c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in... More about Australie: Types Et Coutumes

1860/1903. Etching, initialled in plate lower left, 16 x 12.7cm. Published in Twenty-One Etchings…, Astolat Press, London, 1903, in an edition of 150 (ten on vellum, 140 on Japan paper). Ref: Chesson #9; Beraldi #7. More about A Lady Reading Book

1901/ 1903. Lithograph, stamped signature and title, and annotated “no. 45-8” in pencil in unknown hand below image, 25.5 x 32.3cm. Slight foxing and creases to edges of margins. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and ink drawings, published by Hans von... More about Vergessen, Versunken (Forgotten, Lost)

c1903. Etching, aquatint and roulette, printed à la poupée, signed in pencil in lower margin, 19.5 x 13.3cm. Crinkles, old glue stains verso. Provenance: James Fairfax estate. Held in Albertina; British Museum (uncoloured). More about From Japan. The Courtesan

1904. Lithograph, signed in image lower left, 17.7 x 12.4cm. Some foxing overall. Framed. From an edition of 1,000. Ref: Stella #44. More about Femme Au Cep De Vigne (Woman With Grapevine)

1904. Lithograph, signed and dated in image lower left, titled in another hand in pencil in lower margin, 18 x 15.9cm. Minor crease to margins, old mount burn. Way, an artist and lithographer in his own right, also printed Whistler’s lithographs. More about The Barge Builders

1901/1904. Colour lithograph, signed and dated “1901” in image centre right, text including date “1904” and title above and below image, 50.7 x 37.6cm. Slight foxing. Linen-backed. Text reads “Supplement to New Zealand Illustrated, the Christmas number of The Weekly Press, 1904. From the painting by C.F. Goldie, in the..... More about A Warm Day [Maori Man]

c1905. Drypoint, signed in pencil on image lower left, 53.9 x 33cm. Minor stains and paper loss to image lower right, old mount burn. Paul César Helleu was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the..... More about [Portrait Of A Society Lady]

1902/1906. Etching, signed and dated in plate upper left, signed in pencil in lower margin, 12.5 x 10cm. Slight foxing overall. Second state. Twenty-five impressions were recorded in 1906. Ref: Dodgson #100, titled in Italian. Provenance: Estate of Dr Constable, former trustee of Art Gallery of WA. Possibly inspired by... More about La Gravida [The Pregnant Woman]

1907. Etching, signed in pencil in lower margin, 22.3 x 35.6cm. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #104. More about Cornfield, Montreuil

1907. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 25 x 17.2cm. Minor stains and crinkles to margins. Edition of 23, state iv/iv. Ref: Rinder #386. More about Mar’s Work, Stirling No. 2

c1908. Photogravure, signed and annotated “NY” in image centre right, 55.8 x 35.6cm (paper). Missing portion to lower margin, repaired tears. Linen-backed. Text continues “Metropolitan Opera Company. Issued by Thomas A. Edison, Inc, Orange, NJ. 3144.” Emmy Destinn (1878-1930) was a Czech-born operatic soprano who had a career both in..... More about Emmy Destinn, Soprano, As Aida