Sur La Terre Ennemie Les Prisonniers Russes Meurent De Faim (On Enemy Soil Russian Prisoners Are Dying Of Hunger)
1917. Lithograph, signed and dated in image centre right, 30.4 x 22cm. Held in Imperial War Museum, UK. More
International
Head Of A Man
1906/1917. Drypoint, 12 x 8.7cm. Minor foxing to image lower left and to margins, old mount burn. Ref: Woll #277, Schiefler #243. More
Gopsmor Cottage
1917. Etching, monogrammed and dated in plate lower left, signed by Zorn and annotated “Barn Dance” in another hand in pencil in lower margin, 28.9 x 19.7cm. Old mount burn. Third state. Ref: Asplund #275. More
Transport By Sea: Maintaining Food Supplies
1917. Lithograph, signed in image lower centre, 35.3 x 46cm. This is no. 61 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
Transport By Sea: Transporting Troops
1917. Lithograph, signed and dated in image lower right, 35.5 x 46cm. This is no. 64 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
Transport By Sea: Place Of Safety
1917. Lithograph, signed in image lower centre, 35.5 x 46cm. This is no. 66 from the series of 66 lithographs The Great War: Britain’s efforts and ideals, published by the British Ministry of Information, London 1917. Ref: AWM. More
![Item #CL184-149 [WWI Soldiers And Peasants]. Alexandre Théophile Steinlen, French](/pictures/thumb/CL184-149_1.jpg?v=1486091868)
[WWI Soldiers And Peasants]
c1914-1918. Group of five lithographs, each signed “St.” and two captioned in image, each editioned in pencil and signed in coloured pencil below image, sizes range from 31.7 x 24cm to 26 x 37.3cm. Slight creases and minor discolouration overall. Captions include “Ou est la gare de l’Est? Gare du..... More
Odysseus And Nausikaa
1918. Lithograph, titled and signed in pencil in lower margin, 38.1 x 50.8cm. Slight stains to image upper centre, repaired tears and creases to edges of image. Laid down on acid-free backing. Ref: Harvard Art Museum. More
Professor Oliver Ellis
1918. Drypoint, signed, dated and annotated “II” in plate lower left to right, signed by Dodd and titled in another hand in pencil in lower margin, 24.7 x 18.1cm. Slight soiling to margins, old mount burn. Laid down on acid-free issue. More
HMS “Vindictive” Lying In Dover Harbour The Morning After The Attack On Zeebrugge
1918. Lithograph, dated “May 24, 1918” and initialled “W.G.M.” in image lower left to right, titled, signed, annotated “Lt RNVR [Royal Naval Volunteer Reserve]” and dated in pencil in lower margin, 17.9 x 38.4cm. Slight foxing and soiling overall, creases and repaired tears to margins. Laid down on acid-free paper..... More
![Item #CL175-106 Ras-el-Ain [Syria]. James McBey, Britain](/pictures/thumb/CL175-106.jpg?v=1492660290)
Ras-el-Ain [Syria]
1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More
Arab “Bravo”
c1918. Watercolour, titled and signed in pencil lower left, 25.7 x 35cm. Old crease lower right, minor foxing to margins, slight staining verso. In 1909 Reid went to London to study art. During WWI he served in Gallipoli and Sinai with the Scottish Light Horse before transferring to the Royal..... More
Die Eltern der Künstlerin (The Artist’s Parents)
1919. Lithograph, signed in pencil below image, 31.6 x 47.5cm. Slight foxing, cockling, minor creases and perforation to margins, old mount burn. Ref: Klipstein #136. Held in de Young Museum, San Francisico. More
Der Hirte (Herdsman)
c1919. Woodcut with pochoir, artist’s name, title and text in German in letterpress verso, 23.9 x 17.8cm. Minor discolouration to margins. Text reads “Original holzschnitt, koloriert (coloured woodcut).” Published in Genius, vol. 1, 1919, p132. Pochoir (stencil) is a process of hand-stencilled colour, developed initially as a way of reproducing..... More
L’Éloge De La Folie: Dix Lithographs Originales (Praise Of Folly)
1919. Folio with ten individual lithographs, each signed, dated, annotated “Imp. Gandini, Nice” and titled in image in lower portion, each signed and editioned 34/250 in pencil in lower margin, 30 x 20.8cm (each). Folio wrapper split at spine, discolouration to margins. Cover text reads “Tirage limite a 250 ex..... More
![Item #CL202-27 Wien, Prater Riesenrad [Vienna Giant Ferris Wheel]. Emma Bormann,...](/pictures/thumb/CL202-27.jpg?v=1619760559)
Wien, Prater Riesenrad [Vienna Giant Ferris Wheel]
c1919. Woodcut, titled, annotated “Orig. holzschnitt [woodcut]” and signed in pencil below image, 22 x 21.8cm. Slight stain to upper centre, minor crease to lower left corner, trimmed margins. The Vienna Giant Ferris wheel, 64.75-metre (212 ft) tall, stands at the entrance of the Prater amusement park in Leopoldstadt. It..... More
![Item #CL184-42 [Stagecoach]. After Cecil Aldin, Brit](/pictures/thumb/CL184-42.jpg?v=1486012948)
[Stagecoach]
c1920s. Colour lithograph, publisher’s line above image, signed in image lower right, 28.7 x 65cm. Repaired tears lower left, minor creases to margins, old mount burn. Publisher’s line reads “No. 131. Copyright Lawrence & Jellicoe Ltd. 34 Henrietta St, Covent Garden, Lond., WC. J.L. Goffart, Printer, Brussels.”. More
![Item #CL184-44 L’Habitue [The Regular]. Anon](/pictures/thumb/CL184-44.jpg?v=1486012949)
L’Habitue [The Regular]
c1920s. Etching, initialled “A” in plate lower right, editioned 49/50, indistinguishable signature and titled in another hand in pencil in lower margin, 17 x 22cm. Old mount burn. Most likely from a series on French brothels. Provenance: Colin Lanceley estate. More
![Item #CL184-47 Hotel Imperial [Czech Republic]. Arthur von Scheibenhof, Italian/German](/pictures/thumb/CL184-47.jpg?v=1486012951)
Hotel Imperial [Czech Republic]
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More
Pierrot Und Maske
1920. Lithograph, artist, title and process in letterpress verso, 31 x 20cm. Minor tears and discolouration to edges not affecting image. Plate 30 from the illustrated book Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), Leipzig, 1920. Held in MoMA. More
![Item #CL184-61 [Gladiator]. Dorothy Burroughes, c. Brit](/pictures/thumb/CL184-61.jpg?v=1486012964)
[Gladiator]
c1920s. Linocut, signed and editioned 10/100 in pencil in lower margin, 14.2 x 12.6cm. Minor paper remnants to image centre right, slight creases. Laid down on acid-free tissue. Educated at the Slade School of Fine Art, Dorothy Burroughes was an illustrator, designer and linocut artist. She contributed to a number..... More
![Item #CL184-68 At Yarmouth [Donkey And Boy]. James H. Dowd, British](/pictures/thumb/CL184-68.jpg?v=1486091889)
At Yarmouth [Donkey And Boy]
c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More
The Passing Show
c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More