c1928. Three drypoints, each annotated with artist’s name and title by son Kerry Dundas in handwritten authentication note dated 2007 in pencil verso, 21.4 x 25.3cm to 21.6 x 26.2cm. Slight foxing overall, one image with pinholes and creases to margins. This group includes three working proofs of the Ponte..... More
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
![Sunset Landscape]. Edward Gordon Craig, British](/pictures/thumb/CL168-35.JPG?v=1492488933)
1906/1924. Wood engraving, dated “1906”, initialled with date “1924”, editioned 24/150 and annotated in pencil in lower margin, 4.1 x 11cm. Minor crinkles to margins. Annotations include “Only 150 copies printed. Copy 24.”. More
![Arabian Nights]. Edward Julius Detmold, British](/pictures/thumb/CL168-42.JPG?v=1492489361)
c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More
![Sermoneta [Italy]. Edward Lear, British](/pictures/thumb/CL192-79.JPG?v=1524199261)
1846. Tinted lithograph, artist’s name in image lower right, text including “plate 9” and title above and below image, 17 x 30.3cm. Tears to left margin, slight stains. Plate 9 from Edward Lear, Illustrated Excursions in Italy, Volume 2, 1846. Ref: Noakes #65. Image shows Castello Caetani, a large fortress..... More
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More
![Wien I, Ausserer Burghof [Vienna I, Outside The Palace Courtyard]. Emma Bormann, 1887–1974...](/pictures/thumb/CL202-29.jpg?v=1619760559)
c1920s. Colour woodcut with added hand-colouring, titled in pencil below image, 27.3 x 35.3cm. This image is a view of the principal imperial palace of the Habsburg dynasty, Hofburg, which is one of the biggest palace complexes in the world. It consists of 18 wings, 19 courtyards and 2600 rooms..... More
![Wien, Prater Riesenrad [Vienna Giant Ferris Wheel]. Emma Bormann, 1887–1974 Austrian](/pictures/thumb/CL202-27.jpg?v=1619760559)
c1919. Woodcut, titled, annotated “Orig. holzschnitt [woodcut]” and signed in pencil below image, 22 x 21.8cm. Slight stain to upper centre, minor crease to lower left corner, trimmed margins. The Vienna Giant Ferris wheel, 64.75-metre (212 ft) tall, stands at the entrance of the Prater amusement park in Leopoldstadt. It..... More
1907. Etching, signed in pencil in lower margin, 22.3 x 35.6cm. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #104. More
![Santa Maria, [Venice]. Frank Brangwyn, British](/pictures/thumb/CL168-18.JPG?v=1492488916)
1907. Etching, initialled in plate lower left, signed in pencil in lower margin, 27.8 x 36.8cm. From a limited edition of 150. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #108. More
c1930s. Etching, signed by Brangwyn and titled in an unknown hand in pencil in lower margin, 34.2 x 30cm. Slight stain to left edge of image, repaired tear to upper left margin, soiling and foxing to margins, old mount burn. More
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
![Strolling Players, Lydd [Kent, England]. Frank Short, 1857–1945 Brit](/pictures/thumb/CL199-65.jpg?v=1585635251)
1907. Etching, monogrammed “S.” in plate lower left, signed and titled in pencil in lower margin, 17.6 x 25.1cm. Slight stains and crinkles to margins. Shows the tower of All Saints’ Church, the oldest section of which has been dated to the latter half of the 15th century. Held in..... More
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
![Queensboro Bridge – From Manhattan]. Fuji Nakamizo, Japanese/Amer](/pictures/thumb/CL175-111.JPG?v=1492660293)
c1935. Etching, monogrammed in plate upper right, signed in pencil in lower margin, 22.6 x 27.8cm. Tape to upper margin, evidence of printer’s ink fingerprints to margins, old mount burn. More
![Derby Day At Epsom Downs]. George H. J. Day](/pictures/thumb/CL168-41.JPG?v=1492489360)
c1920. Etching, signed in plate lower left, signed in pencil in lower margin, 25.7 x 34cm. Minor discolouration and stains overall, creases to margins. More
![Bicentennial Neighbors [Manhattan, NY, USA]. Gerald Geerlings, 1897–1998 American](/pictures/thumb/CL201-49_1.jpg?v=1611728318)
1976. Lithograph, captioned, dated, titled and signed in pencil below image, 29.5 x 24.1cm. Old mount burn. Caption reads “Water and Broad Streets, Lower Manhattan.” Image depicts the Financial District located in the Lower East Side of the New York City. Accompanying this lithograph is the original exhibition catalogue, Gerald..... More
![Old New York State – Cold Brook [Methodist Church, Main Street]. Grace Paull, Amer](/pictures/thumb/CL175-116.JPG?v=1492660297)
c1955. Lithograph, signed, titled and numbered “60” in pencil in lower margin, 32.4 x 24cm. Minor stains and creases to margin. Grace Paull, who lived in Cold Brook, a village in Herkimer County, New York, was best known as an author and illustrator of children’s books. Ref: Post-Standard, Syracuse, NY..... More
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More
![Lime Kiln Cottage [Lostwithiel, Cornwall]. Harold B. Herbert, Aust](/pictures/thumb/CL166-78.JPG?v=1492486452)
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
![The Pines, Ronda [Spain]. Harold B. Herbert, Aust](/pictures/thumb/CL166-79.JPG?v=1492486453)
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More