![Aux Champs Elysées [Paris, France]. Henri Edmond Cross, French](/pictures/thumb/CL192-19.JPG?v=1524199199)
Aux Champs Elysées [Paris, France]
1898. Colour lithograph, 20 x 25.8cm. Slight foxing to image overall. Framed. Provenance: William Weston Gallery. Held in The Met, NY; Art Institute Chicago. More
Views
Le Puy, France
c1927. Drypoint, signed, titled and editioned 12/30 in pencil in lower margin, 23.9 x 21.4cm. Slight stains, soiling and crinkles to margins. More
![Western Tourists Sightseeing In Rickshaws In Kobe, Japan]. Hide Kawanishi, 1894–1965 Japanese](/pictures/thumb/CL202-44.jpg?v=1619760567)
[Western Tourists Sightseeing In Rickshaws In Kobe, Japan]
c1941. Colour woodcut, artist’s seal in block lower left, 33.5 x 24.7cm. Upper corners taped to original paper mount. Image possibly from Kawanishi’s 1941 series Scenes from a Port Town. His work is held in numerous international museums, including MoMA, the Art Institute of Chicago, and the British Museum with..... More
![Haute-Savoie [French Alps]. Iain Macnab, British](/pictures/thumb/CL184-107.JPG?v=1486012843)
Haute-Savoie [French Alps]
c1940s. Colour lithograph, initialled in image lower left, annotated “state 2”, titled and signed in pencil in lower margin, 27.5 x 29.4cm. Repaired tears to image upper right and lower centre, slight stains and creases to margins. Haute-Savoie is in the Auvergne-Rhône-Alpes region of eastern France. The first Winter Olympic..... More
![St Paul’s Cathedral, London]. Ian Strang, Brit](/pictures/thumb/CL168-136.JPG?v=1492489827)
[St Paul’s Cathedral, London]
1926. Etching, signed and dated in plate lower left, signed, annotated “no. 141” and editioned 44/75 in pencil in lower margin, 28.4 x 37.5cm. Minor foxing to upper edge of image and to margins, old mount burn. More
![The Lagoon, Corfu [Greece]. Isabel de B. Lockyer, Brit](/pictures/thumb/CL192-89.JPG?v=1524199268)
The Lagoon, Corfu [Greece]
1928. Colour linocut, titled, signed, dated and editioned 10/25 in pencil in lower margin, 13.8 x 18.7cm. Slight ink deposits and stains to margins. More
The Dark Doorway
1935. Colour linocut, titled, signed, dated and editioned 9/25 in pencil in lower margin, 32.5 x 23.5cm. Stains to margins. More
The Island Convent, Corfu
1933. Colour linocut, titled, signed, dated “June 2nd, ’33,” editioned 6/25 and annotated in pencil in lower and right margins, 26.5 x 35cm. Tears to edges of margins. Annotation includes a list of printing instructions for colours, as well as notes on edition numbering. More
Peat Bog, Scotland
1812. Mezzotint with etching, text including artist, engraver, title and date in plate above and below image, inscribed “Mary Constance Clarke”, annotated “first state” and “4 guineas, very scarce” in an unknown hand in pencil verso, 18 x 26cm (image). Repaired slight paper loss to image upper right, discolouration to..... More
![Ras-el-Ain [Syria]. James McBey, Britain](/pictures/thumb/CL175-106.JPG?v=1492660290)
Ras-el-Ain [Syria]
1918. Etching, signed, titled and dated “July 1918-19” in plate lower right, numbered “48” and signed in ink in lower margin, 20 x 32.4cm. From an edition of 76. “Ras-el-Ain, a fortress of the Crusaders, lies in the Maritime Plain a few miles north of the Jaffa-Jerusalem Road. During the..... More
![The Riva At Dusk [Venice]. James McBey, British](/pictures/thumb/CL168-96.JPG?v=1492489419)
The Riva At Dusk [Venice]
1925/1930. Drypoint, signed and dated “Venice. 20 October 1925” in plate lower left, annotated “LXIII” and signed in ink, and annotated “80 proofs” and titled in another hand in pencil in lower margin, 40.4 x 23.8cm. Minor foxing, old mount burn. Annotated “S.S.” in an unknown hand in ink on..... More
Sketches On The Coast Survey Plate
1854-1855. Etching, initialled in plate upper centre, 14.5 x 26cm. Minor foxing overall, slight tears, perforations and stains to margins, old mount burn. Held in The Met, NY, with the comment “Whistler made his first etching while employed as a draftsman at the U.S. Coast and Geodetic Survey in Washington..... More
A Picnic In A Clearing
