c1886/1890s. Colour photo-lithograph, text including title below image, 33.4 x 36cm. Slight foxing, tears and creases to margins. Text reads “Phillip-Stephan Photo Litho & Typographic Process Co. Ld. [Aust., fl., 1884-1910], Sydney, NSW.”. More about White Terraces, Rotomahana, New Zealand
c1886/1890s. Colour photo-lithograph, text including title below image, 30.5 x 35.9cm. Minor foxing, soiling and missing portions to margins. Text reads “Phillip-Stephan Photo Litho & Typographic Process Co. Ld. [Aust., fl., 1884-1910], Sydney, NSW.”. More about Pink Terraces, Rotomahana, New Zealand [Day View
c1890s. Colour lithograph, signed in image with text and title lower left to right, 42.4 x 53.5cm. Stains and foxing overall. In original frame. Text includes “Printed in New Zealand by the Brett Printing Company, Auckland.”. More about Native Berries Of New Zealand
c1890. Etching, text throughout image and annotated “1794” and “8e état” (8th state) in pencil in various hands with collector’s stamp in lower margin, 8.7 x 11.9cm. Glue stains to upper right corner of image and margins. Text reads “Imprimerie en taille douce. F. Nys. Gravures du burin. Eaux-fortes. Leçons..... More about La Presse
![Gibraltar Near Algeciras [Spain]. Alfred East, British](/pictures/thumb/CL175-48.JPG?v=1492659693)
c1890s. Gouache with watercolour, signed and titled lower left, 23.5 x 34.5cm. Period frame. More about Gibraltar Near Algeciras [Spain
1890. Pair of hand-coloured lithographs, publisher’s line and title below image, 22.6 x 33.3cm (each). Minor foxing. Framed. Text continues “Take us smilin’ or we’ll lay yer out!” and “Try yer funny bizness on us, will yer?” Publishing line reads “Published by Currier & Ives. Copyright 1890 by Currier &..... More about A Dark Foreshading—On A Flash Picture and A Positive Process From A Negative Result [Photography
![Why Not Give Our Colonies A Chance? [Against Imports From Non-Commonwealth Countries]. William...](/pictures/thumb/CL181-89.JPG?v=1485926839)
1892. Colour lithograph, signed in image lower right, date and title above and below image, 32.5 x 47.2cm. Repaired missing portions and tears to centre of image, slight foxing to margins. Laid down on acid-free tissue. Text reads “St Stephen’s Review cartoon, May 26th, 1892.” Image favourably depicts imports from..... More about Why Not Give Our Colonies A Chance? [Against Imports From Non-Commonwealth Countries
1891/1893. Etching, annotation including title and artist in an unknown hand in pencil verso, 19.3 x 23.7cm. Slight discolouration to margins. Published in Zeitschrift fur Bildende Kunst, 1893. Ref: Schiefler #21. More about Auf Der Weide (In The Pasture
1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition... More about A Venetian Fountain
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More about Prière Marmitale (Prayer Over The Soup Pot
1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More about À Schumann (To Schumann
1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More about The Professional <i>and</i>The Amateur
1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way... More about Little Evelyn
![Female Profile With Flowers]. Paul Berthon, French](/pictures/thumb/CL168-12.JPG?v=1492488912)
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More about Female Profile With Flowers
1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA collection. More about Köpping’sche Ziergläser (Köpping’s Ornamental Glasses
1896. Lithograph, signed with butterfly monogram in image upper left, text with date in lower margin, 17.3 x 11.8cm. Repaired tears and minor soiling to margins. Text reads “The Art Journal, March, 1896.” Ref: Levy #159. Little Evelyn is a portrait of one of the five daughters of Whistler’s friend... More about Little Evelyn
![Une Cour Du Petit Salut, Rouen [France]. David Young Cameron, Scottish](/pictures/thumb/CL175-30.JPG?v=1492659674)
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More about Une Cour Du Petit Salut, Rouen [France
1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More about Walter Crane
![Kingston Bank [England]. After J. M. W. Turner and Frank Short, Brit](/pictures/thumb/CL175-151.JPG?v=1492660319)
1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More about Kingston Bank [England
![Chocolat Masson/Chocolat Mexicain [The Four Seasons]. Alphonse Mucha, Czech](/pictures/thumb/CL194-80_04.JPG?v=1543548744)
1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn... More about Chocolat Masson/Chocolat Mexicain [The Four Seasons
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and... More about Portrait Study Of W.P. Nicholson
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the... More about Bords Du Loing, Pres De Saint-Mammès (On The Banks Of The Loing, Saint-Mammès
![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, 1856- 1910 French](/pictures/thumb/CL192-19.JPG?v=1524199199)
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More about Aux Champs Elysées [Paris, France
1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More about Schneedächer Mit Telephonstand (Snowy Roofs With Telephone Lines
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985... More about L’Avenue