Night Time In Dieppe
1926. Drypoint, signed and dated “Oct. 1926” in plate lower centre, editioned 86/100 and signed in pencil in lower margin, 19.9 x 27.9cm. Minor old mount burn. Illustrated in Syvret, Edmund Blampied, 1986, p147. More
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Great Seaside Farm
1926. Etching, signed by Hoyton and titled “Seaside Farm” in another hand in pencil in lower margin, 13.8 x 22.6cm. Slight creases to upper edge and lower left corner of image, missing portions, rubbing, stains and creases to margins. Ref: Brooklyn Museum, USA. More
Windy Landscape
1906/1925. Wood engraving, initialled “C.” in block lower left, dated “1906”, initialled with date “1925”, editioned 51/75 and annotated in pencil in lower margin, 5.8 x 5.7cm. Slight foxing to margins. Annotations include “Only 75 copies printed. Copy 51.”. More
![Sunset Landscape]. Edward Gordon Craig, British](/pictures/thumb/CL168-35.JPG?v=1492488933)
[Sunset Landscape]
1906/1924. Wood engraving, dated “1906”, initialled with date “1924”, editioned 24/150 and annotated in pencil in lower margin, 4.1 x 11cm. Minor crinkles to margins. Annotations include “Only 150 copies printed. Copy 24.”. More
![Arabian Nights]. Edward Julius Detmold, British](/pictures/thumb/CL168-42.JPG?v=1492489361)
[Arabian Nights]
c1924. Drypoint, signed in pencil on plate mark below image, 26.8 x 43.1cm. Crease to lower right centre of image, folded left and right margins, slight mount burn. More
![Sermoneta [Italy]. Edward Lear, British](/pictures/thumb/CL192-79.JPG?v=1524199261)
Sermoneta [Italy]
1846. Tinted lithograph, artist’s name in image lower right, text including “plate 9” and title above and below image, 17 x 30.3cm. Tears to left margin, slight stains. Plate 9 from Edward Lear, Illustrated Excursions in Italy, Volume 2, 1846. Ref: Noakes #65. Image shows Castello Caetani, a large fortress..... More
Lake Tarawera, NZ
1922. Etching, monogrammed and dated in plate lower left, titled and signed in pencil in lower margin, 15.1 x 19.1cm. Slight foxing and soiling overall. More
Rom Abend (Rome Evening)
c1920s. Colour woodcut, captioned “Forum Romanum” in image lower left, titled, annotated “handdruck” in German and signed in pencil in lower margin, 35.7 x 32.8cm. Minor foxing. Born in Vienna, Emma Bormann earned a doctorate in 1917 after studying German philosophy and prehistoric archaeology. During this time she also studied..... More
Cornfield, Montreuil
1907. Etching, signed in pencil in lower margin, 22.3 x 35.6cm. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #104. More
![Santa Maria, [Venice]. Frank Brangwyn, British](/pictures/thumb/CL168-18.JPG?v=1492488916)
Santa Maria, [Venice]
1907. Etching, initialled in plate lower left, signed in pencil in lower margin, 27.8 x 36.8cm. From a limited edition of 150. Ref: Fine Art Society, Catalogue of the Etched Work of Frank Brangwyn, 1912; Gaunt #108. More
Street In Peking
c1930s. Etching, signed by Brangwyn and titled in an unknown hand in pencil in lower margin, 34.2 x 30cm. Slight stain to left edge of image, repaired tear to upper left margin, soiling and foxing to margins, old mount burn. More
A Street In Tours No. 1 (Brussels)
1912. Etching, signed in pencil in lower margin, 27.5 x 22.7cm. Foxing and repairs to margins. Edition of 125. Ref: Gaunt #212. More
![Strolling Players, Lydd [Kent, England]. Frank Short, 1857–1945 Brit](/pictures/thumb/CL199-65.jpg?v=1585635251)
Strolling Players, Lydd [Kent, England]
