c1920s. Etching, monogrammed in plate upper right, signed in pencil in lower margin, titled and annotated “etching” in pencil on slip attached to mount verso, 25.8 x 20.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #30. Held in Hunterian Museum, Glasgow. More

c1920s. Etching and drypoint, monogrammed in plate lower left, signed in pencil in lower margin, titled and annotated “etching & drypoint” in pencil on slip attached to mount verso, 22.7 x 35.1cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #10. Dunster is a village within the English county of..... More

c1920s. Drypoint, signed in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 33.2 x 25.5cm. Repaired missing portions to lower platemark including image. Ref: Konody, Etchings & Drypoints by S. Tushingham, #39. More

c1920s. Drypoint, signed and annotated “state. proof” in pencil in lower margin, 15.1 x 37.6cm. Creases to margins, old mount burn. William Lionel Wyllie was a prolific English painter of maritime themes. He has been described as “the most distinguished marine artist of his day.” He is noted for precision..... More

c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 18.5 x 19.9cm. Minor foxing and mount burn to margins. More

c1920. Etching, signed in plate lower left, signed in pencil in lower margin, 25.7 x 34cm. Minor discolouration and stains overall, creases to margins. More

1918/1920. Woodcut, artist’s name, title and medium in German in letterpress verso, 16.3 x 21.8cm. From the edition issued for Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Ref: Prasse W. #115. Held in MoMA collection. The Hanseatic League, or Hansa, began as a northern European trading..... More

c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More

c1920. Lithograph, text including artist and title in letterpress verso, 13.8 x 5.7cm. Minor old mount burn. Issued in Deutsche Graphiker der Gegenwart, Pfister, 1920. More

c1920s. Colour linocut, monogrammed in block lower right, annotated “handdruck” with illegible title in German, signed and numbered “35” and “21” in pencil in lower margin, 42.9 x 22.7cm. Foxing overall, creases, slight tears and paper loss to margins. More

c1920. Woodcut, annotated “handabzug” [hand printed], signed and titled in pencil in lower margin, 17.3 x 27.6cm. Slight foxing to margins, old stains, repaired tears and missing portions to margins. Laid down on acid-free tissue. Provenance: Lewis Morley collection, purchased in London during the 1960s. More

1919/1920. Woodcut, text including artist’s name and title in letterpress verso, 25.2 x 15.9cm. From the edition issued for Deutsche Graphiker der Gegenwart, Leipzig, 1920. Held in MoMA collection. Pechstein, a prominent Expressionist painter, was one of the founding members of the Brücke (The Bridge), a seminal group of German..... More

c1920s. Mezzotint, titled, annotated “mezzotint” and signed in pencil in lower margin, 11.9 x 15.6cm. Minor stains to margins. More