c1930s. Colour woodcut, editioned 17/75, titled and signed in pencil in lower margin, 29.9 x 44.8cm. Slight stains to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In..... More
c1930s. Colour woodcut, titled and signed in pencil in lower margin, 39.5 x 30cm. Slight foxing to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In the late..... More
![Rabbi Studying]. Sir Frank Brangwyn, Brit](/pictures/thumb/CL184-58.JPG?v=1486012961)
c1931. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 16.2 x 14.9cm. Minor foxing to upper margin. In 1931 Brangwyn illustrated the book L’Ombre de la Croix (The Shadow of the Cross) for Jérôme & Jean Tharaud, which described the lives of Jewish people in contemporary..... More
![Mexican Village Scene]. Prescott Chaplin, American](/pictures/thumb/CL184-171.JPG?v=1486012912)
1931. Hand-coloured woodcut, 18.3 x 27.3cm. Minor creases, foxing and repaired tears to margins, old mount burn. From a portfolio of 12 colour woodcuts in an edition of 100, first issued in 1931. Published by Murray & Harris, Los Angeles. Artist, author and screen writer, Prescott Chaplin studied art under..... More
![Marchand De Fleurs Au Trocadéro [Paris]. Jean Emile Laboureur, French](/pictures/thumb/CL192-78.JPG?v=1524199261)
1931. Engraving, initialled “L.” in plate lower left, signed and editioned 1/7 in pencil in lower margin, 19.5 x 14.5cm. Slight foxing overall. Framed. Provenance: James Fairfax estate. Ref: Laboureur #433. Held in Bibliothèque Nationale de France. The “flower shop at Trocadero” includes the Eiffel Tower in the background. More
1905-1931. Seven colour process screens, letterpress text with date and caption above and below each image, 30.6 x 44.6cm to 46.7 x 66.6cm. Missing portions, creases, minor scuffing and repaired tears. Linen-backed. Titles read 1). The Story of the Fire God; 2). Where Christmas comes in summer’s reign: holiday-time beside..... More
1932. Lithograph, titled, signed and dated in image lower left to right, signed in ink on image lower centre, 21.6 x 33.1cm. Slight stains and foxing overall, old mount burn. This image was included in the Art Institute of Chicago’s International Exhibition of Contemporary Prints held in 1934. More
1932. Etching with remarques, captioned “Hesiodos And Mousa” in Greek in plate, signed in ink in lower margin, 36.5 x 29.9cm. Minor foxing and repairs to image upper and lower right, slight stains and paper loss to margins. In 1930, Vollard asked Braque to illustrate a text for him; Braque..... More
1932. Colour woodcut, monogrammed in block lower left, signed, titled and dated in pencil in lower margin, 25.2 x 27.8cm. Foxing overall, tears to upper margin. A graduate of Cracow Academy of Fine Arts, graphic artist and art educator Edmund Bart?omiejczyk was influenced by Japonisme and Ukiyo-e. More
1932. Etching, signed in pencil below image, annotated and titled in lower margin, 27.2 x 21.9cm. Old mount burn. Text reads “75 proofs in edition.” Ref: Bolling and Withington #67. More
![Still Life With Fruit]. Emil Filla, Czech](/pictures/thumb/CL192-38.JPG?v=1524199218)
1932. Aquatint with etching, signed and dated in plate lower right, editioned 12/30, signed and dated in pencil in lower margin, 25.7 x 33.5cm. Minor creases and slight foxing to margins. Emil Filla was a leader of the avant-garde in Prague between WWI and WWII and was an early Cubist..... More
1933. Lithograph, signed, dated and titled in image lower left to right, signed and dated “1934” in ink below image, 19.5 x 33.2cm. Stains overall. Blampied made over 30 lithographs, many of dogs, which were not recorded in either catalogue raisonné. Ref: Wiki. More
1933. Lithograph, signed in image lower left, Studio magazine logo below image, 24.5 x 16.5cm. Slight crinkling. From The Studio magazine, no. 481, vol. CV. More
1933/later printing. Etching, annotated and dated “Paris, 30 Mars XXXIII” in plate lower right, editioned 115/300 in pencil and stamped signature in lower margin, 19.9 x 27.9cm. Framed. From the Vollard Suite. Ref: Geiser #316; Bloch #163. Also known as Famille de Saltimbanques (Circus Family). Held in NGA. More
1933. Wood engraving, titled, editioned 1/25, signed and dated in pencil in lower margin, 7 x 12.7cm. Illustration for a story of the same title, published in XXI Welsh Gypsy Folk Tales, (collected by John Sampson, published 1933), in which a young woman must solve a riddle and find leaves..... More
1933. Colour linocut, titled, signed, dated “June 2nd, ’33,” editioned 6/25 and annotated in pencil in lower and right margins, 26.5 x 35cm. Tears to edges of margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
1933. Wood engraving, titled, editioned 12/12, signed, dated and annotated in pencil in lower margin, 11.6 x 17cm. Minor surface loss to edge of image centre right, tears and slight foxing to lower margin. Annotation reads “From the Lamentations of Jeremiah.” Hughes-Stanton won the International Prize for Engraving at the..... More
1933. Colour linocut, titled, signed, editioned 9/25 and dated in pencil in lower margin, 36.1 x 25.5cm. Ink residue from printing process around untrimmed margins. “Isabel de Bohun Lockyer was one of the few artists outside the Grosvenor School to use linocut for colour printmaking in England during the 1920’s..... More
1895/1935. Lithograph with sheet music, monogrammed lower left, 26 x 19.5cm. Minor foxing. Double-sided frame. This is the fourteenth of fourteen song titles in the series Mélodies de Désiré Dihau. Each was issued by Paris music publisher C. Joubert with the text “Melodies sur le des Poesies de Jean Richepin”..... More
1935. Drypoint, annotated “trial”, signed, inscribed and dated in ink in lower margin, 10.5 x 15.9cm. Slight water stains and cockling to margins, old mount burn. Inscription reads “This proof for my dear (but sorely missed) Assistant Printer Margaret Richmond Herbertson. 24.1.35. Paper: Shoreham Mill: 1825.” State iii/iv. Ref: Wright..... More
![Reclining Female Nude]. Aino Bach, Estonian](/pictures/thumb/CL175-12.JPG?v=1492659657)
c1935. Drypoint, annotated “kuivnoel (drypoint)” in Estonian, signed in pencil with partially obscured date in lower margin, 23.1 x 25.4cm. Old glue stains to margins, mount burn. A well-respected artist who mentored other Estonian artists, Aino Bach practiced mostly intaglio printing techniques, in particular, aquatint, drypoint and etching. She studied..... More
1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More
![Around Higashi Amusement Park [Japan]. Hide Kawanishi, Japanese](/pictures/thumb/CL175-77.JPG?v=1492659721)
1935. Colour woodcut, artist’s chop in block lower left and titled in Japanese in ink in right margin, dated in pencil verso, 15.7 x 26 cm. More
![Queensboro Bridge – From Manhattan]. Fuji Nakamizo, Japanese/Amer](/pictures/thumb/CL175-111.JPG?v=1492660293)
c1935. Etching, monogrammed in plate upper right, signed in pencil in lower margin, 22.6 x 27.8cm. Tape to upper margin, evidence of printer’s ink fingerprints to margins, old mount burn. More
![Beers And Beaus]. Isabel de B. Lockyer, British](/pictures/thumb/CL192-91.JPG?v=1524199276)
1935. Colour linocut, annotated “next print”, editioned 4/25, signed, dated and annotated with printing instructions for colours in margins, 17.4 x 25cm. Slight foxing to margins. More