1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More

1827/1893. Wood engraving, 8.2 x 12.7cm. Slight foxing, old mount burn. From an edition of 350, printed by Calvert’s son in 1893. Image held in the Art Gallery of NSW, the Tate and The Met, with the comment “In this richly detailed engraving, Calvert conjured an idealized medieval world. Made..... More

1927/1938. Woodcut, initialled “C.” in block lower right, dated “1927” and initialled with date “1938” in pencil in lower margin, 11.4 x 16cm. Framed. This is an illustration for a proposed but never published edition of Robinson Crusoe. Craig agreed to illustrate a book on Robinson Crusoe in the late..... More

c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More

1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More

c1925. Etching, signed in pencil in lower margin, 12.7 x 17.5cm. Repaired tears to image lower centre and margin, minor foxing, old mount burn. Laid down on acid-free tissue. Ref: Wootton #108. Held in de Young Museum, San Francisco. The daughter of illustrator George Soper, Eileen was only fifteen when..... More

1973. Hand-coloured etching, annotated “artist’s proof”, titled, signed and dated in pencil in lower margin, 35 x 30.2cm. Accompanied with original exhibition labels. Legong is a form of Balinese dance, characterised by intricate finger movements, footwork, and expressive gestures. Ref: Wiki. More

c1920s. Drypoint, artist’s signature stamped in lower margin, 29.4 x 27.1cm. Slight foxing. Framed. The hand drum being played in this image is a mridangam, also known as tannumai. It is a percussion instrument from India, of ancient origin. Elyse Lord’s images “typically draw on the Art Deco movement and..... More

1932. Aquatint with etching, signed and dated in plate lower right, editioned 12/30, signed and dated in pencil in lower margin, 25.7 x 33.5cm. Minor creases and slight foxing to margins. Emil Filla was a leader of the avant-garde in Prague between WWI and WWII and was an early Cubist..... More

c1920s. Woodcut, titled and signed in pencil in lower margin, 38.7 x 41.7cm. Slight crinkles to margins. The vantage point for this view was from the Ulm Minster (161.5 m/530 ft), which is currently the tallest church building in the world. Construction of the church began in 1377 and was completed..... More

c1919. Woodcut, titled, annotated “Orig. holzschnitt [woodcut]” and signed in pencil below image, 22 x 21.8cm. Slight stain to upper centre, minor crease to lower left corner, trimmed margins. The Vienna Giant Ferris wheel, 64.75-metre (212 ft) tall, stands at the entrance of the Prater amusement park in Leopoldstadt. It..... More

1924. Engraving, signed in plate lower right, 17.5 x 11cm. Crinkles overall. Ref: Skelton #P296. Eric Gill was a sculptor, typeface designer, stonecutter and printmaker, who was associated with the Arts and Crafts movement. Among his finest achievements are the engravings for the Golden Cockerel Press, owned by close friend..... More

1945. Linocut, titled, signed and dated in pencil lower centre and right, 39 x 19.1cm. Creases and slight stains to edges, old mount burn. Held in NGA with further annotation noting “the chair was made from the upswept prow of a canoe. Cut from sketches drawn on Noemfoor Is., Geelvinck..... More