1838. Baxter colour patent print, annotated in pencil on mount verso, 13.1 x 10.6cm (image). Replaced missing portion to lower left corner below image, slight crease to upper right corner of image, trimmed margins. Annotations include “George Baxter, Missions in China. Published in 1838. Mr Medhurst was a missionary for... More

c1835-1840. Colour woodcut, signed and titled in Japanese in block, 36 x 24.3cm. Old stains, repaired paper loss to centre of image and to margins. An original certificate of purchase from a Japanese dealer in 1958 is attached to the mount verso. More

1844. Pair of lithographs, Dutch and French text including title and artist above and below image, 28.1 x 33.4cm (each). Slight foxing overall. Framed. Text includes “48. C.W.M. van de Velde. F. Lauters. La Rade de Padang. Uitgegeven by Frans Buffa en Zonen, te Amsterdam.” Charles William Meredith van de... More

1846. Tinted lithograph, artist’s name in image lower right, text including “plate 9” and title above and below image, 17 x 30.3cm. Tears to left margin, slight stains. Plate 9 from Edward Lear, Illustrated Excursions in Italy, Volume 2, 1846. Ref: Noakes #65. Image shows Castello Caetani, a large fortress... More

1847. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 34.4 x 51.5cm. Mark with minor dents to upper right portion, creases, repaired tear to margins. More

c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and... More

c1850s. Colour lithograph, text including title in image upper centre and lower left to right, 10.3 x 15.7cm. Minor crease and discolouration to edges. Text includes “Cultivation and preparation of tea. Moore Brothers, 35 King William Street, City, London Bridge. Blades, East & Blades, Chromo. London.”. More

c1850. Tinted hand-coloured lithograph, series and artist’s names and title above and below image, partially obscured and missing text in lower margin, 46.1 x 36.5cm (oval). Surface loss and missing portion to lower margin, repaired tears to edges of margins, slight stains and foxing overall, old mount burn. Laid down... More

1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking... More

1859. Etching and drypoint, signed and titled in plate in lower portion, collector’s stamp “Max Blach, Wien” verso, 11.3 x 28cm. Tears and missing portions to edges of margins, old mount burn. Ref: Schneiderman #22, state vii/xii. Held in Art Gallery of NSW. More

1861. Etching and drypoint, signed and dated in plate centre left, 10.2 x 12.6cm. State viii/viii. From the series Sixteen Etchings of Scenes on the Thames (Thames Set) , 1861. Ref: Kennedy #74. Held in the National Gallery of Australia collection. Whistler was inspired to create the Thames Set after... More

1862/later printing. Cliché-verre, signed in image lower left, 21.6 x 19.2cm (paper). Minor discolouration and foxing to upper and lower edges of image, slight rubbing, tears and paper loss to corners of border. Ref: Melot #D137. Daubigny, Corot and other artists of the Barbizon school were the first to experiment... More