c1930. Linocut, signed “Ruth Innes” in pencil in lower margin, 14 x 10.5cm. Slight foxing and creases to lower left portion of image and margins. During the 1930s New Zealand artist and illustrator Ruth Mary Coyle née Innes taught part-time at St. Cuthbert’s College in Auckland. She exhibited with Auckland..... More

c1930. Globe with brass and timber stand, 47 x 34cm (with stand). Slight stains and oxidation to globe, crazing to stand. Shows railway routes, steamer-route distances in sea miles, heights in English feet, and highlights countries of the British Empire in red. Text includes publisher “Geographia Ltd, 55 Fleet Street..... More

c1930s. Colour woodcut, titled and signed in pencil in lower margin, 39.5 x 30cm. Slight foxing to margins. “Droege studied at the Düsseldorf Academy but it was Leopold von Kalckreuth (1855–1928), painter and graphic artist, who influenced Droege to turn to colour woodcuts in the early 1920s. In the late..... More

c1931. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 16.2 x 14.9cm. Minor foxing to upper margin. In 1931 Brangwyn illustrated the book L’Ombre de la Croix (The Shadow of the Cross) for Jérôme & Jean Tharaud, which described the lives of Jewish people in contemporary..... More

1931. Engraving, initialled “L.” in plate lower left, signed and editioned 1/7 in pencil in lower margin, 19.5 x 14.5cm. Slight foxing overall. Framed. Provenance: James Fairfax estate. Ref: Laboureur #433. Held in Bibliothèque Nationale de France. The “flower shop at Trocadero” includes the Eiffel Tower in the background. More

1931. Lithograph with original publication label, signed and dated in pencil below image, 20.7 x 32.7cm. This lithograph, published by The Print Club of Cleveland, Ohio, is accompanied with the Club’s label, with a designation of “No. 9.” Held in Smithsonian American Art Museum. The image depicts a view of..... More

1932. Lithograph, titled, signed and dated in image lower left to right, signed in ink on image lower centre, 21.6 x 33.1cm. Slight stains and foxing overall, old mount burn. This image was included in the Art Institute of Chicago’s International Exhibition of Contemporary Prints held in 1934. More

1932. Etching, signed in pencil below image, annotated and titled in lower margin, 27.2 x 21.9cm. Old mount burn. Text reads “75 proofs in edition.” Ref: Bolling and Withington #67. More

1933. Lithograph, signed, dated and titled in image lower left to right, signed and dated “1934” in ink below image, 19.5 x 33.2cm. Stains overall. Blampied made over 30 lithographs, many of dogs, which were not recorded in either catalogue raisonné. Ref: Wiki. More

1933/later printing. Etching, annotated and dated “Paris, 30 Mars XXXIII” in plate lower right, editioned 115/300 in pencil and stamped signature in lower margin, 19.9 x 27.9cm. Framed. From the Vollard Suite. Ref: Geiser #316; Bloch #163. Also known as Famille de Saltimbanques (Circus Family). Held in NGA. More

1933. Wood engraving, titled, editioned 12/12, signed, dated and annotated in pencil in lower margin, 11.6 x 17cm. Minor surface loss to edge of image centre right, tears and slight foxing to lower margin. Annotation reads “From the Lamentations of Jeremiah.” Hughes-Stanton won the International Prize for Engraving at the..... More

1895/1935. Lithograph with sheet music, monogrammed lower left, 26 x 19.5cm. Minor foxing. Double-sided frame. This is the fourteenth of fourteen song titles in the series Mélodies de Désiré Dihau. Each was issued by Paris music publisher C. Joubert with the text “Melodies sur le des Poesies de Jean Richepin”..... More

1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More