[Vase Of Peonies]
c1920s. Colour woodcut, text and artist’s seal in Japanese in block centre right, numbered “no. 15” and signed in English in pencil in lower margin, 27.2 x 20.3cm. More
c1920s. Colour woodcut, text and artist’s seal in Japanese in block centre right, numbered “no. 15” and signed in English in pencil in lower margin, 27.2 x 20.3cm. More
1981. Lithograph, signed and dated in image lower left, annotated “Image 3”, editioned 4/40, signed and dated in pencil with Druckma Press blind stamp and Lana watermark in lower margin, 58.5 x 44.5cm. Framed. Illustrated in Smith, Noel Counihan Prints 1931-1981: A Catalogue Raisonné, 1981, plate 123. From the series..... More
c1925. Colour woodcut, annotated “handdruck” and signed in pencil in lower margin, 14 x 18.5cm. Missing portion to corner of lower margin. More
1950s. Etching, titled, annotated “trial proof” and signed in pencil in lower margin, annotated in another hand in pencil verso, 20 x 29.4cm. Slight crinkles and soiling to margins. Annotation reads “Artist with the Sydney Bulletin and well known as an illustrator.” Norman Hetherington was the creator of the popular..... More
c1924. Drypoint, signed by Wilkinson and titled in another hand in pencil in lower margin, 29.9 x 30.1cm. Slight stain to image lower left. Depicts the Spanish Armada. More
c1924. Drypoint, signed in pencil in lower margin, 22.5 x 30.2cm. Old mount burn. Norman Wilkinson was a British marine painter and etcher who produced about thirty drypoints between 1924 and 1930. He is known for inventing “dazzle” painting, the camouflage of merchant ships during WWI. Unlike other forms of..... More
c1930s. Colour woodcut, editioned 17/75, titled and signed in pencil in lower margin, 29.9 x 44.8cm. Slight stains to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In..... More
c1930s. Colour woodcut, titled and signed in pencil in lower margin, 39.5 x 30cm. Slight foxing to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In the late..... More
1938. Linocut, initialled in block lower left, 31 x 24cm. Minor old mount burn. Commissioned by San Lazzaro and issued for XXe Siècle, Paris, 1938. This edition consisted of about 1500 impressions but approximately half were lost during WWII. More
c1930s. Drypoint, editioned 5/30 and signed in pencil on plate mark below image, 28.2 x 21.8cm. Minor cockling to image. More
1961. Lithograph, poster format, text including signature and date “7.3.61” in image upper left to lower right, 71.7 x 56.7cm. Slight tear, creases and minor discolouration to margins. Text includes “Consejo de Ciento 323 Barcelona. Dibujos de Picasso, Abril 1961.” Ref: Bloch #1294, Cantz #796, Mourlot #340. Sala Gaspar was..... More
1955. Tinted lithograph, book cover, 33.5 x 52.9cm. Minor wear to edges of image. Cover for Mourlot, Picasso Lithographe Bd. III, 1956. Ref: Bloch #795, Cantz #667, Mourlot #280. More
1933/later printing. Etching, annotated and dated “Paris, 30 Mars XXXIII” in plate lower right, editioned 115/300 in pencil and stamped signature in lower margin, 19.9 x 27.9cm. Framed. From the Vollard Suite. Ref: Geiser #316; Bloch #163. Also known as Famille de Saltimbanques (Circus Family). Held in NGA. More
1963. Lithograph, book cover, dated “4.2.63” in image (twice), 30 x 50.5cm. Slight wear and discolouration to edges and central portion of image. Cover for Mourlot, Picasso Lithographe Bd. IV, 1964. Ref: Bloch #1108, Cantz #840, Mourlot #388. More
1967. Drypoint, dated “16.4.67” in plate upper right, editioned 48/50 in pencil with stamped signature in lower margin, 29.6 x 34.8cm. Framed. Ref: Baer #1488. More
1953. Linocut and letterpress on a pre-printed colour background, poster format, signed in block lower right, 70 x 55cm (paper). Crinkles and creases across image. Framed. Illustrated in Czwiklitzer, Picasso’s Posters, 1971, #68, p313. Held in National Gallery of Victoria collection. This poster was created in two steps; the background was..... More
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More
c1901. Colour lithograph, text including title below image, 21.7 x 18.3cm. Text includes “Uitgave [published by] J.F. van de Ven – Baarn.” Image depicts Queen Wilhelmina in Friesian Dutch costume with poppies at her shoulder and windmills in background. The standard issue of this image includes the artist’s name in..... More
1893/1921. Woodcut, initialled “P.G.O.” and titled by Gauguin in block lower left, numbered “53”, annotated and signed by artist’s son Pola Gauguin in pencil in upper and lower margins, 20.3 x 35.4cm. Minor crease to image lower centre, slight cockling and rubbing to margins, old mount burn. Annotation reads “Paul..... More
1948. Colour woodcut, signed in pencil with artist’s seal on image lower left, title and printer’s stamp in lower and left margin, “no. 184/350” stamped verso, 39.3 x 30.1cm. Old glue stains to margins. Ref: Miles #93. More
c1920. Lithograph, text including artist and title in letterpress verso, 13.8 x 5.7cm. Minor old mount burn. Issued in Deutsche Graphiker der Gegenwart, Pfister, 1920. More
c1920s. Woodcut, “PNT” [Paul Nash Trust] stamp in lower margin, 3.9 x 10.1cm. Minor foxing to margins. More
c1987. Etching, annotated “A/P” and signed in pencil in lower margin, 60.3 x 44.6cm. Framed. Only a few proofs were printed; no edition was produced. Kingston visited Hong Kong in 1973 and participated in a group exhibition there in 1987. Ref: Wilson, Harbourlights: The art and times of Peter Kingston..... More