1918. Drypoint, signed, dated and annotated “II” in plate lower left to right, signed by Dodd and titled in another hand in pencil in lower margin, 24.7 x 18.1cm. Slight soiling to margins, old mount burn. Laid down on acid-free issue. More
1918. Lithograph, dated “May 24, 1918” and initialled “W.G.M.” in image lower left to right, titled, signed, annotated “Lt RNVR [Royal Naval Volunteer Reserve]” and dated in pencil in lower margin, 17.9 x 38.4cm. Slight foxing and soiling overall, creases and repaired tears to margins. Laid down on acid-free paper..... More
![Ras-el-Ain [Syria]. James McBey, Britain](/pictures/thumb/CL175-106.JPG?v=1492660290)
1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More
c1918. Watercolour, titled and signed in pencil lower left, 25.7 x 35cm. Old crease lower right, minor foxing to margins, slight staining verso. In 1909 Reid went to London to study art. During WWI he served in Gallipoli and Sinai with the Scottish Light Horse before transferring to the Royal..... More
1919. Lithograph, signed in pencil below image, 31.6 x 47.5cm. Slight foxing, cockling, minor creases and perforation to margins, old mount burn. Ref: Klipstein #136. Held in de Young Museum, San Francisico. More
c1919. Woodcut with pochoir, artist’s name, title and text in German in letterpress verso, 23.9 x 17.8cm. Minor discolouration to margins. Text reads “Original holzschnitt, koloriert (coloured woodcut).” Published in Genius, vol. 1, 1919, p132. Pochoir (stencil) is a process of hand-stencilled colour, developed initially as a way of reproducing..... More
1919. Folio with ten individual lithographs, each signed, dated, annotated “Imp. Gandini, Nice” and titled in image in lower portion, each signed and editioned 34/250 in pencil in lower margin, 30 x 20.8cm (each). Folio wrapper split at spine, discolouration to margins. Cover text reads “Tirage limite a 250 ex..... More
![Stagecoach]. After Cecil Aldin, Brit](/pictures/thumb/CL184-42.JPG?v=1486012948)
c1920s. Colour lithograph, publisher’s line above image, signed in image lower right, 28.7 x 65cm. Repaired tears lower left, minor creases to margins, old mount burn. Publisher’s line reads “No. 131. Copyright Lawrence & Jellicoe Ltd. 34 Henrietta St, Covent Garden, Lond., WC. J.L. Goffart, Printer, Brussels.”. More
![L’Habitue [The Regular]. Anon](/pictures/thumb/CL184-44.JPG?v=1486012949)
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More
![Hotel Imperial [Czech Republic]. Arthur von Scheibenhof, Italian/German](/pictures/thumb/CL184-47.JPG?v=1486012951)
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More
1920. Lithograph, artist, title and process in letterpress verso, 31 x 20cm. Minor tears and discolouration to edges not affecting image. Plate 30 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Held in MoMA. More
![Gladiator]. Dorothy Burroughes, c. Brit](/pictures/thumb/CL184-61.JPG?v=1486012964)
c1920s. Linocut, signed and editioned 10/100 in pencil in lower margin, 14.2 x 12.6cm. Minor paper remnants to image centre right, slight creases. Laid down on acid-free tissue. Educated at the Slade School of Fine Art, Dorothy Burroughes was an illustrator, designer and linocut artist. She contributed to a number..... More
![At Yarmouth [Donkey And Boy]. James H. Dowd, British](/pictures/thumb/CL184-68.JPG?v=1486091889)
c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More
c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More
![Fruit Bowl And Vase]. Urushibara Mokuchu, Japanese](/pictures/thumb/CL184-120.JPG?v=1486012854)
c1920. Colour woodcut, signature and artist’s chop stamped on image centre left, annotated “no. 20” and signed in pencil in lower margin, 27.2 x 37.6cm. Paper loss and stains to margins, old mount burn. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing..... More
![Vase Of Roses]. Urushibara Mokuchu, Japanese](/pictures/thumb/CL184-121.JPG?v=1486091858)
c1920s. Colour woodcut, signature and artist’s chop stamped on image centre right, annotated “no. 117” and signed in pencil in lower margin, 38.9 x 27.6cm. Minor scratch to image and margin upper right. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing in..... More
![Abstract Portrait]. Paul Nash, British](/pictures/thumb/CL184-130.JPG?v=1486012862)
c1920s. Woodcut, “PNT” [Paul Nash Trust] stamp in lower margin, 3.9 x 10.1cm. Minor foxing to margins. More
c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More
c1920s. Linocut, initialled in block lower right, titled, editioned 3/15 and signed in pencil in lower margin, artist’s stamp on slip attached verso, 25.5 x 17.6cm. Missing portions to image lower left and margins, foxing to margins. Stamp reads “F.R. Ferryman, 40-11 249th Street, Little Neck, L.I. [Long Island], NY.”..... More
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More
![Cottage In Styria [Austria]. Carl Rotky, Austrian](/pictures/thumb/CL184-141.JPG?v=1486012871)
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 14.8 x 17.5cm. Slight creases overall, old tape to edges of margins. Styria is a mountainous, forested state in southern Austria, known for its wine, spas and castles. More
![Waldandacht, [Karlsbad, Karlovy Vary, CZ]. Ernst Steidl, Czech](/pictures/thumb/CL184-148.JPG?v=1486091867)
c1920s. Etching, signed in plate lower right, annotated “original radierung (etching)”, titled and signed in pencil in lower margin, 33.4 x 27.5cm. Minor tears, stains and creases to margins. Shrine in Karlovy Vary, a mineral water spa town in the Czech Republic. More
c1920s. Drypoint, monogrammed in plate upper left, signed in pencil in lower margin, titled and annotated “drypoint” in pencil on slip attached to mount verso, 28 x 20.4cm. Ref: Konody, Etchings & Drypoints by S. Tushingham, #52. More
