled, signed, dated and editioned 14/50 in pencil in lower margin, 20.5 x 17.2cm. Minor stains to margins. More
1930. Colour linocut, titled, signed, dated and editioned 14/50 in pencil in lower margin, 20.5 x 17.2cm. Minor stains to margins. More
1935. Colour linocut, annotated “next print”, editioned 4/25, signed, dated and annotated with printing instructions for colours in margins, 17.4 x 25cm. Slight foxing to margins. More
1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More
1933. Colour linocut, titled, signed, dated “June 2nd, ’33,” editioned 6/25 and annotated in pencil in lower and right margins, 26.5 x 35cm. Tears to edges of margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
1930. Colour linocut, titled, signed, dated, editioned 12/25 and annotated in pencil in lower margin, 24.1 x 17.3cm. Tears and creases to margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
c1934. Colour woodcut, signed in ink with artist’s red seal on image upper right, stamped or printed Japanese characters in left margin, 30.1 x 37.9cm. Slight foxing, minor crinkles, tape verso. From the series Ten Types of Female Nudes. Image shows a woman idly flipping through a book with a cat..... More
c1920s. Drypoint, artist’s blind stamp and titled in ink in lower margin, 7.5 x 11.1cm. Blind stamp reads “Original drypoint etching by J. Francis Smith.”. More
1812. Mezzotint with etching, text including artist, engraver, title and date in plate above and below image, inscribed “Mary Constance Clarke”, annotated “first state” and “4 guineas, very scarce” in an unknown hand in pencil verso, 18 x 26cm (image). Repaired slight paper loss to image upper right, discolouration to..... More
c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More
1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More
1925/1930. Drypoint, signed and dated “Venice. 20 October 1925” in plate lower left, annotated “LXIII” and signed in ink, and annotated “80 proofs” and titled in another hand in pencil in lower margin, 40.4 x 23.8cm. Minor foxing, old mount burn. Annotated “S.S.” in an unknown hand in ink on..... More
1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way..... More
1861/1871. Etching and drypoint, signed and dated in plate centre left, 10.2 x 12.6cm. Minor glue stains to upper margin, old mount burn. State viii/viii. From the series Sixteen etchings of scenes on the Thames, 1861. Ref: Kennedy #74. More
1854-1855. Etching, initialled in plate upper centre, 14.5 x 26cm. Minor foxing overall, slight tears, perforations and stains to margins, old mount burn. Held in The Met, NY, with the comment “Whistler made his first etching while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington..... More
1890. Lithograph, butterfly monogram in image centre left, 16.7 x 17.3cm. Publisher’s line trimmed from upper margin, minor soiling and creases, missing portion to lower right corner. Published by T.R. Way for The Whirlwind: A Lively and Eccentric Newspaper, Nov. 15, 1890 in an edition of 500 to 1,000. The..... More
1858. Etching, signed and dated in plate centre right, 15.4 x 9cm. Repaired minor paper loss to image upper right, stains to margins, old mount burn. Held in the Art Gallery of NSW collection. More
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and..... More
1823. Lithograph, text with partially obscured title and date below image, annotated in pencil in lower margin, 33.8 x 45.5cm (image). Rubbing and repairs below image. Text reads “James Ward RA. Prix, et Del. Select proof retouched by J.W. London. Pub. April 1823 for J.W. by R. Ackermann. Rodwell &..... More
1927. Drypoint, initialled “L.” in plate lower right, 13 x 9.3cm. Minor paper loss and repaired tears to left edge, paper remnants and minor stains to margins, old mount burn. Ref: Laboureur #358. Held in Bibliothèque Nationale de France. Illustration for the Paul Morand novella, Baton Rouge about a black..... More
1931. Engraving, initialled “L.” in plate lower left, signed and editioned 1/7 in pencil in lower margin, 19.5 x 14.5cm. Slight foxing overall. Framed. Provenance: James Fairfax estate. Ref: Laboureur #433. Held in Bibliothèque Nationale de France. The “flower shop at Trocadero” includes the Eiffel Tower in the background. More
1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking..... More
1968. Etching, titled in plate upper left, signed in pencil in lower margin, 42.7 x 28.6cm. Slight stains to right edge of image and to right margin, minor foxing and soiling. Published by Petersburg Press Ltd. Ref: Metropolitan Museum of Art. This etching is from the special deluxe edition of..... More
1974. Colour lithograph, signed in image lower right, 42 x 62cm. Minor cockling, old mount burn. Ref: Cramer #928. More
1981. Colour lithograph, folded as issued, 31.9 x 24.9cm (paper). This lithograph, issued in Joan Miro, Lithographs IV 1969-1972, was published by Maeght and printed by Imprimerie Moderne du Lion in Paris, in an unnumbered, unsigned edition. Ref: Mourlot #1255 (Volume VI). More