1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More

c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More

1918. Drypoint, signed, dated and annotated “II” in plate lower left to right, signed by Dodd and titled in another hand in pencil in lower margin, 24.7 x 18.1cm. Slight soiling to margins, old mount burn. Laid down on acid-free issue. More

1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More

1919. Lithograph, signed in pencil below image, 31.6 x 47.5cm. Slight foxing, cockling, minor creases and perforation to margins, old mount burn. Ref: Klipstein #136. Held in de Young Museum, San Francisico. More

c1919. Woodcut with pochoir, artist’s name, title and text in German in letterpress verso, 23.9 x 17.8cm. Minor discolouration to margins. Text reads “Original holzschnitt, koloriert (coloured woodcut).” Published in Genius, vol. 1, 1919, p132. Pochoir (stencil) is a process of hand-stencilled colour, developed initially as a way of reproducing..... More

c1919. Woodcut, titled, annotated “Orig. holzschnitt [woodcut]” and signed in pencil below image, 22 x 21.8cm. Slight stain to upper centre, minor crease to lower left corner, trimmed margins. The Vienna Giant Ferris wheel, 64.75-metre (212 ft) tall, stands at the entrance of the Prater amusement park in Leopoldstadt. It..... More

c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More

c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More

c1920s. Linocut, signed and editioned 10/100 in pencil in lower margin, 14.2 x 12.6cm. Minor paper remnants to image centre right, slight creases. Laid down on acid-free tissue. Educated at the Slade School of Fine Art, Dorothy Burroughes was an illustrator, designer and linocut artist. She contributed to a number..... More

c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More

c1920s. Colour woodcut, signature and artist’s seal stamped on image centre right, annotated “no. 117” and signed in pencil in lower margin, 38.9 x 27.6cm. Minor scratch to image and margin upper right. Urushibara Yoshijirô (‘art name’ of Mokuchu) was influential in the English revival of colour woodblock printing in..... More