c1842-1846. Pair of tinted lithographs, text including plate numbers “181” and “182”, artist and title above and below image, 18.2 x 31cm to 23.5 x 39.7cm. One with repaired tears to image including upper margin, slight crinkles and stains to both. Text reads “Voyage au Pole Sud et Dans L’oceanie..... More

1847. Colour woodcut, signed with artist’s and censors’ seals “Muramatsu, Yoshimura” in block centre right, 36.1 x 24.4cm. Perforations to left side of image. Held in Museum of Fine Arts, Boston, with full description “Actors Bando Hikosaburo IV as Ichimonjiya Saihei [right panel], Onoe Kikujiro II as Okaru [centre panel]..... More

c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and..... More

c1850s. Colour lithograph, text including title in image upper centre and lower left to right, 10.3 x 15.7cm. Minor crease and discolouration to edges. Text includes “Cultivation and preparation of tea. Moore Brothers, 35 King William Street, City, London Bridge. Blades, East & Blades, Chromo. London.”. More

1854-1855. Etching, initialled in plate upper centre, 14.5 x 26cm. Minor foxing overall, slight tears, perforations and stains to margins, old mount burn. Held in The Met, NY, with the comment “Whistler made his first etching while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington..... More

1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking..... More

1859. Etching and drypoint, signed and titled in plate in lower portion, collector’s stamp “Max Blach, Wien” verso, 11.3 x 28cm. Tears and missing portions to edges of margins, old mount burn. Ref: Schneiderman #22, state vii/xii. Held in Art Gallery of NSW. More

c1860s. Two colour lithographs, one with artist name “F. Yerna”, both with title and publisher’s line in image lower left to right, 23.5 x 15.6cm (approx. each). Slight foxing. Framed. Publisher’s line reads “Paris. Imp. Zanote, 13 r. des Boulangers.” Images depict (1) Pancratium illyricum, (its Italian name “giglio stella”..... More

1861. Etching, numbered “10”, monogrammed, dated with artist’s name and text in plate above and below image, 9.6 x 16.4cm. Two perforations to left margin. Text reads “Plate 10. J.E. Millais. London. Published December 1st 1861, by Day and Son, Lith. to the Queen.” Provenance: Estate of Dr Constable, former..... More

1862/later printing. Cliché-verre, signed in image lower left, 21.6 x 19.2cm (paper). Minor discolouration and foxing to upper and lower edges of image, slight rubbing, tears and paper loss to corners of border. Ref: Melot #D137. Daubigny, Corot and other artists of the Barbizon school were the first to experiment..... More

1865/later printing. Etching, signed lower right and artist’s name and text in plate below image, 9.3 x 8.1cm. Old mount burn. Text reads “Peint et grave [painted and engraved] par Manet, 1862. Imp. A[lfred] Salmon.” 4th state. Ref: Harris #61. This portrait is based on a photograph taken in 1862..... More

1867. Etching, initialled in plate lower left, text including artist’s name, date and title in plate below image, collector’s stamp verso, 19.5 x 10.6cm. Slight discolouration. Text reads “Frédéric Leighton, pinx. & sculp. Royal Academy 1867. Pastorale. Gazette de Beaux-Arts. Imp. Delâtre, Paris.”. More

1868. Etching, annotated “Werrington”, signed and dated in plate lower left, 14 x 21cm. Slight foxing and discolouration to margins. Also known as La Rookery, edition of 350. Illustration to poem by Ernest D’Hervilly within the volume Sonnets et Eaux-Fortes. Held in the National Gallery of Australia and British Museum..... More