![At Yarmouth [Donkey And Boy]. James H. Dowd, British.](/pictures/thumb/CL184-68.JPG?v=1486091889)
At Yarmouth [Donkey And Boy]
c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More
International
Clear Waters
1920. Wood engraving, initialled in block lower left, 21.6 x 11.6cm. Minor foxing to image, paper loss, creases and discolouration to margins, old mount burn. Gibbings’s use of the “vanishing line technique” is clearly illustrated in this print which was “his first significant engraving of a figure. Here the delicate... More
The Passing Show
c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More
![[Mountain Landscape]. Dagmar Hooge, German.](/pictures/thumb/CL184-86.JPG?v=1486012992)
[Mountain Landscape]
c1920s. Colour woodcut, annotated “no. 10” and signed in pencil in lower margin, 20.8 x 32.1cm. Slight crease to image upper right, minor discolouration, repaired tears and missing portions to margins. Laid down on acid-free tissue. More
![[Fruit Bowl And Vase]. Urushibara Mokuchu, Japanese.](/pictures/thumb/CL184-120.JPG?v=1486012854)
[Fruit Bowl And Vase]
c1920. Colour woodcut, signature and artist’s chop stamped on image centre left, annotated “no. 20” and signed in pencil in lower margin, 27.2 x 37.6cm. Paper loss and stains to margins, old mount burn. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing... More
![[Vase Of Roses]. Urushibara Mokuchu, Japanese.](/pictures/thumb/CL184-121.JPG?v=1486091858)
[Vase Of Roses]
c1920s. Colour woodcut, signature and artist’s chop stamped on image centre right, annotated “no. 117” and signed in pencil in lower margin, 38.9 x 27.6cm. Minor scratch to image and margin upper right. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing in... More
![[Abstract Portrait]. Paul Nash, British.](/pictures/thumb/CL184-130.JPG?v=1486012862)
[Abstract Portrait]
c1920s. Woodcut, “PNT” [Paul Nash Trust] stamp in lower margin, 3.9 x 10.1cm. Minor foxing to margins. More
Jeune Savant (Young Scholar)
c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More
Motive I
c1920s. Linocut, initialled in block lower right, titled, editioned 3/15 and signed in pencil in lower margin, artist’s stamp on slip attached verso, 25.5 x 17.6cm. Missing portions to image lower left and margins, foxing to margins. Stamp reads “F.R. Ferryman, 40-11 249th Street, Little Neck, L.I. [Long Island], NY.”... More
Willow Tree
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More
![Cottage In Styria [Austria]. Carl Rotky, Austrian.](/pictures/thumb/CL184-141.JPG?v=1486012871)
Cottage In Styria [Austria]
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 14.8 x 17.5cm. Slight creases overall, old tape to edges of margins. Styria is a mountainous, forested state in southern Austria, known for its wine, spas and castles. More
![[Children Dancing]. Gerald Spencer-Pryse, 1881/ Brit.](/pictures/thumb/CL184-147.JPG?v=1486091867)
[Children Dancing]
c1920s. Tinted lithograph, 44.5 x 36.2cm. Minor creases, old mount burn. Spencer-Pryse was a key advocate in lithography being recognised as an original art form during the first part of the twentieth-century. As a young man he could not afford to pursue a training in oil painting and took up... More
![Waldandacht, [Karlsbad, Karlovy Vary, CZ]. Ernst Steidl, Czech.](/pictures/thumb/CL184-148.JPG?v=1486091867)
Waldandacht, [Karlsbad, Karlovy Vary, CZ]
c1920s. Etching, signed in plate lower right, annotated “original radierung (etching)”, titled and signed in pencil in lower margin, 33.4 x 27.5cm. Minor tears, stains and creases to margins. Shrine in Karlovy Vary, a mineral water spa town in the Czech Republic. More
Venetian Brothers
c1920s. Drypoint, monogrammed in plate upper left, signed in pencil in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 28 x 20.4cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #52. More
Holiday Time
c1920s. Etching, monogrammed in plate upper right, signed in pencil in lower margin, titled and annotated “etching” in pencil on slip attached to mount verso, 25.8 x 20.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #30. Held in Hunterian Museum, Glasgow. More
![The Sheepmarket, Bridgwater [UK]. Sidney Tushingham, British.](/pictures/thumb/CL184-159.JPG?v=1486091872)
The Sheepmarket, Bridgwater [UK]
c1920s. Drypoint, monogrammed in plate upper left, signed in pencil in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 25.3 x 21.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #14. More
![Dunster [UK]. Sidney Tushingham, Brit.](/pictures/thumb/CL184-160.JPG?v=1486012901)
Dunster [UK]
c1920s. Etching and drypoint, monogrammed in plate lower left, signed in pencil in lower margin, titled and annotated “etching & drypoint” in pencil on slip attached to mount verso, 22.7 x 35.1cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #10. Dunster is a village within the English county of... More
![A Picnic, Hampstead Heath [UK]. Sidney Tushingham, Brit.](/pictures/thumb/CL184-161.JPG?v=1486012901)
A Picnic, Hampstead Heath [UK]
c1920s. Drypoint, monogrammed in plate lower right, signed in pencil in lower margin, 19.2 x 28.5cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #7. More
Mother And Child
c1920s. Drypoint, signed in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 33.2 x 25.5cm. Repaired missing portions to lower platemark including image. Ref: Konody, Etchings & Drypoints by S. Tushingham, #39. More
G. Bernard Shaw
c1920s. Lithograph, titled in image lower right, signed in pencil on image lower left, 28.5 x 36cm. Minor foxing and creases to margins, old mount burn. George Bernard Shaw (1856-1950), was a famous Irish playwright and critic. He wrote more than sixty plays. In 1925 he was awarded the Nobel... More
![[Fishing Boats In Port Of Industrial City]. W L. Wyllie, Brit.](/pictures/thumb/CL184-167.JPG?v=1486012905)
[Fishing Boats In Port Of Industrial City]
c1920s. Drypoint, signed and annotated “state. proof” in pencil in lower margin, 15.1 x 37.6cm. Creases to margins, old mount burn. William Lionel Wyllie was a prolific English painter of maritime themes. He has been described as “the most distinguished marine artist of his day.” He is noted for precision... More
La Plaza Mayor, Segovia
c1920s. Drypoint, signed in plate lower left, signed, titled and editioned “80 proofs” in ink on plate mark below image and in lower margin, 24 x 19.2cm. Minor stains to margins. More
Café Zum Alten Römerstübchen
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 18.5 x 19.9cm. Minor foxing and mount burn to margins. More
Esprit Des Ténèbres (Spirit Of Darkness)
c1920. Etching, editioned 18/30 and signed in pencil on plate mark below image and lower margin, inscription including title in another hand in ink in lower margin, 44.6 x 28.5cm. Creases, soiling and rubbing to margins. Inscription reads “À Albert Garraut, cet ‘Esprit des Ténèbres’, hommage de son bien reconnaissant... More
![[Rural Landscape With Stone Bridge]. J C. A. Brown.](/pictures/thumb/CL168-26.JPG?v=1492488926)
[Rural Landscape With Stone Bridge]
c1920s. Colour woodcut, printed à la poupée, with added hand-colouring, signed and annotated in pencil in lower margin, 19.7 x 14.8cm. Minor rubbing and soiling to margins. Annotation reads “imp. del. et sculp.” À la poupée (with the doll) is a method of applying two or more coloured inks with... More