c1920s. Drypoint, monogrammed in plate upper left, signed in pencil in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 28 x 20.4cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #52. More
c1920s. Etching, monogrammed in plate upper right, signed in pencil in lower margin, titled and annotated “etching” in pencil on slip attached to mount verso, 25.8 x 20.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #30. Held in Hunterian Museum, Glasgow. More
![Item #CL184-159 The Sheepmarket, Bridgwater [UK]. Sidney Tushingham, British](/pictures/thumb/CL184-159.JPG?v=1486091872)
c1920s. Drypoint, monogrammed in plate upper left, signed in pencil in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 25.3 x 21.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #14. More
![Item #CL184-160 Dunster [UK]. Sidney Tushingham, Brit](/pictures/thumb/CL184-160.JPG?v=1486012901)
c1920s. Etching and drypoint, monogrammed in plate lower left, signed in pencil in lower margin, titled and annotated “etching & drypoint” in pencil on slip attached to mount verso, 22.7 x 35.1cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #10. Dunster is a village within the English county of..... More
![Item #CL184-161 A Picnic, Hampstead Heath [UK]. Sidney Tushingham, Brit](/pictures/thumb/CL184-161.JPG?v=1486012901)
c1920s. Drypoint, monogrammed in plate lower right, signed in pencil in lower margin, 19.2 x 28.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #7. More
c1920s. Drypoint, signed in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 33.2 x 25.5cm. Repaired missing portions to lower platemark including image. Ref: Konody, Etchings & Drypoints by S. Tushingham, #39. More
c1920s. Lithograph, titled in image lower right, signed in pencil on image lower left, 28.5 x 36cm. Minor foxing and creases to margins, old mount burn. George Bernard Shaw (1856-1950), was a famous Irish playwright and critic. He wrote more than sixty plays. In 1925 he was awarded the Nobel..... More
![Item #CL184-167 [Fishing Boats In Port Of Industrial City]. W L. Wyllie, Brit](/pictures/thumb/CL184-167.JPG?v=1486012905)
c1920s. Drypoint, signed and annotated “state. proof” in pencil in lower margin, 15.1 x 37.6cm. Creases to margins, old mount burn. William Lionel Wyllie was a prolific English painter of maritime themes. He has been described as “the most distinguished marine artist of his day.” He is noted for precision..... More
c1920s. Drypoint, signed in plate lower left, signed, titled and editioned “80 proofs” in ink on plate mark below image and in lower margin, 24 x 19.2cm. Minor stains to margins. More
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 18.5 x 19.9cm. Minor foxing and mount burn to margins. More
![Item #CL168-41 [Derby Day At Epsom Downs]. George H. J. Day](/pictures/thumb/CL168-41.JPG?v=1492489360)
c1920. Etching, signed in plate lower left, signed in pencil in lower margin, 25.7 x 34cm. Minor discolouration and stains overall, creases to margins. More
c1920s. Drypoint, annotated "D.Y.C." and signed in plate lower left, signed by Dodd and annotated "J. Hamilton Hay" in another hand in pencil in lower margin, 26.5 x 25.4cm. Old crease to lower left corner of image and margin, old mount burn. More
1918/1920. Woodcut, artist’s name, title and medium in German in letterpress verso, 16.3 x 21.8cm. From the edition issued for Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Ref: Prasse W. #115. Held in MoMA collection. The Hanseatic League, or Hansa, began as a northern European trading..... More
c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 24.8 x 38cm. Minor soiling to margins. Wood engraver, lithographer, etcher and painter, Giles devised an oil colour method of printing from metal plates (“Giles Method”). He exhibited at the Royal Academy from 1916 to 1917..... More
c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More
c1920. Lithograph, text including artist and title in letterpress verso, 13.8 x 5.7cm. Minor old mount burn. Issued in Deutsche Graphiker der Gegenwart, Pfister, 1920. More
c1920s. Colour linocut, titled and signed in pencil in lower margin, 25.5 x 20.4cm. Old mount burn. More
c1920. Woodcut, annotated “handabzug” [hand printed], signed and titled in pencil in lower margin, 17.3 x 27.6cm. Slight foxing to margins, old stains, repaired tears and missing portions to margins. Laid down on acid-free tissue. Provenance: Lewis Morley collection, purchased in London during the 1960s. More
![Item #CL168-112 [Figure With Animals]. Karl Opfermann, German](/pictures/thumb/CL168-112.JPG?v=1492489803)
c1920. Woodcut, signed in pencil in lower margin, 38 x 29.3cm. Slight creases to lower edge of image and to margins. Provenance: Lewis Morley collection, purchased in London during the 1960s. More
1919/1920. Woodcut, text including artist’s name and title in letterpress verso, 25.2 x 15.9cm. From the edition issued for Deutsche Graphiker der Gegenwart, Leipzig, 1920. Held in MoMA collection. Pechstein, a prominent Expressionist painter, was one of the founding members of the Brücke (The Bridge), a seminal group of German..... More
1916/1920. Woodcut, dated in block lower right, artist’s name, title and text in German in letterpress verso, 25.7 x 18.1cm. Old vertical crease to centre of image and lower margin. Text reads “Holzschnitt [woodcut].” From the edition issued for Deutsche Graphiker der Gegenwart, Leipzig, 1920. More
c1920s. Mezzotint, titled, annotated “mezzotint” and signed in pencil in lower margin, 11.9 x 15.6cm. Minor stains to margins. More
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 20.9 x 27.6cm. Old mount burn. More
![Item #CL168-144 [Vase Of Peonies]. Mokuchu Urushibara, Japanese](/pictures/thumb/CL168-144.JPG?v=1492489834)
c1920s. Colour woodcut, text and artist’s seal in Japanese in block centre right, numbered “no. 15” and signed in English in pencil in lower margin, 27.2 x 20.3cm. More
