c1925. Colour woodcut, annotated “handdruck,” signed with faint title in pencil in lower margin, 14.9 x 14.9cm. More

1925. Colour woodcut, artist’s chop in block upper left, dated “January 1925” in Japanese in block lower left, text “Hanga 5-4,” artist’s name and title in Japanese on backing below image, 12 x 16.3cm. Tipped to original backing sheet. More

1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More

1926. Colour woodcut, editioned 7/10, illegible signature and dated in pencil in lower margin, 19.2 x 13.1cm. Minor missing portions to margins. Also known as François Maret, Frans Ermengem was a Belgian poet, painter, illustrator and art critic. Ref: Wiki. More

1926. Drypoint, signed, dated and titled in plate lower left to right, signed in pencil in lower margin, 28 x 22.9cm. Slight foxing overall, old mount burn. More

1926. Wood engraving, editioned 12/50 and signed in pencil in lower margin, 20.5 x 17.5cm. Soiling and stains to margins. Held in Smithsonian American Art Museum. Dr. Alexander Simeon Masley was the founder of the Art Education Program at the University of New Mexico, then the Department of Art Education..... More

1927. Drypoint and aquatint, printed à la poupée, with hand-colouring, “Louis Icart Society” blindstamp, signed by Icart and annotated “416” in an unknown hand in pencil below image, 48 x 39.2cm (oval). Perforation and tears to image lower left, minor surface loss overall, glue stains to margins, old mount burn..... More

1927. Folio of seven original lithographs, with contents page and frontispiece in linocut, title and date on contents page, each lithograph signed in pencil below image, 25.6 x 18cm (each); 40.2 x 32.7cm (folio). Tears and missing portions to contents page, old glue stains to upper edge of four lithographs..... More

1927. Engraving, titled in plate below image, 17.9 x 10.6cm. Glue remnants and old fold to left margin. Illustration for The Brook Kerith by George Moore. A well-known engraver and illustrator, Gooden also engraved for the Bank of England. Ref: Dodgson #57. More

c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More

1927. Drypoint, initialled “L.” in plate lower right, 13 x 9.3cm. Minor paper loss and repaired tears to left edge, paper remnants and minor stains to margins, old mount burn. Ref: Laboureur #358. Held in Bibliothèque Nationale de France. Illustration for the Paul Morand novella, Baton Rouge about a black..... More

1928. Hand-coloured drypoint with aquatint, artist’s copyright with date, illegible “Paris” publisher’s line in plate above image, artist’s blindstamp, numbered “163” and signed in pencil below image, 49.7 x 38cm. Slight paper loss overall, minor stains and missing portions to margins, old mount burn. Ref: Holland, Catania and Isen #336..... More