![Female Profile With Flowers]. Paul Berthon, French](/pictures/thumb/CL168-12.JPG?v=1492488912)
c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More
1896. Etching, monogrammed in plate lower left, text including artist and title in letterpress in lower margin, 26 x 15.8cm. Slight offsetting from another image to upper portion, foxing and stains to margins. Text includes “Originalradierung. Pan II, 3.” Printed by L. Angerer, Berlin, published by Pan. Held in MoMA..... More
![Une Cour Du Petit Salut, Rouen [France]. David Young Cameron, Scottish](/pictures/thumb/CL175-30.JPG?v=1492659674)
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More
1896. Lithograph, initialled and dated in image centre left, artist’s name, title, process “originallithographie” in German with publication “Pan II, no. 4” in text in lower margin, 27 x 24.5cm. Old mount burn. “Walter Crane (1845-1915) was an English artist and book illustrator. He is considered to be the most..... More
![Kingston Bank [England]. After J. M. W. Turner and Frank Short, Brit](/pictures/thumb/CL175-151.JPG?v=1492660319)
1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More
![Chocolat Masson/Chocolat Mexicain [The Four Seasons]. Alphonse Mucha, Czech](/pictures/thumb/CL194-80_04.JPG?v=1543548744)
1896. Four colour lithographs, each signed in image lower right, 31.2 x 14.2cm (approx. each). Cropped calendars, minor foxing. Framed. Designed as the 1897 calendar for Chocolat Masson/Chocolat Mexicain. Each lithograph is missing a top panel with company name, and a lower panel with three calendar months (for winter, autumn..... More
c1896. Colour lithograph, accompanied with original postal tube, text below image, 71.1 x 48.9cm. Foxing and ragged edges to margins, slight handling creases. Text includes “From the original painting by the late Sir John E. Millais…President of the Royal Academy in the possession of Messrs Pear. The postal tube, dated..... More
1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and..... More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, French](/pictures/thumb/CL192-19.JPG?v=1524199199)
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
1898. Two colour lithographs, text including date and title in upper and lower margins, 46.4 x 70.7cm (approx. each). Slight foxing and crinkles. Framed. Text includes (1) Presented with Father Christmas, 1898. Printed by Orford Smith Ltd, St Albans. From a painting by Louis Wain; (2) Penny Illustrated Paper, Xmas..... More
1898. Colour woodcut with embossing, signed, artist’s seal, publisher’s line and block-cutter in Japanese characters in block upper portion and margins, 33.1 x 21.2cm. Stains to image centre. Held in Honolulu Museum of Art. Tokugawa Ieyasu (1543–1616) was the founder and first shogun of the Tokugawa shogunate of Japan. Ref..... More
1899. Etching and aquatint, artist, title and text “Pan, V, 2. Originalradierung [etching]” in letterpress in lower margin, 15 x 22.7cm. Slight foxing to margins. Ref: Günther #47. Held in de Young Museum, San Francisco. More
1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985..... More
![Four Seasons]. Anon](/pictures/thumb/CL175-5.JPG?v=1492659695)
c1900. Colour lithograph, stamped “no. 5700” on image lower centre, 25.5 x 32.2cm. Small tear to top edge, some surface loss to image upper right, foxing. Printer’s sample with blank panel in centre for over-printing. Image shows four cherubs, dressed as the four seasons with an Art Nouveau decorative border..... More
c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in..... More
1901. Colour lithograph with letterpress, signed in image lower right, 64 x 76.9cm. Repaired tears, creases and minor missing portions to margins, slight foxing. Linen-backed. Text continues “Supplement to the Christmas number of The New Zealand Graphic, Dec. 18th, 1901. Printed by The Brett Printing Co. Ltd, Auckland, NZ.” Held..... More
c1901. Three lithographs, two hand-coloured, German text including caption above and below each image, 34.1 x 43cm (approx. each). Old vertical fold, minor tears, stains, creases. Captions in German include “The capture of Tientsin”, “The battle for Tientsin in June [sic] 1900”, and “The taking of Wei-Hai-Mai.” Text includes nos..... More
1901. Bound folio of thirty (30) etchings, some with aquatint, all with tissue guards, each etching signed or initialled in plate lower left or right, 43 x 34.2cm. Missing original cloth boards, stains to paper wrappers and frontispiece etching, tears to edges of all pages not affecting image. Published by..... More
1860/1903. Etching, initialled in plate lower left, 16 x 12.7cm. Published in Twenty-One Etchings…, Astolat Press, London, 1903, in an edition of 150 (ten on vellum, 140 on Japan paper). Ref: Chesson #9; Beraldi #7. More
![Portrait Of A Writer]. William Strang, Scottish](/pictures/thumb/CL175-148.JPG?v=1492660317)
1903. Etching and drypoint, signed and dated in plate upper left, signed in pencil in lower margin, 22.6 x 19cm. Repairs to platemark verso. More
1901/ 1903. Lithograph, stamped signature and title, and annotated “no. 45-8” in pencil in unknown hand below image, 25.5 x 32.3cm. Slight foxing and creases to edges of margins. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and ink drawings, published by Hans von..... More
1901/1903. Lithograph, stamped signature and title, and annotated “no. 45-12” in pencil in unknown hand below image, 27.6 x 27.6cm. Slight soiling to image upper centre, slight foxing to edges of paper not affecting image. This work is from the Weber portfolio, which contained 15 facsimile prints of pen and..... More
1904. Etching, signed in plate lower left, signed in pencil in lower margin, 20.7 x 16.3cm. Minor foxing, old mount burn. From the Paris Set, in an edition of 35. First or second state of five. Ref: Rinder #366. More
1904. Lithograph, signed in image lower left, 17.7 x 12.4cm. Some foxing overall. Framed. From an edition of 1,000. Ref: Stella #44. More