1890. Pair of hand-coloured lithographs, publisher’s line and title below image, 22.6 x 33.3cm (each). Minor foxing. Framed. Text continues “Take us smilin’ or we’ll lay yer out!” and “Try yer funny bizness on us, will yer?” Publishing line reads “Published by Currier & Ives. Copyright 1890 by Currier &..... More
c1890s. Colour woodcut, artist’s seal in block lower right, 23.9 x 31.5cm. Slight soiling overall. This kimono design illustrates a trail of white hares running towards the moon. In Japanese and Chinese legends, a white hare is said to inhabit the moon. Ref: Wiki; Library of Congress. More
1892. Colour lithograph, signed in image lower right, date and title above and below image, 32.5 x 47.2cm. Repaired missing portions and tears to centre of image, slight foxing to margins. Laid down on acid-free tissue. Text reads “St Stephen’s Review cartoon, May 26th, 1892.” Image favourably depicts imports from..... More
1891/1893. Etching, annotation including title and artist in an unknown hand in pencil verso, 19.3 x 23.7cm. Slight discolouration to margins. Published in Zeitschrift fur Bildende Kunst, 1893. Ref: Schiefler #21. More
![Item #CL198-43 [Views Of New Zealand]. After Thomas Ryan, 1864–1927 NZ](/pictures/thumb/CL198-43_1.jpg?v=1576815231)
c1893. Two colour lithographs with letterpress, printer’s proofs, text including artist and title in lower margin, 18.3 x 29.5cm (image, approx. each). Slight foxing, creases and minor tears to margins. Both titles erroneously include “Auckland” and read as follows (1) Lake Rotorua and Mokoia Island, Auckland, NZ. From Ohinemutu; and..... More
1827/1893. Wood engraving, 8.2 x 12.7cm. Slight foxing, old mount burn. From an edition of 350, printed by Calvert’s son in 1893. Image held in the Art Gallery of NSW, the Tate and The Met, with the comment “In this richly detailed engraving, Calvert conjured an idealized medieval world. Made..... More
1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition..... More
1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More
1893/1895. Woodcut, printed on blue paper, titled and initialled in block lower centre, printer’s line in letterpress below image, 15.1 x 12.2cm. Minor stains to margins, old mount burn. Printer’s line reads “C. Grumbach, Leipzig.” Ref: The Graphic Work of Vallotton 1865-1925, Arts Council, 1976, #49, noting that this portrait..... More
1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More
1896. Lithograph, butterfly monogram in image upper left, letterpress below image, 17.5 x 11.6cm. Slight stains to image upper centre and margins, minor creases and tears to edge of right margin, old mount burn. Trimmed text reads “Art Journal, March, 1896.” From an edition of 3,000, printed by Thomas Way..... More
![Item #CL168-12 [Female Profile With Flowers]. Paul Berthon, French](/pictures/thumb/CL168-12.jpg?v=1492488912)
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More
1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA..... More
![Item #CL175-30 Une Cour Du Petit Salut, Rouen [France]. David Young Cameron, Scottish](/pictures/thumb/CL175-30.jpg?v=1492659674)
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More
1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More
![Item #CL175-151 Kingston Bank [England]. After J. M. W. Turner and Frank...](/pictures/thumb/CL175-151.jpg?v=1492660319)
1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More
c1896. Colour lithograph, accompanied with original postal tube, text below image, 71.1 x 48.9cm. Foxing and ragged edges to margins, slight handling creases. Text includes “From the original painting by the late Sir John E. Millais…President of the Royal Academy in the possession of Messrs Pear. The postal tube, dated..... More
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and..... More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
![Item #CL192-19 Aux Champs Elysées [Paris, France]. Henri Edmond Cross, French](/pictures/thumb/CL192-19.jpg?v=1524199199)
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
1898. Two colour lithographs, text including date and title in upper and lower margins, 46.4 x 70.7cm (approx. each). Slight foxing and crinkles. Framed. Text includes (1) Presented with Father Christmas, 1898. Printed by Orford Smith Ltd, St Albans. From a painting by Louis Wain; (2) Penny Illustrated Paper, Xmas..... More
1898. Colour woodcut with embossing, signed, artist’s seal, publisher’s line and block-cutter in Japanese characters in block upper portion and margins, 33.1 x 21.2cm. Stains to image centre. Held in Honolulu Museum of Art. Tokugawa Ieyasu (1543–1616) was the founder and first shogun of the Tokugawa shogunate of Japan. Ref..... More
1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985..... More
![Item #CL175-5 [Four Seasons]. Anon](/pictures/thumb/CL175-5.jpg?v=1492659695)
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More