1911. Etching, initialled and dated in plate lower left, signed in pencil in lower margin, 28.7 x 43.8cm. Minor stains to left margin, slight cockling. Ref: Günther #62, noting that this is one of the most humorous and bizarre etchings Müller has created. More
1911. Colour aquatint and drypoint, printed à la poupée, signed in pencil in lower margin, 39.6 x 56.7cm. Old mount burn. Ref: Charles Perussaux #102, Wiki. More
1912. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 36.1 x 52.4cm. Minor stain to image lower right, slight cockling and creases overall. Ref: Günther #65. More
c1912. Drypoint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 4.9 x 12.5cm. Minor surface loss to edges of image, slight tears to plate mark due to excessive impression, strikethrough due to stamp verso, some foxing to margins, old mount..... More
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
1912. Lithograph, printed in brown ink, initialled in image lower left, 26.4 x 32.3cm. Repaired tears and slight stains to image. Framed. More
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
![Palazzo Labia [Venice]. Arthur Streeton, 1867–1943 Aust](/pictures/thumb/CL198-60.jpg?v=1576815247)
1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More
![The Copse [England]. Miles Evergood, Australian](/pictures/thumb/CL170-9.JPG?v=1492493825)
c1910-1913. Etching with aquatint, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 11.1 x 15cm. Slight rubbing to lower right corner of image, minor cockling and crinkles to edges. Ref: GH93. More
1913. Drypoint, signed and dated in plate centre right, signed with various annotations in pencil in lower margin, 30.7 x 25.9cm. Minor foxing to right edge of image, slight tear, missing portion to margins, old mount burn. Annotations include “4th state.”. More
1915. Colour lithograph, signed and dated in and below image lower left and right with remarque, titled and annotated “EA” [artist’s proof] in pencil in lower margin, 39.2 x 26.4cm. Minor foxing and soiling overall. More
1915. Wood engraving, signed, dated and titled in pencil in lower margin, 12.8 x 9.7cm. Slight creases to edges of lower margin. Gibbings was a founding member of the Society of Wood Engravers in 1919. Ref: British Council. More
1915. Lithograph, 23 x 29cm. Old mount burn. Ref: Schliefer #202. More
![WWI Fund Raising Concerts]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-150_1.JPG?v=1486091870)
1916. Pair of programmes with lithographic covers, each signed and one dated “1916” in image lower left or right, each programme with printer’s line on back page, 23.7 x 33.5cm, 33.5 x 24.3cm. Printer’s line reads “Imp. Eug. Verneau, H. Chachoin succ. 108 R. Folie Mericourt, Paris. XI Arr.” Text..... More
![Chapel Threshold With Blossoms]. Ada Matilda Shrimpton, Brit. 1858–1925](/pictures/thumb/CL168-129.JPG?v=1492489823)
c1916. Metal relief print, signed in plate lower left, signed and annotated “38” in pencil in lower margin, 32.9 x 24.6cm. Minor stains to margins. Shrimpton was known to have experimented with relief print techniques, using metal instead of wood. Her partner, British artist William Giles, also experimented with techniques..... More
1916. Pair of lithographs on one sheet, each signed in image lower left or right, editioned 83/100, signed and titled in pencil below image with drypoint counterproof remarque lower centre, 37.5 x 56.5cm (sheet). Minor creases to edges of margins. Published by Éditions La Guerre. Images titled in French, as..... More
c1915-1917. Hand-coloured lithograph, signed and titled in image lower right and centre, annotated “Lithographie colorieé par l’artiste” and editioned 266/500 in pencil above and below image, 36.2 x 25.9cm. Tears, missing portions and creases to margins. Ref: The Museum of Jewish Art and History, France. More
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
1917. Lithograph, signed in image lower centre, 35.3 x 46cm. This is no. 61 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed and dated in image lower right, 35.5 x 46cm. This is no. 64 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 65 from the series of 66 lithographs entitled The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London, 1917. This series was most likely created for propaganda purposes; it was reproduced in..... More
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
