Edinburgh Castle From The Grassmarket
c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More
c1920s. Etching, titled in image lower left, signed in pencil in lower margin, 29 x 18.1cm. Slight foxing to lower margin. More
c1925. Etching, signed in pencil in lower margin, 24.3 x 18cm. Slight foxing overall, minor creases to right and lower margins. More
c1920s. Etching, titled in plate lower right, signed in pencil in lower margin, 22.3 x 30.9cm. Minor stains to right and lower margins. Albany Howarth was an etcher and water-colour painter. Around 1905, Howarth emerged as a major etcher, frequently exhibiting at the Fine Arts Society, the Royal Academy and..... More
c1922. Etching, titled in plate lower centre, signed in pencil in lower margin, 30.3 x 40.1cm. Slight creases and stains overall, tears, missing portions and discolouration to margins. State prior to edition with date. More
c1890s. Gouache with watercolour, signed and titled lower left, 23.5 x 34.5cm. Period frame. More
1896/1897. Lithograph, dated “1896” and signed in image lower left, 14.2 x 22.2cm. Rare – only one state, printed in a single edition of 500. Published in Art et Nature, Paris, 1897. Ref: Melot, The Graphic Works of the Impressionists, #S5. Sisley created only two images using lithography. In the..... More
c1920s. Group of five colour lithographs, signed in image lower left or right, sizes range from 61 x 40.5cm to 63 x 68.6cm. Soiling, creases, cracking, surface loss and missing portions, laid down on original cloth backing. Subjects cover: (1) Chauffeur-driven automobile outside a hotel; (2) Street scene in a small-town square;..... More
1912. Lithograph, initialled in image lower left, 26.4 x 32.3cm. Repaired tears, slight stains to image. Framed. More
1912. Lithograph, initialled in image lower left, 24.1 x 30.5cm. Slight stain to image centre, foxing and paper loss to margins. Printed in an edition of 12 by Thomas Way, who was Whistler’s lithographer. This is one of only six known lithographs created by Streeton. Other titles are Corfe Castle..... More
c1920s. Colour woodcut, initialled “A.S.” in block lower left, annotated “orig. holzschnitt (woodcut)”, titled and signed in pencil in lower margin, 24 x 29.6cm. Minor tears, creases and foxing to margins. The Hotel Imperial is located in Karlovy Vary in the Czech Republic. Wes Anderson’s 2014 film The Grand Budapest..... More
c1883. Wood engraving, titled and signed in block lower left and right, signed, dated and titled in pencil in lower margin, 21.2 x 31.5cm. Minor crinkles overall, slight glue stains and foxing to margins, old mount burn. Title continues “le 29 7bre [sic] 1820.”. More
c1920s. Colour woodcut, titled and signed in pencil in lower margin, 14.8 x 17.5cm. Slight creases overall, old tape to edges of margins. Styria is a mountainous, forested state in southern Austria, known for its wine, spas and castles. More
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 20.9 x 27.6cm. Old mount burn. More
1839. Hand-coloured lithograph, titled, dated and signed in image lower right, 35.2 x 50.7cm. Slight stain to image upper right, laid down on original backing, as issued. From the first edition and first issue of David Robert’s Holy Land. More
1848. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 32.9 x 49cm. Tear to edge of right margin. More
1847. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 34.4 x 51.5cm. Mark with minor dents to upper right portion, creases, repaired tear to margins. More
1842-1849. Tinted lithograph with hand-colouring, signed, lithographer “L. Haghe” and titled in image in lower portion, 50.2 x 34.5cm. Laid down on original backing, as issued. From the first edition and first issue of David Robert’s Egypt and Nubia. More
1904. Etching, signed in plate lower left, signed in pencil in lower margin, 20.7 x 16.3cm. Minor foxing, old mount burn. From the Paris Set, in an edition of 35. First or second state of five. Ref: Rinder #366. More
1909. Etching, signed and dated in plate upper right, titled and signed in pencil in lower margin, 13.8 x 26.4cm. State iii/v. Ref: Rinder #409. More
1907. Drypoint, initialled in plate upper right, signed in pencil in lower margin, 25 x 17.2cm. Minor stains and crinkles to margins. Edition of 23, state iv/iv. Ref: Rinder #386. More
1894. Etching, signed and dated in plate lower left, signed and titled in pencil in lower margin, 15.2 x 22.3cm. Repaired tears to right edge of image and to margins, minor stain to upper right corner of image, slight soiling to margins. From the North Italian Set, in an edition..... More
1896. Etching, titled, signed and dated in plate lower left to right, 17.7 x 8.5cm. Ref: Rinder #233. Held in Fitzwilliam Museum (Cambridge). More
c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte..... More
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More