[Old St. Pancras Town Hall, London]
1937. Drypoint, signed in pencil on plate below image, 16.4 x 25cm. More
1937. Drypoint, signed in pencil on plate below image, 16.4 x 25cm. More
1937. Drypoint, signed “Lionel Lindsay, Malaga” and titled in plate lower right and below image, signed and annotated “100” in pencil in lower margin, 27.7 x 30.2cm. Laid down on acid-free paper. Title continues “Burnt during revolution.” Ref: Mendelssohn #545. Held in NGA, NLA, NGV. Many of Malaga’s historical buildings..... More
1927/1938. Woodcut, initialled “C.” in block lower right, dated “1927” and initialled with date “1938” in pencil in lower margin, 11.4 x 16cm. Framed. This is an illustration for a proposed but never published edition of Robinson Crusoe. Craig agreed to illustrate a book on Robinson Crusoe in the late..... More
1938. Linocut, initialled in block lower left, 31 x 24cm. Minor old mount burn. Commissioned by San Lazzaro and issued for XXe Siècle, Paris, 1938. This edition consisted of about 1500 impressions but approximately half were lost during WWII. More
c1938. Woodcut, annotated, titled and signed in German in pencil on backing below image, 39.6 x 39.8cm. Laid down on original backing. Annotation reads “Original holzschnitt [woodcut].” Painter, draftsman, graphic and commercial artist Robert Hanna studied at the University of Applied Arts in Vienna, graduating with a teaching degree. From 1929..... More
c1938. Woodcut, signed in pencil, annotated and titled in German in ink on backing below image, 36.6 x 35.1cm. Laid down on original backing. Annotation includes “Weisgarber, Traiskirchen B.E.A.” Traiskirchen is a city 20 km south of Vienna. “B.E.A.” is most likely an acronym for federal education institutions in Austria during..... More
1939. Soft-cover publication containing five original prints by four prominent European artists and one Australian artist. All prints are signed or monogramed in image, published in an edition of 1200, 31.8 x 24.7cm. Soiling and foxing to cover, some stains, wear and small tears to rear pages. The periodical contains..... More
c1940s. Colour lithograph, initialled in image lower left, annotated “state 2”, titled and signed in pencil in lower margin, 27.5 x 29.4cm. Repaired tears to image upper right and lower centre, slight stains and creases to margins. Haute-Savoie is in the Auvergne-Rhône-Alpes region of eastern France. The first Winter Olympic..... More
c1940s. Group of eight works consisting of five colour linocuts, two wood engravings and one woodcut, all with artist’s name, title and medium printed in lower margin, sizes range from 10.2 x 12.7cm to 21 x 15.1cm. The four artists and their works are: 1) Rona Dyer (b.1923), The Pool..... More
1934/1940. Wood engraving, artist’s name and text verso, 10.5 x 5.3cm. Slight foxing. Text reads “Pray for Eric Gill, T.O.S.D. 1882-1940. Laborare est orare (To work is to pray).” This image was used as a memorial card to the artist upon his death in 1940. Originally published in The Passion..... More
1940. Colour linocut, printed à la poupée, signed, dated and captioned with a verse in pencil in lower margin, 16.5 x 17.3cm. Old mount burn. The verse reads “’My son, my son’, said his mother, ever so many times graciously waving her painted tail, ‘What have you been doing now..... More
c1941. Colour woodcut, artist’s seal in block lower left, 33.5 x 24.7cm. Upper corners taped to original paper mount. Image possibly from Kawanishi’s 1941 series Scenes from a Port Town. His work is held in numerous international museums, including MoMA, the Art Institute of Chicago, and the British Museum with..... More
c1931-1942. Three prints consisting of two linocuts and one woodcut, each monogrammed in block lower left or right, titled, editioned, signed and one dated “‘42” in pencil in lower margin, 16.2 x 12.7cm to 13.1 x 18.1cm. Foxing to woodcut, old mount burn. Titles and editions read as follows: (1)..... More
c1943. Watercolour, signed lower right, titled in ink on slip from original mat board mounted below image, 25.8 x 29.5cm. Old glue stains to margins. Warner was called up for military service in 1941, working as a camouflager and poster artist. In 1943 he was appointed an official war artist..... More
1945. Engraving, monogrammed in plate lower right, signed in pencil in lower margin, letterpress on original mount accompanying image, 10 x 7.6cm. Minor foxing to margins. Text on mount reads “An original line-engraving by Stanley Anderson, RA, RE, is published in an edition of two hundred and fifty copies, exclusively..... More
1945. Linocut, titled, signed and dated in pencil lower centre and right, 39 x 19.1cm. Creases and slight stains to edges, old mount burn. Held in NGA with further annotation noting “the chair was made from the upswept prow of a canoe. Cut from sketches drawn on Noemfoor Is., Geelvinck..... More
1946. Folio of 12 lithographs, two in colour. Accompanied by a contents sheet and a map indicating the industries each of the 10 artists visited and studied, each signed in pencil below image, 28.5 x 35cm (approx. each image); 40.7 x 46.7cm (folio). Minor stains or creases to margins, colour..... More
1946. Colour screenprint, titled, signed and dated in pencil in lower margin, 27.6 x 27.7cm. Held in Cleveland Museum of Art. More
1947. Colour lithograph, signed lower left, 17.6 x 15.2cm. Minor discolouration and stains to edges of margins. From an edition of 999, published in Le Surréalisme en 1947, the catalogue for the Exposition Internationale du Surréalisme, organised by André Breton and Marcel Duchamp, published by Maeght Éditeur. Ref: NGA. More
1947. Colour lithograph, 23.6 x 16.1cm. Minor discolouration to edges of margins. From an edition of 999, published in Le Surréalisme en 1947, the catalogue for the Exposition Internationale du Surréalisme, organised by André Breton and Marcel Duchamp, published by Maeght Éditeur. Ref: NGA. More
c1947. Process letterpress, signed and dated in reverse in block upper right, annotated “V”, editioned 13/20 and signed in pencil in lower margin.19.9 x 15.7cm. Minor handling creases to image centre right and lower margin. Very rare unrecorded process letterpress print, created photo-mechanically from the original photograph of Man Ray..... More
1947. Lithograph, dated and signed lower left, 20 x 15cm. Minor discolouration and stains to edges of margins. From an edition of 999, published in Le Surréalisme en 1947, the catalogue for the Exposition Internationale du Surréalisme, organised by André Breton and Marcel Duchamp, published by Maeght Éditeur. Ref: NGA..... More
1948. Colour woodcut, signed in pencil with artist’s seal on image lower left, title and printer’s stamp in lower and left margin, “no. 184/350” stamped verso, 39.3 x 30.1cm. Old glue stains to margins. Ref: Miles #93. More
1942/1948. Linocut, monogrammed in block lower right, artist’s name, title and medium in letterpress below image, 18.5 x 14cm. Held in NGA. “Initially making a living as a photographer, Adele Younghusband…maintained a painting practise most of her life…After travelling to Australia to study art with George Bell, she produced linocuts..... More