Invasion De L’Espace
1975. Colour lithograph, annotated “II”, titled and monogrammed in image lower right, 30.8 x 23.1cm. From XXe Siècle, issue 45, 1975. Ref: Anselmino #112. More
1975. Colour lithograph, annotated “II”, titled and monogrammed in image lower right, 30.8 x 23.1cm. From XXe Siècle, issue 45, 1975. Ref: Anselmino #112. More
1975. Colour lithograph, 31.9 x 24.9cm (paper). This lithograph, issued in Joan Miro, Lithographs II 1953-1963, was published in a number of editions with text in French, English, Spanish, German, Swedish and in Japanese, as referenced in Maeght. The lithographs were printed by Mourlot in an unsigned edition. Ref: Mourlot..... More
1975. Colour screenprint, titled, editioned 110/300 and signed in pencil in lower margin, 91.3 x 69.5cm. Minor crinkles and cockling to image lower centre. Held in Museum of Fine Arts, Boston. More
1976. Soft-ground etching, annotated “artist proof”, titled, signed and dated “26.12.76” in pencil in lower margin, 9.2 x 12.9cm. Glue remnants to upper margin, old mount burn. Ref: Kolenberg #11, no recorded edition. Held in AGNSW. More
1976. Lithograph, captioned, dated, titled and signed in pencil below image, 29.5 x 24.1cm. Old mount burn. Caption reads “Water and Broad Streets, Lower Manhattan.” Image depicts the Financial District located in the Lower East Side of the New York City. Accompanying this lithograph is the original exhibition catalogue, Gerald..... More
1977. Colour lithograph, editioned 342/500, signed and dated in pencil in lower margin, 54.5 x 74.5cm. Framed. Held in the Tate collection. More
1978. Aquatint and drypoint, printed à la poupée, editioned 19/30 and signed in pencil in lower margin, 20.7 x 35cm (platemark), 50.9 x 66.9cm (paper).Slight discolouration to paper. Framed. Printed with two plates: the first plate, forming the background image, is in aquatint and drypoint in multiple colours and most..... More
1978. Colour lithograph, editioned 39/100, signed and dated in pencil in lower margin, 53.7 x 74.1cm. Framed. More
1978. Lithograph, captioned below image and lower margin, editioned 74/75, signed and dated in pencil with publishing line to edge of lower margin, 13.5 x 15.2cm. Framed. Publishing line reads “Copyright Glen Baxter 1978. Published by Anthony Stokes Ltd. Printed by Ithaca Press.”. More
1978. Lithograph, captioned below image, editioned 74/75, signed and dated in pencil with publishing line to edge of lower margin, 15 x 14.8cm. Framed. Publishing line reads “Copyright Glen Baxter 1978. Published by Anthony Stokes Ltd. Printed by Ithaca Press.”. More
c1980s. Collection of 21 paperback books, illustrated with process and colour process lithographs, Chinese characters overall, some with 1980s dates on back cover, some stamped or annotated in ink on title page or back cover, one annotated in ink throughout, 9.1 x 12.6cm to 10.1 x 12.6cm. Most with stains..... More
c1980s. Drypoint, annotated “EA” (artist’s proof), editioned 29/30 and signed in pencil in lower margin, 65.6 x 50.6cm. Minor soiling to margins. Framed. More
c1980s. Mezzotint, editioned 17/45 and signed in pencil in lower margin, 25.1 x 14.9cm. Creases and stains to margins. More
1981. Colour lithograph, 31.8 x 47.2cm. Minor foxing to lower margin, vertical centre fold as issued. From Derrière le Miroir, no. 246, 1981. Ref: Mourlot #992. More
1981. Colour lithograph, folded as issued, 31.9 x 24.9cm (paper). This lithograph, issued in Joan Miro, Lithographs IV 1969-1972, was published by Maeght and printed by Imprimerie Moderne du Lion in Paris, in an unnumbered, unsigned edition. Ref: Mourlot #1255 (Volume VI). More
1981. Lithograph, signed and dated in image lower left, annotated “Image 3”, editioned 4/40, signed and dated in pencil with Druckma Press blind stamp and Lana watermark in lower margin, 58.5 x 44.5cm. Framed. Illustrated in Smith, Noel Counihan Prints 1931-1981: A Catalogue Raisonné, 1981, plate 123. From the series..... More
1982. Etching with aquatint and carborundum, made up with nine plates, editioned 19/25, signed and dated in pencil in lower margin, 23 x 23.2cm (overall). Minor foxing to margins, old mount burn. Similar image entitled The Arrival of Dionysos held in Tate Gallery. More
1982. Colour screenprint, titled, annotated “artist’s proof”, signed and dated in pencil with “Charles Cardinale serigraph” blind stamp in lower margin, 103 x 38cm. Slight stain to upper margin. “Will Barnet studied at the School of the Museum of Fine Arts in Boston, then moved to New York in 1930..... More
1983. Etching, aquatint and roulette, signed in plate lower left, annotated “Pl. V”, editioned 35/65 and signed in pencil in lower margin, 27.5 x 21.1cm. Minor foxing to image. Framed. Ref: Henry Moore: Mother and Child Etchings, 1988, p28. More
c1983. Colour lithograph, editioned 144/250 and signed in pencil in lower margin, 45.3 x 79.5cm. Slight surface scratches to image lower centre, old mount burn. Widely-travelled Californian-born Millard Sheets was an award-winning, prominent American artist, architect and educator, He is considered to be the driving force behind the California-style watercolour..... More
c1987. Etching, annotated “A/P” and signed in pencil in lower margin, 60.3 x 44.6cm. Framed. Only a few proofs were printed; no edition was produced. Kingston visited Hong Kong in 1973 and participated in a group exhibition there in 1987. Ref: Wilson, Harbourlights: The art and times of Peter Kingston..... More
1998. Etching with aquatint, editioned 173/175, signed and dated in pencil in lower margin, 14.4 x 22.2cm. Framed. Image held in Cairns Art Gallery, Queensland. This etching is from Olsen’s series of six etchings titled New York nowhere: meditations and celebrations, Neurology Ward, the New York Hospital, 1998. The series illustrates..... More
c1612–1750. Nine engravings, 13.8 x 8.1cm to 22.9 x 16.7cm. Stains, slight foxing, some trimmed to platemark or to image. Personages illustrated are as follows (1) Murad I, Ottoman sultan from 1362 to 1389; (2) Kopruluzade Numan Pasha, Ottoman statesman who was the grand vizier of the Ottoman Empire between..... More
c1834–1840. One aquatint and one lithograph, both hand-coloured, one with artist, title and publisher below image, 17.5 x 26.5cm (approx. each). Slight foxing, minor crinkles, one trimmed to margins and laid down on backing. Both framed. (1) After Jean Dubois (Swiss, 1789–1849). French text reads “J. Du Bois pinx. [obscured]..... More