Normandy Fisherman
1925. Drypoint, signed in plate lower left, signed and titled in lower margin, 22.9 x 25.2cm. More
International
Windy Landscape
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
![St Paul’s Cathedral, London]. Albany E. Howarth, Brit](/pictures/thumb/CL168-75.JPG?v=1492489387)
[St Paul’s Cathedral, London]
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
Andreas Schwarz
1906/1925. Drypoint, engraved text in plate lower right, letterpress in German and annotation in pencil and ink on accompanying slip, 19.9 x 14.3cm. Slight discolouration to margins. Text in plate reads “Bruno Cassirer Verlag.” Text on slip includes artist’s name, “Knabenkopf” (boy’s head) and published in Kunst und Kunstler, Berlin..... More
The Caravan
c1925. Colour woodcut with gouache, titled and signed in pencil in lower margin, 33.6 x 26.8cm. Slight foxing, old mount burn. Held in National Gallery of Australia. More
![Street Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-9.JPG?v=1492659725)
[Street Scene, Cairo, Egypt]
c1925. Lithograph, monogrammed and signed in image in lower portion, signed in pencil below image, 37.5 x 23.2cm (image). Minor stains, foxing, old mount burn, added platemark. More
![Market Scene, Cairo, Egypt]. After William Ashton, Brit](/pictures/thumb/CL175-10.JPG?v=1492659644)
[Market Scene, Cairo, Egypt]
c1925. Lithograph, signed in pencil below image, 27.3 x 14.9cm. Added platemark, old mount burn. More
![Squirrels]. Norbertine von Bresslern-Roth, Austrian/Amer](/pictures/thumb/CL175-28.JPG?v=1492659672)
[Squirrels]
c1925. Colour woodcut, annotated “handdruck” and signed in pencil in lower margin, 14 x 18.5cm. Missing portion to corner of lower margin. More
Italian Futurist Postcards
c1925. Group of three colour lithographs, postcard format, mounted together, each signed in image lower left or right, letterpress text in mostly Italian including title in right border and verso, 9 x 13.9cm (each postcard). Slight soiling, minor wear to edges. All three postcards include “Movimento Futurista Italiano. Pittore Tato..... More
![San Trovaso [Venice]. John Taylor Arms, Amer](/pictures/thumb/CL168-7.JPG?v=1492488942)
San Trovaso [Venice]
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
Night Time In Dieppe
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
Great Seaside Farm
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
The Rt Hon Sir Edward George Clarke PC KC,
1926. Drypoint, signed, dated and titled in plate lower left to right, signed in pencil in lower margin, 28 x 22.9cm. Slight foxing overall, old mount burn. More
![St Paul’s Cathedral, London]. Ian Strang, Brit](/pictures/thumb/CL168-136.JPG?v=1492489827)
[St Paul’s Cathedral, London]
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
Two Women And A Fish
1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More
The Butcher’s Shop
1926. Wood engraving, editioned 8/50 and signed in pencil in lower margin, 17.7 x 12.7cm. Ref: Alexander Masley website. More
Fidelity
1927. Drypoint and aquatint, printed à la poupée, with hand-colouring, “Louis Icart Society” blindstamp, signed by Icart and annotated “416” in an unknown hand in pencil below image, 48 x 39.2cm (oval). Perforation and tears to image lower left, minor surface loss overall, glue stains to margins, old mount burn..... More
La Cachette (Hiding Place)
1927. Drypoint and aquatint, printed à la poupée with hand-colouring, artist’s copyright with date and “Paris” in plate above image, “Louis Icart Society” blindstamp, annotated “e 412” in an unknown hand and signed by Icart in pencil below image, 48.1 x 39.2cm (oval). Minor surface loss overall, glue stains to..... More
7 Shots From The Spot-light
1927. Folio of seven original lithographs, with contents page and frontispiece in linocut, title and date on contents page, each lithograph signed in pencil below image, 25.6 x 18cm (each); 40.2 x 32.7cm (folio). Tears and missing portions to contents page, old glue stains to upper edge of four lithographs..... More
Church Of St Ferreol, Marseilles
1927. Drypoint, signed, captioned “Marseilles” and dated in plate lower right, signed and annotated “100” in pencil in lower margin, 21.3 x 29.8cm. Old mount burn. Ref: Mendelssohn #411. More
Master And Pupil
1927. Engraving, titled in plate below image, 17.9 x 10.6cm. Glue remnants and old fold to left margin. Illustration for The Brook Kerith by George Moore. A well-known engraver and illustrator, Gooden also engraved for the Bank of England. Ref: Dodgson #57. More
![Anacapri [Italy]. Lionel Lindsay, Aust](/pictures/thumb/CL166-109.JPG?v=1492487423)
Anacapri [Italy]
1927. Etching, signed in plate lower right, signed, annotated “100” and titled in pencil in lower margin, 15.5 x 25.5cm. Old mount burn. Ref: Mendelssohn #404, title also includes St Eufemia. Anacapri is a commune on the island of Capri, in the province of Naples, Italy. French composer Claude Debussy..... More
Le Puy, France
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More