1927. Etching, signed in plate lower right, signed, annotated “100” and titled in pencil in lower margin, 15.5 x 25.5cm. Old mount burn. Ref: Mendelssohn #404, title also includes St Eufemia. Anacapri is a commune on the island of Capri, in the province of Naples, Italy. French composer Claude Debussy... More about Anacapri [Italy

1927. Etching with drypoint, signed in plate lower left, signed in pencil on image lower right, 34 x 21cm. Stains to margins, old mount burn. Held in de Young Museum, San Francisco. More about Mrs. Mack And Her Cat

1928. Hand-coloured drypoint with aquatint, artist’s copyright with date, illegible “Paris” publisher’s line in plate above image, artist’s blindstamp, numbered “163” and signed in pencil below image, 49.7 x 38cm. Slight paper loss overall, minor stains and missing portions to margins, old mount burn. Ref: Holland, Catania and Isen #336..... More about Marchande De Fleurs (Flower Seller

1928. Drypoint, signed in plate lower centre, signed by Tudor, and annotated “original etching” and titled in another hand in pencil in lower margin, 17.5 x 27.6cm. Stains to margins. First of a suite of twenty-five etchings, The American Football Set, published by Kennedy & Company, New York, October 1928. More about Tackled At The Line

1928. Engraving, annotated “epreuve d’artiste (artist’s proof)” and signed in pencil in lower margin, 23.7 x 33.9cm. Paper loss to upper margin, small tear to edge of lower margin, old mount burn. From the suite entitled Atlas, which consisted of seven engravings of the continents, produced in an edition of..... More about Australie

c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte... More about Il Ponte Vecchio, Florence, Italy

1928. Drypoint, signed and titled in plate lower left, signed, titled and numbered “100” in pencil in lower margin, 30.3 x 32.7cm. Slight foxing and crinkles overall. Ref: Mendelssohn #443, listed as Jerez De Los Caballeros, Estremadura, Spain. Held in NGA. Jerez de los Caballeros is a town in south-western... More about Jerez De Los Caballeros [Spain

c1929. Lithograph, signed in pencil below image, 31.4 x 23.7cm. Likely from a portfolio of lithographs published in two volumes in Paris, 1929. Ref: British Museum. Boris Lovet-Lorski worked as an architect in Russia until 1920, when he immigrated to the United States, settling in New York. His sculpture and... More about Male Figure

c1929. Drypoint, signed by Tushingham in pencil in lower margin, titled in another hand in pencil on mount below image, 25.8 x 33.9cm. Minor old mount burn. Edition of 75. Ref: Salaman, Etchings & Drypoints by S. Tushingham, #95. More about Saragossa [Spain

1929. Wood engraving, editioned 5/50, signed and dated in pencil in lower margin, 18 x 23.2cm. Ref: Alexander Masley website. More about Pleasant Valley

c1930. Colour linocut, annotated “no. 30”, titled and signed in pencil in lower margin, 19.1 x 22.7cm. More about The Coach

c1930s. Etching, signed in plate lower left, 25.2 x 30.1cm. Minor soiling and repaired slight tear to lower margin. Ennis was a painter who also became known for the stained glass window he designed for the United States Military Academy at West Point, NY. Ref: Art Institute, Chicago. More about Sailors Fighting

1930/later printing. Colour lithograph, editioned 113/ 150, signed in pencil and editor’s blind stamp below image, 21.5 x 22.2cm. Old mount burn. Blind stamp reads “H. Petiet, Editeur, Paris.” Illustrated in Carroll, Alice in Wonderland, Paris, 1930. Ref: Marchesseau #164. More about Alice [In Wonderland