c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More

1918. Drypoint, signed, dated and annotated “II” in plate lower left to right, signed by Dodd and titled in another hand in pencil in lower margin, 24.7 x 18.1cm. Slight soiling to margins, old mount burn. Laid down on acid-free issue. More

1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More

1919. Lithograph, signed in pencil below image, 31.6 x 47.5cm. Slight foxing, cockling, minor creases and perforation to margins, old mount burn. Ref: Klipstein #136. Held in de Young Museum, San Francisico. More

c1919. Woodcut with pochoir, artist’s name, title and text in German in letterpress verso, 23.9 x 17.8cm. Minor discolouration to margins. Text reads “Original holzschnitt, koloriert (coloured woodcut).” Published in Genius, vol. 1, 1919, p132. Pochoir (stencil) is a process of hand-stencilled colour, developed initially as a way of reproducing..... More

c1920s. Colour lithograph, publisher’s line above image, signed in image lower right, 28.7 x 65cm. Repaired tears lower left, minor creases to margins, old mount burn. Publisher’s line reads “No. 131. Copyright Lawrence & Jellicoe Ltd. 34 Henrietta St, Covent Garden, Lond., WC. J.L. Goffart, Printer, Brussels.”..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 21.9 x 16.9cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

1920. Lithograph, artist, title and process in letterpress verso, 31 x 20cm. Minor tears and discolouration to edges not affecting image. Plate 30 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Held in MoMA. More

c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More

c1920s. Colour woodcut, annotated “no. 10” and signed in pencil in lower margin, 20.8 x 32.1cm. Slight crease to image upper right, minor discolouration, repaired tears and missing portions to margins. Laid down on acid-free tissue. More

c1920s. Colour woodcut, signature and artist’s chop stamped on image centre right, annotated “no. 117” and signed in pencil in lower margin, 38.9 x 27.6cm. Minor scratch to image and margin upper right. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing in..... More

c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More

c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More