International
Out of stock
An Old Monastery
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
Red Parrots
c1925. Colour woodcut, annotated “handdruck” (hand printed), titled and signed in pencil in lower margin, 23.7 x 23.6cm. Slight foxing, stains and crinkles to margins. Framed. More
On My Bed By Night
1925. Wood engraving, 6.3 x 9.6cm. Slight creases to margins. Held in the Tate collection. Ref: Skelton #P320. More
Andreas Schwarz
1906/1925. Drypoint, engraved text in plate lower right, letterpress in German and annotation in pencil and ink on accompanying slip, 19.9 x 14.3cm. Slight discolouration to margins. Text in plate reads “Bruno Cassirer Verlag.” Text on slip includes artist’s name, “Knabenkopf” (boy’s head) and published in Kunst und Kunstler, Berlin..... More
Exotic Song
1925. Colour woodcut, artist’s seal in block upper left, dated “January 1925” in Japanese in block lower left, text “Hanga 5-4,” artist’s name and title in Japanese on backing below image, 12 x 16.3cm. Tipped to original backing sheet. More
Ming Hung And Yang Kuei Fei
1925. Colour woodcut, monogrammed in block lower right, signed in pencil on image lower centre, annotated “copyright, no. 14” and dated in pencil in lower margin, 37.7 x 25.3cm. Minor creases and surface loss to image edges and lower right, slight stains to corners and lower portion, old mount burn..... More
[Nude With Lace Shawl]
1926. Colour woodcut, editioned 7/10, illegible signature and dated in pencil in lower margin, 19.2 x 13.1cm. Minor missing portions to margins. Also known as François Maret, Frans Ermengem was a Belgian poet, painter, illustrator and art critic. Ref: Wiki. More
[The Cottage]
1926. Colour linocut, signed, dated and editioned 15/25 in pencil in lower margin, 7.8 x 7.2cm. More
St. Anthony
1926. Copper engraving, 11.8 x 8.8cm. From the Cleverdon edition. Bookplate design for Dr Newman Neild. Ref: Skelton #414. More
Chateau De La Tour, Vevey [Switzerland]
1926. Colour linocut, titled, signed, dated and editioned 7/10 in pencil in lower margin, 19.3 x 16.9cm. Ink deposits and slight foxing to margins. More
A Church In The Roman Forum
1927. Drypoint, signed and annotated “60” in pencil in lower margin, 25.1 x 17.6cm. Old mount burn. Ref: Mendelssohn #410. More
[Reclining Nude With Stockings]
1928. Drypoint with roulette, signed, dated and annotated in plate lower right, annotated “pointe-sèche (drypoint)”, dated and signed in pencil in lower margin, 39.1 x 46.9cm. Framed. Annotation in plate reads “2 bis, rue Maison Dieu, Paris.”. More
Jerez De Los Caballeros
1928. Drypoint, signed and titled in plate lower left, signed and annotated “100” by Lindsay and titled in another hand in pencil in lower margin, 30.3 x 32.8cm. Crinkles and slight foxing overall. Ref: Mendelssohn #443, title includes Estremadura, Spain. More
Femme Tenant Un Vase
1928. Lithograph, signed in pencil in lower margin, 24.2 x 17.2cm. Slight time staining overall. Léger made this image for his first monograph. This lithograph is outside the edition of 52 produced for the deluxe edition of the book. Ref: Saphire #13. More
The Memory Of Japan, NYK Line
c1929. Colour woodcut, signed in Japanese with artist’s seal in block lower right, title and artist’s name in English below image, 33.5 x 24cm (woodcut), 41.7 x 26.7cm (overall). Laid down on trimmed lithographed advertisement sheet, tears to lower edge of sheet, slight foxing overall. More
Nude With Long Hair (Dolores Olmedo Patiño)
1930. Lithograph, initialled and dated in image lower left, signed, dated and editioned 78/100 in black chalk below image, 41.8 x 24.7cm. Minor foxing to image upper right and lower centre, old mount burn. Held in British Museum with the comment “Dolores Olmedo Patiño (Mexican, 1908-2002) was an art collector..... More
Henry Rushbury, Esq. ARA
1930. Etching, titled, dated and signed in plate below image, signed and annotated in pencil in lower margin, 25.2 x 18.4cm. Scuff mark to upper right corner of image, slight foxing to margins, old mount burn. Annotation includes “111 proofs.” Ref: Fletcher #66. More
The Cheese-Seller
1930. Linocut, titled, signed, dated and editioned 11/50 in pencil in lower margin, 24.7 x 16.9cm. Slight foxing, soiled margins. More
[Greek Priest]
c1930s. Colour linocut, signed in pencil in lower margin, 13.2 x 8.3cm. More
A Summer Day
c1930. Colour woodcut, titled and signed in pencil in lower margin, 23.8 x 35.9cm. Slight surface loss, foxing. Laid down on acid-free paper. More
The Ship Breakers
c1930s. Etching, titled and signed in pencil in lower margin, 25 x 29cm. More
[Break Away]
c1930. Colour woodcut, captioned and artist’s seal in block centre and lower left, 14.1 x 9.3cm. Tipped to original backing sheet. More
Martini
1932. Drypoint with aquatint and roulette with hand-colouring, artist’s copyright with date and “NY” in plate above image, “Louis Icart Society” blindstamp and signed in pencil in platemark and lower margin, 33.5 x 43.3cm. Repairs and rubbing to upper right and edges of image, old glue stains to margins. Laid..... More