[House With Pine Trees On A Hill]
1928. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 17.7 x 29.9cm. Slight foxing overall, old mount burn. More
1928. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 17.7 x 29.9cm. Slight foxing overall, old mount burn. More
c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte..... More
c1928. Woodcut, signed “Raokin” in pencil in lower margin, 11 x 13.3cm. Slight foxing overall, old tape remnants, tears and creases to margins. Held in NGA. While living in Malta from 1927 to 1930, Hawkins adopted the name “Raokin” to avoid publicity, which described him as a “wounded artist” in..... More
1928. Drypoint, signed and titled in plate lower left, signed, titled and numbered “100” in pencil in lower margin, 30.3 x 32.7cm. Slight foxing and crinkles overall. Ref: Mendelssohn #443, listed as Jerez De Los Caballeros, Estremadura, Spain. Held in NGA. Jerez de los Caballeros is a town in south-western..... More
1928. Colour linocut, titled, signed, dated and editioned 10/25 in pencil in lower margin, 13.8 x 18.7cm. Slight ink deposits and stains to margins. More
1928. Etching with drypoint, titled, signed and dated in plate lower right, editioned 4/75 and signed in ink in lower margin, 35.3 x 22.7cm. Old mount burn. Held in V&A. Image depicts “two men assisting the carpenter to lay new deck planking alongside the deck-house” on the square-rigger Lwow, the..... More
c1929. Lithograph, signed in pencil below image, 31.4 x 23.7cm. Likely from a portfolio of lithographs published in two volumes in Paris, 1929. Ref: British Museum. Boris Lovet-Lorski worked as an architect in Russia until 1920, when he immigrated to the United States, settling in New York. His sculpture and..... More
1929. Drypoint, annotated “trial” and signed in ink in lower margin, 24.3 x 16.8cm. Old mount burn. This is a trial proof before the edition of 75. Ref: Wright #19, state iv/v. More
c1929. Drypoint, signed by Tushingham in pencil in lower margin, titled in another hand in pencil on mount below image, 25.8 x 33.9cm. Minor old mount burn. Edition of 75. Ref: Salaman, Etchings & Drypoints by S. Tushingham, #95. More
c1929. Lithograph, signed and titled in French in pencil in lower margin, 34.5 x 21.5cm. Uneven edges to margins. Born in France, Ethel Gabain was educated in England and studied art at the Slade and the Central School of Art and Design in London. Early in her career Gabain decided..... More
1929. Wood engraving, editioned 5/50, signed and dated in pencil in lower margin, 18 x 23.2cm. Ref: Alexander Masley website. More
c1929. Pair of linocuts on tissue, one image monogrammed in block lower left, 10.2 x 11.6cm; 12.2 x 18.7cm. Foxing, old mount burn. Ref: Macdonald Ross, New Zealand Prints 1900-1950: An unseen heritage, University of Canterbury, 2006, p61. More
1929. Drypoint, signed in plate lower right, signed by Lindsay and titled in another hand in pencil in lower margin, 13.7 x 17.5cm. Old mount burn. Ref: Mendelssohn #472. More
1929. Drypoint, editioned “XII”, signed and annotated in ink and titled in pencil in lower margin, 24.1 x 17.5cm. Slight foxing, stains and old mount burn to margins. Wright #20. Annotation reads “Paper: Whatman 1831.” This drypoint is considered Flint’s most iconic image. First achieving fame for his Illustrations and then..... More
1930. Colour linocut, titled, signed, dated and editioned 14/50 in pencil in lower margin, 20.5 x 17.2cm. Minor stains to margins. More
c1930s. Etching, signed in plate lower left, 25.2 x 30.1cm. Minor soiling and repaired slight tear to lower margin. Ennis was a painter who also became known for the stained glass window he designed for the United States Military Academy at West Point, NY. Ref: Art Institute, Chicago. More
c1930s. Colour airbrush stencil print (pochoir), signed in pencil on image lower left, 38 x 36.8cm. Minor stains and paper loss to margins, old mount burn. Provenance: Colin Lanceley estate. Similar work held in the Philadelphia Museum of Art with the comment “A painter, teacher, and craftsman, William Hentschel also..... More
1930/later printing. Colour lithograph, editioned 113/ 150, signed in pencil and editor’s blind stamp below image, 21.5 x 22.2cm. Old mount burn. Blind stamp reads “H. Petiet, Editeur, Paris.” Illustrated in Carroll, Alice in Wonderland, Paris, 1930. Ref: Marchesseau #164. More
c1930s. Colour linocut, signed in pencil in lower margin, 18.2 x 16cm. Creases and cockling to image and margins, slight foxing. The Sheldonian Theatre is the official ceremonial hall of the University of Oxford. Constructed between 1664 and 1669, it was Sir Christopher Wren’s first major design. It is one..... More
c1930s. Wood engraving, titled and signed in pencil in lower margin, 10.3 x 12.5cm. Minor foxing, crinkles and tape remnants to margins. Taxco, one of the most popular wood engravings of Mexico by Bethers, was exhibited extensively, including at the International Exhibition of Wood-Engravers and Lithographers at the Art Institute..... More
1930. Lithograph, initialled and dated in image lower right, signed, dated and editioned 91/100 in black chalk below image, 41.7 x 28.1cm. Minor stain to image lower right and margins. Held in British Museum with the comment “This portrait depicts Rivera’s second wife, the artist Frida Kahlo (1907-54), sitting on..... More
c1930s. (1) Walter Jardine (Australian, 1884-1970). [Dr William Gilbert “W.G.” Grace]. c1930s. Watercolour, signed upper left, 18.2 x 13.2cm. Slight soiling. Design for the accompanying card, An Ideal Cricket Eleven Series. No. 1: Dr W.G. Grace, based on a 1908 photograph of Grace when he made his final first-class appearance..... More
c1920s-1930s. Colour process lithograph poster, Chinese characters and artist’s stamp in image lower right and centre, 77.3 x 50.3cm. Repaired slight creases and perforations. Linen-backed. Provenance: Old Chinese grocery store in Dixon St, Sydney, at closing down sale in 1980s. Vintage poster without the usual overprint advertising cigarettes, soap or..... More
c1930s. Colour woodcut, monogrammed in block upper right, 27.1 x 16.4cm. Minor foxing. Dog of Fo, a Chinese mythical beast, half-dog and half-lion, was used to guard Buddhist temples and works of art. Ref: Brittanica. More