1907. Etching, monogrammed “S.” in plate lower left, signed and titled in pencil in lower margin, 17.6 x 25.1cm. Slight stains and crinkles to margins. Shows the tower of All Saints’ Church, the oldest section of which has been dated to the latter half of the 15th century. Held in..... More
Japan
c1955. Etching and aquatint, printed à la poupée, editioned 6/25, titled and signed in colour pencil in lower margin, 26.4 x 17.3cm. Minor foxing to lower portion, slight old mount burn. Austrian-born artist and writer Frederick Halpern studied painting and printmaking techniques in both Vienna and Paris. Throughout his career..... More
![Queensboro Bridge – From Manhattan]. Fuji Nakamizo, Japanese/Amer](/pictures/thumb/CL175-111.JPG?v=1492660293)
[Queensboro Bridge – From Manhattan]
c1935. Etching, monogrammed in plate upper right, signed in pencil in lower margin, 22.6 x 27.8cm. Tape to upper margin, evidence of printer’s ink fingerprints to margins, old mount burn. More
![Derby Day At Epsom Downs]. George H. J. Day](/pictures/thumb/CL168-41.JPG?v=1492489360)
[Derby Day At Epsom Downs]
c1920. Etching, signed in plate lower left, signed in pencil in lower margin, 25.7 x 34cm. Minor discolouration and stains overall, creases to margins. More
![Old New York State – Cold Brook [Methodist Church, Main Street]. Grace Paull, Amer](/pictures/thumb/CL175-116.JPG?v=1492660297)
Old New York State – Cold Brook [Methodist Church, Main Street]
c1955. Lithograph, signed, titled and numbered “60” in pencil in lower margin, 32.4 x 24cm. Minor stains and creases to margin. Grace Paull, who lived in Cold Brook, a village in Herkimer County, New York, was best known as an author and illustrator of children’s books. Ref: Post-Standard, Syracuse, NY..... More
Piccadilly
c1922. Colour woodcut, monogrammed in block lower right, titled and signed in pencil in lower margin, 28.1 x 33.4cm. Repaired tear to image upper left, retouching to lower portion. Held in National Gallery of Australia. More
Battersea Bridge
c1920s. Colour woodcut with gouache, titled and signed in pencil in lower margin, 15.1 x 13.7cm. Old mount burn. Very uncommon image. More
![Lime Kiln Cottage [Lostwithiel, Cornwall]. Harold B. Herbert, Aust](/pictures/thumb/CL166-78.JPG?v=1492486452)
Lime Kiln Cottage [Lostwithiel, Cornwall]
1923. Etching, monogrammed in plate lower left, editioned 38/50, titled and signed in pencil in lower margin, 14.7 x 15cm. Slight surface loss, repaired tears and old mount burn to margins. Held in the National Gallery of Australia collection. More
An Old Monastery
c1924. Etching, editioned 27/50, titled and signed in pencil in lower margin, 20.3 x 15.1cm. Slight soiling and mount burn. Held in the National Gallery of Australia collection, listed as An Old Monastery, Les Martiques [sic] and The Hermitage, Martigue. More
![The Pines, Ronda [Spain]. Harold B. Herbert, Aust](/pictures/thumb/CL166-79.JPG?v=1492486453)
The Pines, Ronda [Spain]
c1924. Etching, monogrammed in plate lower left, editioned 37/50, titled and signed in pencil in lower margin, 20.8 x 22.6cm. Old mount burn. More
![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, French](/pictures/thumb/CL192-19.JPG?v=1524199199)
Aux Champs Elysées [Paris, France]
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
Le Puy, France
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
![Around Higashi Amusement Park [Japan]. Hide Kawanishi, Japanese](/pictures/thumb/CL175-77.JPG?v=1492659721)
Around Higashi Amusement Park [Japan]
1935. Colour woodcut, artist’s chop in block lower left and titled in Japanese in ink in right margin, dated in pencil verso, 15.7 x 26 cm. More