1827/1893. Wood engraving, 8.2 x 12.7cm. Slight foxing, old mount burn. From an edition of 350, printed by Calvert’s son in 1893. Image held in the Art Gallery of NSW, the Tate and The Met, with the comment “In this richly detailed engraving, Calvert conjured an idealized medieval world. Made..... More

1894. Lithograph on chine-collé, titled and signed in image upper and lower centre, annotated “57” and signed in pencil in lower margin, 26 x 18.7cm. Slight foxing to margins. State i/ii, from an edition of 100. Published by Kleinmann. Ref: Crauzat #440. More

1895. Pair of colour lithographs with letterpress, signed in image lower left, text, date and title above and below image, 39.9 x 29.8cm (each). Minor scuffing and paper remnants to images centre right. Text reads “The Sketch, Christmas Number, 1895.” Born in Newport, Monmouthshire, Harold Stephen “Hal” Ludlow was an..... More

c1896. Colour lithograph, signed in image lower left, Maîtres de l’Affiche blind stamp and text on and below image lower left to right, 32.4 x 24.4cm (image). Crease to image lower centre, slight foxing and creases to margins. Text reads “Les Maîtres de l’Affiche, Imprimerie Chaix (Encres Lorilleux & Cie).”..... More

1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More

1896. Etching and mezzotint, initialled “S” lower left corner of image, artist, engraver, title and text in plate below image, signed by engraver Frank Short in pencil in lower margin, 21.6 x 27.7cm. Foxing to margins. Text includes “From an unpublished drawing for the Liber Studiorum in the possession of..... More

1897. Colour lithograph, signed in image lower right, magazine blindstamp “The Studio, London” below image, 21.1 x 14.8cm. Slight stains overall. From The Studio magazine, issue 57. The Beggarstaff Brothers, James Pryde and William Nicholson or “J. & W. Beggarstaff”, were brothers-in-law who collaborated on poster designs between 1894 and..... More

1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More

1898. Colour woodcut with embossing, signed, artist’s seal, publisher’s line and block-cutter in Japanese characters in block upper portion and margins, 33.1 x 21.2cm. Stains to image centre. Held in Honolulu Museum of Art. Tokugawa Ieyasu (1543–1616) was the founder and first shogun of the Tokugawa shogunate of Japan. Ref..... More

1899. Colour lithograph, signed and annotated “serie 2/no. 1” in pencil in lower margin, 31 x 40.9cm. Framed. This is a colour variant proof of the second (final) state, before the edition of 100. Printed by Atelier Auguste Clot and published by Ambroise Vollard, Paris. Provenance: Stadia Graphics, Sydney, 1985..... More

c1900. Letterpress booklet with colour process screen illustrations, each captioned in plate below image, 24 x 32.2cm. Minor crinkles, slight stains and tears to edges of some pages, missing portions and discolouration to cover. This booklet is part 41 from the series “Autour du Monde: Aquarelles, Souvenirs, Voyages”, published in..... More

1901. Colour lithograph with letterpress, signed in image lower right, 64 x 76.9cm. Repaired tears, creases and minor missing portions to margins, slight foxing. Linen-backed. Text continues “Supplement to the Christmas number of The New Zealand Graphic, Dec. 18th, 1901. Printed by The Brett Printing Co. Ltd, Auckland, NZ.” Held..... More

c1901. Colour lithograph, text including title below image, 21.7 x 18.3cm. Text includes “Uitgave [published by] J.F. van de Ven – Baarn.” Image depicts Queen Wilhelmina in Friesian Dutch costume with poppies at her shoulder and windmills in background. The standard issue of this image includes the artist’s name in..... More