The Regent’s Bridge, Waterloo Place, Edinburgh
1837. Tinted lithograph with hand-colouring, signed, dated “Oct. 1837” and titled in image lower left to right, 29.9 x 42cm. Minor foxing to upper and left edge of image, old mount burn.
International
Mr Medhurst In Conversation With Choo-Tih-Lang, Attended By A Malay Boy
1838. Baxter colour patent print, annotated in pencil on mount verso, 13.1 x 10.6cm (image). Replaced missing portion to lower left corner below image, slight crease to upper right corner of image, trimmed margins. Annotations include “George Baxter, Missions in China. Published in 1838. Mr Medhurst was a missionary for...
Convent Of The Terra-Santa, Nazareth
1839. Hand-coloured lithograph, titled, dated and signed in image lower right, 35.2 x 50.7cm. Slight stain to image upper right, laid down on original backing, as issued. From the first edition and first issue of David Robert’s Holy Land.
Kabuki Actor Named Danjuro Ichikawa
c1835-1840. Colour woodcut, signed and titled in Japanese in block, 36 x 24.3cm. Old stains, repaired paper loss to centre of image and to margins. An original certificate of purchase from a Japanese dealer in 1958 is attached to the mount verso.
![William Hogarth (The Painter And His Pug [Trump]). After William Hogarth, British.](/pictures/thumb/CL192-65.JPG?v=1524199249)
William Hogarth (The Painter And His Pug [Trump])
1795/c1840s. Stipple engraving, text including artist’s name, engraver “Benjamin Smith” and date in plate below image, 39.6 x 30cm. Foxing overall, tears and minor creases to margins. Text reads “Painted by W. Hogarth. Engraved by Benj. Smith. William Hogarth. From the original picture in the collection of John & Josiah.....
![1. Sumatra. De Reede Van Padang [Padang Harbour, Sumatra, Indonesia], and 2. Java....](/pictures/thumb/CL173-103_1.JPG?v=1492652445)
1. Sumatra. De Reede Van Padang [Padang Harbour, Sumatra, Indonesia], and 2. Java. Gezigt Te Ryswyk, Batavia [View Of Rijswijk, Jakarta, Indonesia]
1844. Pair of lithographs, Dutch and French text including title and artist above and below image, 28.1 x 33.4cm (each). Slight foxing overall. Framed. Text includes “48. C.W.M. van de Velde. F. Lauters. La Rade de Padang. Uitgegeven by Frans Buffa en Zonen, te Amsterdam.” Charles William Meredith van de.....
Sparking
1839/1845. Engraving, artist and date “1839” in image lower right, engraver, title and date in plate below image, 32.8 x 42.8cm (image). Trimmed platemark, repaired tears and creases to image upper right, creases, slight tears and missing portions to margins. Laid down on acid-free backing. Text reads “Engraved by Alfred...
![Sermoneta [Italy]. Edward Lear, British.](/pictures/thumb/CL192-79.JPG?v=1524199261)
Sermoneta [Italy]
1846. Tinted lithograph, artist’s name in image lower right, text including “plate 9” and title above and below image, 17 x 30.3cm. Tears to left margin, slight stains. Plate 9 from Edward Lear, Illustrated Excursions in Italy, Volume 2, 1846. Ref: Noakes #65. Image shows Castello Caetani, a large fortress...
![Entrée De La Baie Des Iles (The Entrance Of The Bay Of Islands) [Flagstaff Hill] and...](/pictures/thumb/CL194-16_1.jpg?v=1543548523)
Entrée De La Baie Des Iles (The Entrance Of The Bay Of Islands) [Flagstaff Hill] and Mouillage D’Otago, Nouvelle Zelande [New Zealand]
c1842-1846. Pair of tinted lithographs, text including plate numbers “181” and “182”, artist and title above and below image, 18.2 x 31cm to 23.5 x 39.7cm. One with repaired tears to image including upper margin, slight crinkles and stains to both. Text reads “Voyage au Pole Sud et Dans L’oceanie.....
![Grand Approach To The Temple Of Philae, Nubia [Egypt]. David Roberts, British.](/pictures/thumb/CL175-137.JPG?v=1492660309)
Grand Approach To The Temple Of Philae, Nubia [Egypt]
1847. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 34.4 x 51.5cm. Mark with minor dents to upper right portion, creases, repaired tear to margins.
![Entrance To The Tombs Of The Kings Of Thebes – Biban-El-Molook [Egypt]. David Roberts, British.](/pictures/thumb/CL175-138.JPG?v=1492660309)
Entrance To The Tombs Of The Kings Of Thebes – Biban-El-Molook [Egypt]
1848. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 32.9 x 49cm. Tear to edge of right margin.
