St Nicholas, Prague
c1920s. Etching, signed in plate lower right, signed, titled and annotated “edition 85 proofs” in pencil in lower margin, 29.2 x 22.5cm. Minor discolouration to margins. More
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Back Entrance To Solomon’s Palace
c1920s. Etching with drypoint and softground, editioned 43/60, initialled “W.W.” and signed by Walcot and titled in another hand in pencil in lower margin, 18.8 x 29.6cm. Minor soiling and rubbing to margins. Born at Lustdorf, near Odessa in a mixed Scottish-Russian family, Walcot was a British architect graphic artist..... More
Spalato. Marjan
c1922. Colour woodcut, titled and signed in pencil in lower margin, 28.7 x 57.5cm. Discolouration to margins, old mount burn. Ref: Fine Arts Museums of San Francisco. Marjan is a hill on the peninsula of the city of Split (Spalato) in Croatia. Ref: Wiki. More
![Chateau De La Tour, Vevey [Switzerland]. Isabel de B. Lockyer, Brit](/pictures/thumb/CL192-88.JPG?v=1524199268)
Chateau De La Tour, Vevey [Switzerland]
1926. Colour linocut, titled, signed, dated and editioned 7/10 in pencil in lower margin, 19.3 x 16.9cm. Ink deposits and slight foxing to margins. More
Jerez De Los Caballeros
1928. Drypoint, signed and titled in plate lower left, signed and annotated “100” by Lindsay and titled in another hand in pencil in lower margin, 30.3 x 32.8cm. Crinkles and slight foxing overall. Ref: Mendelssohn #443, title includes Estremadura, Spain. More
![Downtown Kobe With Mountain Range, Japan]. Hide Kawanishi, Japanese](/pictures/thumb/CL175-78.JPG?v=1492659722)
[Downtown Kobe With Mountain Range, Japan]
c1935. Colour woodblock, artist’s chop on image upper right, signed in pencil on image lower centre, Osaka framer’s label in Japanese affixed on frame verso, 15 x 25.3cm. Framed. This image was used for a large, stained glass window at Sannomiya Center Street in Kobe, Hyogo prefecture. Sannomiya is Kobe’s..... More
Rokko Ropeway
1936. Colour woodcut, artist’s chop in block lower right, titled in Japanese in ink in right margin, dated in pencil verso, 16.2 x 26.2cm. More
Looking Down On The Harbour
1936. Colour woodcut, artist’s chop in block upper left, titled in Japanese and dated in pencil verso, 16.2 x 27cm. More
Les Challonges
1958. Lithograph, signed in image lower right, 21 x 28.5cm. Ref: Walterskirchen #276. More
A Tower In Europe
1922/1976. Etching, signed and dated “1922” in plate lower left, editioned 32/50, titled, signed and dated “1922-76” in pencil in lower margin, 15.7 x 7.7cm. Very slight foxing to margins. Ref: Kolenberg #2, states that this image is “entirely imaginary, since Lloyd Rees had not then yet visited Europe.”. More
Nuova Raccolta Di Delle Principali Vedute Antiche, E Moderne Dell’Alma Citta Di Roma [New Collection Of Major Ancient And Modern Views Of The City Of Rome And Its Surroundings]
c1824–1828. Seventy (70) engravings plus title page engraving, bound together in a tooled leather octavo album with gilt text “Souvenir a mes Voyages” on cover, gilt edges and turn-ins, silk-covered endpapers and a metal clasp, each engraving signed and titled in Italian, some dated, 8.4 x 12.6cm (approx. each image);..... More