c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More about At Yarmouth [Donkey And Boy]

c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More about The Passing Show

c1920. Colour woodcut, signature and artist’s chop stamped on image centre left, annotated “no. 20” and signed in pencil in lower margin, 27.2 x 37.6cm. Paper loss and stains to margins, old mount burn. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing..... More about [Fruit Bowl And Vase]

c1920s. Woodcut, “PNT” [Paul Nash Trust] stamp in lower margin, 3.9 x 10.1cm. Minor foxing to margins. More about [Abstract Portrait]

c1920s. Linocut, initialled in block lower right, titled, editioned 3/15 and signed in pencil in lower margin, artist’s stamp on slip attached verso, 25.5 x 17.6cm. Missing portions to image lower left and margins, foxing to margins. Stamp reads “F.R. Ferryman, 40-11 249th Street, Little Neck, L.I. [Long Island], NY.”..... More about Motive I

c1920s. Colour woodcut, titled and signed in pencil in lower margin, 14.8 x 17.5cm. Slight creases overall, old tape to edges of margins. Styria is a mountainous, forested state in southern Austria, known for its wine, spas and castles. More about Cottage In Styria [Austria]

c1920s. Etching, signed in plate lower right, annotated “original radierung (etching)”, titled and signed in pencil in lower margin, 33.4 x 27.5cm. Minor tears, stains and creases to margins. Shrine in Karlovy Vary, a mineral water spa town in the Czech Republic. More about Waldandacht, [Karlsbad, Karlovy Vary, CZ]

c1920s. Etching, monogrammed in plate upper right, signed in pencil in lower margin, titled and annotated “etching” in pencil on slip attached to mount verso, 25.8 x 20.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #30. Held in Hunterian Museum, Glasgow. More about Holiday Time

c1920s. Etching and drypoint, monogrammed in plate lower left, signed in pencil in lower margin, titled and annotated “etching & drypoint” in pencil on slip attached to mount verso, 22.7 x 35.1cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #10. Dunster is a village within the English county of..... More about Dunster [UK]

c1920s. Drypoint, signed in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 33.2 x 25.5cm. Repaired missing portions to lower platemark including image. Ref: Konody, Etchings & Drypoints by S. Tushingham, #39. More about Mother And Child

c1920s. Drypoint, signed and annotated “state. proof” in pencil in lower margin, 15.1 x 37.6cm. Creases to margins, old mount burn. William Lionel Wyllie was a prolific English painter of maritime themes. He has been described as “the most distinguished marine artist of his day.” He is noted for precision..... More about [Fishing Boats In Port Of Industrial City]

c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 18.5 x 19.9cm. Minor foxing and mount burn to margins. More about Café Zum Alten Römerstübchen

c1920s. Colour woodcut, printed à la poupée, with added hand-colouring, signed and annotated in pencil in lower margin, 19.7 x 14.8cm. Minor rubbing and soiling to margins. Annotation reads “imp. del. et sculp.” À la poupée (with the doll) is a method of applying two or more coloured inks with..... More about [Rural Landscape With Stone Bridge]