1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More about Sur La Terre Ennemie Les Prisonniers Russes Meurent De Faim (On Enemy Soil Russian Prisoners Are...
1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More about Head Of A Man
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More about Gopsmor Cottage
1917. Lithograph, signed in image lower centre, 35.3 x 46cm. This is no. 61 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More about Transport By Sea: Maintaining Food Supplies
1917. Lithograph, signed and dated in image lower right, 35.5 x 46cm. This is no. 64 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More about Transport By Sea: Transporting Troops
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 65 from the series of 66 lithographs entitled The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London, 1917. This series was most likely created for propaganda purposes; it was reproduced in... More about Transport By Sea: Maintaining Forces Overseas
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More about Transport By Sea: Place Of Safety
1917. Lithograph, signed in pencil in lower margin, 35.4 x 46cm. This is no. 62 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More about Transport By Sea: Maintaining Export Trade
![WWI Soldiers And Peasants]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-149_1.JPG?v=1486091868)
c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More about WWI Soldiers And Peasants
1918. Lithograph, titled and signed in pencil in lower margin, 38.1 x 50.8cm. Slight stains to image upper centre, repaired tears and creases to edges of image. Laid down on acid-free backing. Ref: Harvard Art Museum. More about Odysseus And Nausikaa
1918. Drypoint, signed, dated and annotated “II” in plate lower left to right, signed by Dodd and titled in another hand in pencil in lower margin, 24.7 x 18.1cm. Slight soiling to margins, old mount burn. Laid down on acid-free issue. More about Professor Oliver Ellis
1918. Lithograph, dated “May 24, 1918” and initialled “W.G.M.” in image lower left to right, titled, signed, annotated “Lt RNVR [Royal Naval Volunteer Reserve]” and dated in pencil in lower margin, 17.9 x 38.4cm. Slight foxing and soiling overall, creases and repaired tears to margins. Laid down on acid-free paper..... More about HMS “Vindictive” Lying In Dover Harbour The Morning After The Attack On Zeebrugge
![Ras-el-Ain [Syria]. James McBey, Britain](/pictures/thumb/CL175-106.JPG?v=1492660290)
1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More about Ras-el-Ain [Syria
c1918. Watercolour, titled and signed in pencil lower left, 25.7 x 35cm. Old crease lower right, minor foxing to margins, slight staining verso. In 1909 Reid went to London to study art. During WWI he served in Gallipoli and Sinai with the Scottish Light Horse before transferring to the Royal... More about Arab “Bravo”
1919. Lithograph, signed in pencil below image, 31.6 x 47.5cm. Slight foxing, cockling, minor creases and perforation to margins, old mount burn. Ref: Klipstein #136. Held in de Young Museum, San Francisico. More about Die Eltern der Künstlerin (The Artist’s Parents
1919. Etching, signed by John and titled in another hand in pencil in lower margin, 12.6 x 10.1cm. Minor foxing to lower margin. From an edition of 50. Ref: Dodgson #45. More about Quincy 2
1919. Etching, text including artist and title in letterpress on accompanying tissue guard, 14.9 x 20cm. Slight discolouration. Published in Kunst des Radierens. Ref: Schiefler #73, listed as “Aus dem Judenviertel in Amsterdam: Karrenhandel” (From the Jewish Quarter in Amsterdam: Trading Carts). More about Amsterdamer Judengasse (Amsterdam’s Jewish Quarter
c1919. Woodcut with pochoir, artist’s name, title and text in German in letterpress verso, 23.9 x 17.8cm. Minor discolouration to margins. Text reads “Original holzschnitt, koloriert (coloured woodcut).” Published in Genius, vol. 1, 1919, p132. Pochoir (stencil) is a process of hand-stencilled colour, developed initially as a way of reproducing..... More about Der Hirte (Herdsman
1919. Folio with ten individual lithographs, each signed, dated, annotated “Imp. Gandini, Nice” and titled in image in lower portion, each signed and editioned 34/250 in pencil in lower margin, 30 x 20.8cm (each). Folio wrapper split at spine, discolouration to margins. Cover text reads “Tirage limite a 250 ex... More about L’Éloge De La Folie: Dix Lithographs Originales (Praise Of Folly
![Stagecoach]. After Cecil Aldin, Brit](/pictures/thumb/CL184-42.JPG?v=1486012948)
c1920s. Colour lithograph, publisher’s line above image, signed in image lower right, 28.7 x 65cm. Repaired tears lower left, minor creases to margins, old mount burn. Publisher’s line reads “No. 131. Copyright Lawrence & Jellicoe Ltd. 34 Henrietta St, Covent Garden, Lond., WC. J.L. Goffart, Printer, Brussels.”..... More about Stagecoach
![L’Habitue [The Regular]. Anon](/pictures/thumb/CL184-44.JPG?v=1486012949)
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More about L’Habitue [The Regular
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 21.9 x 16.9cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More about Le “3”
![Hotel Imperial [Czech Republic]. Arthur von Scheibenhof, Italian/German](/pictures/thumb/CL184-47.JPG?v=1486012951)
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More about Hotel Imperial [Czech Republic
1920. Lithograph, artist, title and process in letterpress verso, 31 x 20cm. Minor tears and discolouration to edges not affecting image. Plate 30 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Held in MoMA. More about Pierrot Und Maske
![Gladiator]. Dorothy Burroughes, c. Brit](/pictures/thumb/CL184-61.JPG?v=1486012964)
c1920s. Linocut, signed and editioned 10/100 in pencil in lower margin, 14.2 x 12.6cm. Minor paper remnants to image centre right, slight creases. Laid down on acid-free tissue. Educated at the Slade School of Fine Art, Dorothy Burroughes was an illustrator, designer and linocut artist. She contributed to a number... More about Gladiator