![Item #CL198-53 Achill: 15 Lithographien Zur Ilias [Achilles, Iliad]. Max Slevogt,...](/pictures/thumb/CL198-53_1.jpg?v=1576815238)
1907. Softcover oblong portfolio containing 15 lithographs, with colour lineblock cover, previous owner’s name in ink on contents page, 37 x 50.7cm. Creases, slight soiling and stains to covers, binding loose on spine, tears to edges of first few pages. Interior mostly clean. This portfolio, published by A. Langen, Munich..... More
![Item #CL199-65 Strolling Players, Lydd [Kent, England]. Frank Short, 1857–1945 Brit](/pictures/thumb/CL199-65.jpg?v=1585635251)
1907. Etching, monogrammed “S.” in plate lower left, signed and titled in pencil in lower margin, 17.6 x 25.1cm. Slight stains and crinkles to margins. Shows the tower of All Saints’ Church, the oldest section of which has been dated to the latter half of the 15th century. Held in..... More
c1908. Photogravure, signed and annotated “NY” in image centre right, 55.8 x 35.6cm (paper). Missing portion to lower margin, repaired tears. Linen-backed. Text continues “Metropolitan Opera Company. Issued by Thomas A. Edison, Inc, Orange, NJ. 3144.” Emmy Destinn (1878-1930) was a Czech-born operatic soprano who had a career both in..... More
c1908. Photogravure, 53.2 x 36.8cm (paper). Missing portion to lower margin, repaired tears, creases. Linen-backed. Text continues “Copyright by Mishkin, New York. 2725C. Issued by Thomas A. Edison, Inc, Orange, NJ.”. More
![Item #CL194-103 An Evening Scene, Lake Rotorua [Maori People & Huts]. Walter Wright, NZ](/pictures/thumb/CL194-103.jpg?v=1543548294)
c1908. Colour lithograph, signed in image lower left, title and text below image, 40.9 x 90.5cm. Pinholes and slight stains not affecting image. Linen-backed. Text reads “Printed at the NZ Graphic Fine Art Printing Works, Auckland, NZ.”. More
1909. Etching with drypoint, signed and dated in plate lower left, signed in pencil in lower margin, 30.4 x 15.1cm. Repaired minor tear and foxing to margins, old mount burn. This print shows an ancient Egyptian mirror with a caryatid handle (pillar in the form of female figure). During 1908..... More
1909. Colour lithograph, signed and dated in image lower right, text and title in lower margin, 24.6 x 46.4cm. Small stain to image centre right, slight crinkles overall, minor tears to margins. Text reads “Litho. by South China Morning Post, Copyright.” Harold Duke Collison-Morley studied art at the Slade School..... More
c1909. Colour lithograph, signed with text in image lower left to right, title in lower margin, 24.6 x 46.4cm. Slight creases and minor tears to margins. Text reads South China Morning Post. More
![Item #CL173-56 B’long Hong Kong Lickshaw [Sic]. H D. Collison-Morley, Brit](/pictures/thumb/CL173-56.jpg?v=1492652032)
c1909. Colour lithograph, text with monogram in image lower left, title in lower margin, 24.4 x 45.9cm. Slight creases, missing portions, stain and minor tears to margins. Text reads South China Morning Post. More
![Item #CL168-31 The Turkish Fort [Mokattam Hills Near Cairo]. David Young Cameron, Brit](/pictures/thumb/CL168-31.jpg?v=1492488930)
1909. Etching, signed and dated in plate upper right, titled and signed in pencil in lower margin, 13.8 x 26.4cm. State iii/v. Ref: Rinder #409. More
![Item #CL168-47 [Ladies In Evening Dresses]. Etienne Drian, French](/pictures/thumb/CL168-47.jpg?v=1492489365)
c1910. Etching with drypoint and aquatint, signed in pencil on image lower left, editioned 20/100 in pencil in lower margin, 47.5 x 63cm. Minor foxing. Framed. More
c1910s-20s. The collection of seventeen works consists of eleven etchings, five drypoints and one pencil drawing. One print is monogrammed in the plate lower right, most are signed, some are titled and/or annotated “PP” [printer’s proof] in pencil in lower margin, sizes range from 6.7 x 19.2cm to 34.8 x...... More
1911. Colour aquatint and drypoint, printed à la poupée, signed in pencil in lower margin, 39.6 x 56.7cm. Old mount burn. Ref: Charles Perussaux #102, Wiki. More
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
![Item #CL198-60 Palazzo Labia [Venice]. Arthur Streeton, 1867–1943 Aust](/pictures/thumb/CL198-60.jpg?v=1576815247)
1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More
1913. Drypoint, signed and dated in plate centre right, signed with various annotations in pencil in lower margin, 30.7 x 25.9cm. Minor foxing to right edge of image, slight tear, missing portion to margins, old mount burn. Annotations include “4th state.”. More
1915. Colour lithograph, signed and dated in and below image lower left and right with remarque, titled and annotated “EA” [artist’s proof] in pencil in lower margin, 39.2 x 26.4cm. Minor foxing and soiling overall. More
1915. Wood engraving, signed, dated and titled in pencil in lower margin, 12.8 x 9.7cm. Slight creases to edges of lower margin. Gibbings was a founding member of the Society of Wood Engravers in 1919. Ref: British Council. More
1915. Lithograph, 23 x 29cm. Old mount burn. Ref: Schliefer #202. More
![Item #CL184-150 [WWI Fund Raising Concerts]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-150_1.jpg?v=1486091870)
1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More
![Item #CL168-129 [Chapel Threshold With Blossoms]. Ada Matilda Shrimpton, Brit. 1858–1925](/pictures/thumb/CL168-129.jpg?v=1492489823)
c1916. Metal relief print, signed in plate lower left, signed and annotated “38” in pencil in lower margin, 32.9 x 24.6cm. Minor stains to margins. Shrimpton was known to have experimented with relief print techniques, using metal instead of wood. Her partner, British artist William Giles, also experimented with techniques..... More
1916. Pair of lithographs on one sheet, each signed in image lower left or right, editioned 83/100, signed and titled in pencil below image with drypoint counterproof remarque lower centre, 37.5 x 56.5cm (sheet). Minor creases to edges of margins. Published by Éditions La Guerre. Images titled in French, as..... More
c1915-1917. Hand-coloured lithograph, signed and titled in image lower right and centre, annotated “Lithographie colorieé par l’artiste” and editioned 266/500 in pencil above and below image, 36.2 x 25.9cm. Tears, missing portions and creases to margins. Ref: The Museum of Jewish Art and History, France. More