1857/later printing. Cliché-verre, dated and signed in image lower left and lower right, 17.1 x 22.1cm (paper). Minor chips to corners, uneven margins. Ref: Melot #C65. Corot and other artists of the Barbizon school were the first, and most prolific, experimenters with cliché-verre, a technique that combines aspects of printmaking..... More
![Adelphi Arches [Strand, London]. John Goodchild, Aust](/pictures/thumb/CL192-48.JPG?v=1524199233)
Adelphi Arches [Strand, London]
1930. Colour lithograph, titled, editioned 3/18 and signed in pencil in lower margin, 25.9 x 35.5cm. Repaired tears to upper edge of image, slight stains to margins. Laid down on acid-free paper. Held in NGA. Illustrated and erroneously titled “St Bartholomews” on the dustjacket for Goodchild & Brooks, John C...... More
![Franz Josef Glacier And Mountains [New Zealand]. John Lysaught Moore, NZ](/pictures/thumb/CL192-106.JPG?v=1524199138)
Franz Josef Glacier And Mountains [New Zealand]
c1930s. Colour woodblock, signed and annotated “design & print” in ink on image lower left, 19.2 x 27.3cm. Slight foxing to upper portion and minor creases to centre of image. Held in Puke Ariki Museum, NZ. “John L. Moore was a New Zealand artist who studied under Dorothy Richmond and..... More
![Rheims Cathedral]. John Piper, Brit](/pictures/thumb/CL175-126.JPG?v=1492660301)
[Rheims Cathedral]
c1969. Etching, editioned 25/50 and signed in pencil in lower margin, 69 x 54cm. Minor foxing to margins. More
![Surgeres [Cambridge]. John Piper, Brit](/pictures/thumb/CL175-125.JPG?v=1492660300)
Surgeres [Cambridge]
1959. Colour lithograph, annotated “colour state,” titled and signed in pencil in lower margin, 43 x 64.6cm. Old mount burn. Provenance: Redfern Gallery, London, as per label on mount verso. More
![San Trovaso [Venice]. John Taylor Arms, Amer](/pictures/thumb/CL168-7.JPG?v=1492488942)
San Trovaso [Venice]
1926. Etching, signed and dated in plate lower right, titled, signed and dated in pencil in lower margin, 24.1 x 37.5cm. Slight foxing to margins. More
![House With Pine Trees On A Hill]. Josef Cisar, 1910-c1987 Amer](/pictures/thumb/CL192-11.JPG?v=1524199140)
[House With Pine Trees On A Hill]
1928. Etching, signed and dated in plate lower left, signed in pencil in lower margin, 17.7 x 29.9cm. Slight foxing overall, old mount burn. More
Landschaft III (Landscape)
c1920. Woodcut, annotated “handabzug” [hand printed], signed and titled in pencil in lower margin, 17.3 x 27.6cm. Slight foxing to margins, old stains, repaired tears and missing portions to margins. Laid down on acid-free tissue. Provenance: Lewis Morley collection, purchased in London during the 1960s. More
Evening Glow
c1946. Colour linocut, titled, editioned 5/28 and signed in pencil in lower margin, 12.7 x 12.6cm. Foxing and minor creases overall, old mount burn. Held in Auckland Art Gallery. British-born Kenneth Welsh Hassall was a New Zealand architect, draughtsman, printmaker and illustrator. Ref: Artrecord. More
![NZ Farm Views]. Kenneth Hassall, NZ](/pictures/thumb/CL192-55_1.JPG?v=1524199240)
[NZ Farm Views]
c1931-1942. Three prints consisting of two linocuts and one woodcut, each monogrammed in block lower left or right, titled, editioned, signed and one dated “‘42” in pencil in lower margin, 16.2 x 12.7cm to 13.1 x 18.1cm. Foxing to woodcut, old mount burn. Titles and editions read as follows: (1)..... More
Café Zum Alten Römerstübchen
c1920s. Etching, editioned 1/75 and signed in pencil in lower margin, 18.5 x 19.9cm. Minor foxing and mount burn to margins. More
Wind In The Willows
c1920s. Mezzotint, titled, annotated “mezzotint” and signed in pencil in lower margin, 11.9 x 15.6cm. Minor stains to margins. More
![Escena De Calle, Asuncion [Cove Street Scene, Asuncion, Paraguay]. Leslie Holland,...](/pictures/thumb/CL205-47.JPG?v=1655438300)
Escena De Calle, Asuncion [Cove Street Scene, Asuncion, Paraguay]
1959/1960. Woodcut, initialled and dated “1959” in block upper right, titled, signed and dated “1960” in pencil in lower margin, 20.6 x 29.8cm. Framed. Born in England, Leslie Holland won many art scholarships including one to the Slade, but decided instead to study at the Royal College of Art. He became..... More