1918. Lithograph, titled and signed in pencil in lower margin, 38.1 x 50.8cm. Slight stains to image upper centre, repaired tears and creases to edges of image. Laid down on acid-free backing. Ref: Harvard Art Museum. More

1918. Lithograph, dated “May 24, 1918” and initialled “W.G.M.” in image lower left to right, titled, signed, annotated “Lt RNVR [Royal Naval Volunteer Reserve]” and dated in pencil in lower margin, 17.9 x 38.4cm. Slight foxing and soiling overall, creases and repaired tears to margins. Laid down on acid-free paper..... More

c1918. Watercolour, titled and signed in pencil lower left, 25.7 x 35cm. Old crease lower right, minor foxing to margins, slight staining verso. In 1909 Reid went to London to study art. During WWI he served in Gallipoli and Sinai with the Scottish Light Horse before transferring to the Royal..... More

1919. Etching, signed by John and titled in another hand in pencil in lower margin, 12.6 x 10.1cm. Minor foxing to lower margin. From an edition of 50. Ref: Dodgson #45. More

1919. Folio with ten individual lithographs, each signed, dated, annotated “Imp. Gandini, Nice” and titled in image in lower portion, each signed and editioned 34/250 in pencil in lower margin, 30 x 20.8cm (each). Folio wrapper split at spine, discolouration to margins. Cover text reads “Tirage limite a 250 ex..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More

c1920s. Linocut, signed and editioned 10/100 in pencil in lower margin, 14.2 x 12.6cm. Minor paper remnants to image centre right, slight creases. Laid down on acid-free tissue. Educated at the Slade School of Fine Art, Dorothy Burroughes was an illustrator, designer and linocut artist. She contributed to a number..... More

c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More

c1920s. Colour woodcut, signature and artist’s chop stamped on image centre right, annotated “no. 117” and signed in pencil in lower margin, 38.9 x 27.6cm. Minor scratch to image and margin upper right. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing in..... More

c1920s. Lithograph, signed in image lower left, titled below image lower right, 47.1 x 36.9cm. Slight foxing, minor missing portion to upper left corner. Held in the Museum of Jewish Art and History, France. More

c1920s. Colour woodcut, titled and signed in pencil in lower margin, 26.8 x 21.7cm. Slight creases and cockling, missing portions, paper remnants and stains to margins, old mount burn. More

c1920s. Tinted lithograph, 44.5 x 36.2cm. Minor creases, old mount burn. Spencer-Pryse was a key advocate in lithography being recognised as an original art form during the first part of the twentieth-century. As a young man he could not afford to pursue a training in oil painting and took up..... More