1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
c1921. Etching, artist and title in plate below image, 45.5 x 34cm. Repaired tears to right margin including platemark, paper remnants to lower portion, old mount burn. Text reads “Grand civic welcome to those gallant heroes HM 19th Regiment of Foot (The Green Howards) on their return from foreign service..... More
![Chocolat Masson/Chocolat Mexicain [The Four Seasons]. Alphonse Mucha, Czech](/pictures/thumb/CL194-80_04.JPG?v=1543548744)
1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn..... More
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
1949. Colour aquatint, editioned 87/165 and annotated in pencil in lower margin, 27 x 17cm (image). The annotation “by André Masson ‘49” is by art dealer Richard King. This image is one of the 33 aquatints created to illustrate Les Conquerants (The Conquerors), a 271 page book about civil unrest..... More
![Cut-throat Razor Sellers]. Anon](/pictures/thumb/CL184-15.JPG?v=1486091869)
c1790s. Etching, 26.7 x 21.1cm. Trimmed platemark, discolouration, slight tears and missing portions to left edge. Straight or “cut-throat” razors, consisting of a blade that can fold into a handle, were first listed by Sheffield in England in 1680. By 1740 they were made with cast steel and decorative handles..... More
![Four Seasons]. Anon](/pictures/thumb/CL175-5.JPG?v=1492659695)
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More
![L’Habitue [The Regular]. Anon](/pictures/thumb/CL184-44.JPG?v=1486012949)
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More
![Tailpieces From “The Georgics Of Virgil”]. Aristide Maillol, French](/pictures/thumb/CL184-109.JPG?v=1486091855)
c1937-1944/1950. Three woodcuts on a single sheet, “Maillol” monogram stamped lower left with publisher’s blindstamp, 32.3 x 24cm (paper). Foxing overall. Illustrations made for Les Géorgiques de Virgile, vols. I and II. The volumes, printed by Philippe Gonin in Paris, were in planning from 1910 when Maillol was travelling around..... More
1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
![Palazzo Labia [Venice]. Arthur Streeton, 1867–1943 Aust](/pictures/thumb/CL198-60.jpg?v=1576815247)
1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More
![Hotel Imperial [Czech Republic]. Arthur von Scheibenhof, Italian/German](/pictures/thumb/CL184-47.JPG?v=1486012951)
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More
![The Sheldonian Theatre, Oxford]. Aubrey K. Moore, active 1920s-30s British](/pictures/thumb/CL184-127.JPG?v=1486091860)
c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More
c1883. Wood engraving, titled and signed in block lower left and right, signed, dated and titled in pencil in lower margin, 21.2 x 31.5cm. Minor crinkles overall, slight glue stains and foxing to margins, old mount burn. Title continues “le 29 7bre [sic] 1820.”. More
![La Gravida [The Pregnant Woman]. Augustus John, Brit](/pictures/thumb/CL168-77.JPG?v=1492489388)
1902/1906. Etching, signed and dated in plate upper left, signed in pencil in lower margin, 12.5 x 10cm. Slight foxing overall. Second state. Twenty-five impressions were recorded in 1906. Ref: Dodgson #100, titled in Italian. Provenance: Estate of Dr Constable, former trustee of Art Gallery of WA. Possibly inspired by..... More
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum. More
![Flowers In Vases]. Bernard Buffet, French](/pictures/thumb/CL168-27.JPG?v=1492488927)
c1980s. Drypoint, annotated “EA” (artist’s proof), editioned 29/30 and signed in pencil in lower margin, 65.6 x 50.6cm. Minor soiling to margins. Framed. More
1925. Colour woodcut, monogrammed in block lower right, signed in pencil on image lower centre, annotated “copyright, no. 14” and dated in pencil in lower margin, 37.7 x 25.3cm. Minor creases and surface loss to image edges and lower right, slight stains to corners and lower portion, old mount burn..... More
1933. Wood engraving, titled, editioned 12/12, signed, dated and annotated in pencil in lower margin, 11.6 x 17cm. Minor surface loss to edge of image centre right, tears and slight foxing to lower margin. Annotation reads “From the Lamentations of Jeremiah.” Hughes-Stanton won the International Prize for Engraving at the..... More
![Male Figure]. Boris Lovet-Lorski, Lith./Amer](/pictures/thumb/CL184-106.JPG?v=1486091854)
c1929. Lithograph, signed in pencil below image, 31.4 x 23.7cm. Likely from a portfolio of lithographs published in two volumes in Paris, 1929. Ref: British Museum. Boris Lovet-Lorski worked as an architect in Russia until 1920, when he immigrated to the United States, settling in New York. His sculpture and..... More
