Girl With A Sack
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum. More
1906. Etching with drypoint, signed in pencil in lower margin, 9.9 x 8.1cm. Framed. Ref: Dodgson #78. Held in British Museum. More
1905-1906/later printing. Drypoint, annotated “biffé de 31 Oct. 1913” in plate upper right, 22 x 14cm. Minor old glue stains to upper margin. From La Suite des Saltimbanques. This impression, printed after 1913, is from Picasso’s cancelled plate with the strikeout lines and added annotation from the publisher. Ref: Bloch..... More
1908. Group of five letterpress booklets with colour lineblock and process screen illustrations, each dated on cover, some images with artist’s signature replicated in image, sizes from 15.3 x 10.4cm to 23.9 x 31.5cm. Slight soiling, wear, tears and creases to covers and pages, repairs to spine. Details for booklets..... More
c1910. Etching, editioned 34/80 and signed in pencil with bookseller’s blind stamp in lower margin, titled in pencil verso, 21.8 x 27cm. Minor foxing to centre of image, slight soiling to margins, old mount burn. Brouet produced over 300 etchings and drypoints recording the people and places of Montmartre, the..... More
c1910. Colour aquatint, printed à la poupée, signed by Lorrain and titled “Notre Dame de Lorette” in pencil in another hand in lower margin, 36.4 x 26cm. Minor foxing to margins. René Lorrain, who resided in Nancy, France, was a student of Gustave Moreauat at the École des Beaux-Arts, Paris..... More
1911. Etching, initialled and dated in plate lower left, signed in pencil in lower margin, 28.7 x 43.8cm. Minor stains to left margin, slight cockling. Ref: Günther #62, noting that this is one of the most humorous and bizarre etchings Müller has created. More
1912. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 36.1 x 52.4cm. Minor stain to image lower right, slight cockling and creases overall. Ref: Günther #65. More
c1912. Drypoint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 4.9 x 12.5cm. Minor surface loss to edges of image, slight tears to plate mark due to excessive impression, strikethrough due to stamp verso, some foxing to margins, old mount..... More
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More
1912. Lithograph, initialled in image lower left, 21.5 x 26.9cm. Paper loss and minor foxing to margins. Edition of 12. Printed by Thomas Way. Illustrated in Butler, Printed Images by Australian Artists 1885-1995, p43. The same view, as a painting, was illustrated in Ure Smith (ed.), The Art of Arthur..... More
c1910-1913. Etching with aquatint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 11.1 x 15cm. Slight rubbing to lower right corner of image, minor cockling and crinkles to edges. Ref: GH93. More
1915. Woodcut, monogrammed in block lower left, letterpress including caption above and below image, 47.6 x 38.3cm (image). Old horizontal fold with discolouration to centre of image and to margins. Text includes “Image de Dufy.” From issue no. 10 of the French periodical, Le Mot (the Word), produced during WWI..... More
c1915. Drypoint, signed in plate lower right, annotated in pencil in lower margin, 20.7 x 28.7cm. Minor foxing to image lower left, soiling, stains and foxing to margins. Annotation reads “E… II, conforme au tirage. 4e état [line drawing, 4th state].”. More
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 65 from the series of 66 lithographs entitled The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London, 1917. This series was most likely created for propaganda purposes; it was reproduced in..... More
1917. Lithograph, signed in pencil in lower margin, 35.4 x 46cm. This is no. 62 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Colour woodcut Christmas card with lithographic text verso, titled and dated in image lower right, dated “10.12.17”, signed twice by sender and addressed in ink with Japanese prison and postage stamps verso, 14 x 8.7cm. Trimmed right margin. This handmade Christmas card was sent from Band? Prisoner of War..... More
c1919. Colour woodcut, titled, captioned, annotated “orig. holzschnitt [woodcut]” and signed in pencil in lower margin, 29.8 x 42.9cm. Tears and creases to margins. Translated German caption includes “The unions assemble…” Kurt Eisner (1867-1919) was a German-Jewish socialist journalist, theatre critic, and pacifist. As a socialist journalist and statesman, he..... More
1919. Etching, text including artist and title in letterpress on accompanying tissue guard, 14.9 x 20cm. Slight discolouration. Published in Kunst des Radierens. Ref: Schiefler #73, listed as “Aus dem Judenviertel in Amsterdam: Karrenhandel” (From the Jewish Quarter in Amsterdam: Trading Carts). More
1920. Wood engraving, initialled in block lower left, 21.6 x 11.6cm. Minor foxing to image, paper loss, creases and discolouration to margins, old mount burn. Gibbings’s use of the “vanishing line technique” is clearly illustrated in this print which was “his first significant engraving of a figure. Here the delicate..... More
c1920s. Colour woodcut, annotated “no. 10” and signed in pencil in lower margin, 20.8 x 32.1cm. Slight crease to image upper right, minor discolouration, repaired tears and missing portions to margins. Laid down on acid-free tissue. More
c1920s. Linocut, initialled in block lower right, titled, editioned 3/15 and signed in pencil in lower margin, artist’s stamp on slip attached verso, 25.5 x 17.6cm. Missing portions to image lower left and margins, foxing to margins. Stamp reads “F.R. Ferryman, 40-11 249th Street, Little Neck, L.I. [Long Island], NY.”..... More
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More
c1920s. Tinted lithograph, 44.5 x 36.2cm. Minor creases, old mount burn. Spencer-Pryse was a key advocate in lithography being recognised as an original art form during the first part of the twentieth-century. As a young man he could not afford to pursue a training in oil painting and took up..... More
c1920s. Etching, signed in plate lower right, signed, titled and annotated “edition 85 proofs” in pencil in lower margin, 29.2 x 22.5cm. Minor discolouration to margins. More
c1920. Etching, editioned 18/30 and signed in pencil on plate mark below image and lower margin, inscription including title in another hand in ink in lower margin, 44.6 x 28.5cm. Creases, soiling and rubbing to margins. Inscription reads “À Albert Garraut, cet ‘Esprit des Ténèbres’, hommage de son bien reconnaissant..... More