1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More

c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More

1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More

1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More

1949. Colour aquatint, editioned 87/165 and annotated in pencil in lower margin, 27 x 17cm (image). The annotation “by André Masson ‘49” is by art dealer Richard King. This image is one of the 33 aquatints created to illustrate Les Conquerants (The Conquerors), a 271 page book about civil unrest..... More

c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

c1937-1944/1950. Three woodcuts on a single sheet, “Maillol” monogram stamped lower left with publisher’s blindstamp, 32.3 x 24cm (paper). Foxing overall. Illustrations made for Les Géorgiques de Virgile, vols. I and II. The volumes, printed by Philippe Gonin in Paris, were in planning from 1910 when Maillol was travelling around..... More

1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More

1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More

c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More

1902/1906. Etching, signed and dated in plate upper left, signed in pencil in lower margin, 12.5 x 10cm. Slight foxing overall. Second state. Twenty-five impressions were recorded in 1906. Ref: Dodgson #100, titled in Italian. Provenance: Estate of Dr Constable, former trustee of Art Gallery of WA. Possibly inspired by..... More