![[Satirical Political Illustrations For French Newspapers]. Honoré Daumier, French.](/pictures/thumb/CL187-22_1.JPG?v=1496119885)
[Satirical Political Illustrations For French Newspapers]
c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and.....
![View Under The Grand Portico, Phila [Egypt]. David Roberts, British.](/pictures/thumb/CL175-136.JPG?v=1492660308)
View Under The Grand Portico, Phila [Egypt]
1842-1849. Tinted lithograph with hand-colouring, signed, lithographer “L. Haghe” and titled in image in lower portion, 50.2 x 34.5cm. Laid down on original backing, as issued. From the first edition and first issue of David Robert’s Egypt and Nubia.
Chinese Tea Plantation
c1850s. Colour lithograph, text including title in image upper centre and lower left to right, 10.3 x 15.7cm. Minor crease and discolouration to edges. Text includes “Cultivation and preparation of tea. Moore Brothers, 35 King William Street, City, London Bridge. Blades, East & Blades, Chromo. London.”.
The Herdsman’s Cottage
1850. Etching, initialled in plate below image, 11.2 x 9cm. Minor cockling, discolouration. Framed. Ref: Lister, Samuel Palmer & His Etchings, 1969, plate 3, p100.
Les Noces De Cana (Marriage At Cana)
c1850. Tinted hand-coloured lithograph, series and artist’s names and title above and below image, partially obscured and missing text in lower margin, 46.1 x 36.5cm (oval). Surface loss and missing portion to lower margin, repaired tears to edges of margins, slight stains and foxing overall, old mount burn. Laid down.....
Sketches On The Coast Survey Plate
1854-1855. Etching, initialled in plate upper centre, 14.5 x 26cm. Minor foxing overall, slight tears, perforations and stains to margins, old mount burn. Held in The Met, NY, with the comment “Whistler made his first etching while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington.....
A Picnic In A Clearing
1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking.....
The Rag Gatherers
1858. Etching, signed and dated in plate centre right, 15.4 x 9cm. Repaired minor paper loss to image upper right, stains to margins, old mount burn. Held in the Art Gallery of NSW collection.
![Fulham [England]. Sir Francis Seymour Haden, British.](/pictures/thumb/CL175-67.JPG?v=1492659713)
Fulham [England]
1859. Etching and drypoint, signed and titled in plate in lower portion, collector’s stamp “Max Blach, Wien” verso, 11.3 x 28cm. Tears and missing portions to edges of margins, old mount burn. Ref: Schneiderman #22, state vii/xii. Held in Art Gallery of NSW.
![[Two Girls In Meadow]. John Everett Millais, Brit.](/pictures/thumb/CL168-98.JPG?v=1492489420)
[Two Girls In Meadow]
1861. Etching, numbered “10”, monogrammed, dated with artist’s name and text in plate above and below image, 9.6 x 16.4cm. Two perforations to left margin. Text reads “Plate 10. J.E. Millais. London. Published December 1st 1861, by Day and Son, Lith. to the Queen.” Provenance: Estate of Dr Constable, former.....
The Little Pool
1861. Etching and drypoint, signed and dated in plate centre left, 10.2 x 12.6cm. State viii/viii. From the series Sixteen Etchings of Scenes on the Thames (Thames Set) , 1861. Ref: Kennedy #74. Held in the National Gallery of Australia collection. Whistler was inspired to create the Thames Set after...
Profile Portrait Of Charles Baudelaire
1862/later printing. Etching, monogrammed upper left and artist’s name and printer’s line in plate below image, 10.8 x 8.9cm. Text reads “Peint et gravé [painted and engraved] par Manet, 1862. Imp. A[lfred] Salmon.” 2nd state. Ref: Harris #59. Charles Pierre Baudelaire (1821-1867) was a French poet, essayist and art critic.....
The Brook In The Clearing
1862/later printing. Cliché-verre, signed in image lower left, 21.6 x 19.2cm (paper). Minor discolouration and foxing to upper and lower edges of image, slight rubbing, tears and paper loss to corners of border. Ref: Melot #D137. Daubigny, Corot and other artists of the Barbizon school were the first to experiment.....
Edward Smith-Stanley, 14th Earl of Derby
1863. Engraving with mezzotint on chine-collé, “Printsellers Association, DQZ” blindstamp and printer’s line in platemark below image, 78.4 x 48.8cm. Large crease to lower right corner, stains and repaired tears to margins and platemark. Text reads “Printed by McQueen.” Proof before letters. Held in British Museum, listing James Stephenson (1808-1886).....