[Old Gypsy Woman With Black Cat]
c1920. Drypoint, signed in plate upper right, editioned 31/100 and signed in pencil in lower margin, 16.3 x 14cm. More
c1920. Drypoint, signed in plate upper right, editioned 31/100 and signed in pencil in lower margin, 16.3 x 14cm. More
c1934. Colour woodcut, signed in ink with artist’s red seal on image upper right, stamped or printed Japanese characters in left margin, 30.1 x 37.9cm. Slight foxing, minor crinkles, tape verso. From the series Ten Types of Female Nudes. Image shows a woman idly flipping through a book with a cat..... More
c1920s. Etching with drypoint, signed by Dowd and titled in an unknown hand in pencil in lower margin, 20.1 x 14.7cm. Slight foxing to edges and lower portion of image, old mount burn. More
1823. Lithograph, text with partially obscured title and date below image, annotated in pencil in lower margin, 33.8 x 45.5cm (image). Rubbing and repairs below image. Text reads “James Ward RA. Prix, et Del. Select proof retouched by J.W. London. Pub. April 1823 for J.W. by R. Ackermann. Rodwell &..... More
1956. Colour lithograph, annotated “HC” [artist’s proof] and signed in pencil in lower margin, 38 x 32.7cm. Framed. Ref: Buisson #56.63. Leonard Tsuguharu Foujita was a painter and printmaker born in Tokyo, Japan, who “applied Japanese ink techniques to Western style paintings...His Book of Cats, published in New York by..... More
1929. Drypoint, signed in plate lower right, signed by Lindsay and titled in another hand in pencil in lower margin, 13.7 x 17.5cm. Old mount burn. Ref: Mendelssohn #472. More
1940. Colour linocut, printed à la poupée, signed, dated and captioned with a verse in pencil in lower margin, 16.5 x 17.3cm. Old mount burn. The verse reads “’My son, my son’, said his mother, ever so many times graciously waving her painted tail, ‘What have you been doing now..... More
c1958. Aquatint, editioned 198/220, titled and signed in pencil with “GG” blind stamp in lower margin, annotated in pencil in mount lower left, 44.7 x 60.5cm. Slight mount burn. Annotation in French reads “Nature Morte [still life] ou Corbeau. Aquatinte originale signée.”. More
c1925. Colour woodcut, annotated “handdruck” and signed in pencil in lower margin, 14 x 18.5cm. Missing portion to corner of lower margin. More
1950s. Etching, titled, annotated “trial proof” and signed in pencil in lower margin, annotated in another hand in pencil verso, 20 x 29.4cm. Slight crinkles and soiling to margins. Annotation reads “Artist with the Sydney Bulletin and well known as an illustrator.” Norman Hetherington was the creator of the popular..... More
c1920. Lithograph, text including artist and title in letterpress verso, 13.8 x 5.7cm. Minor old mount burn. Issued in Deutsche Graphiker der Gegenwart, Pfister, 1920. More
c1918. Watercolour, titled and signed in pencil lower left, 25.7 x 35cm. Old crease lower right, minor foxing to margins, slight staining verso. In 1909 Reid went to London to study art. During WWI he served in Gallipoli and Sinai with the Scottish Light Horse before transferring to the Royal..... More
c1920s. Drypoint, signed in pencil in lower margin, 16.3 x 37.8cm. Slight foxing overall, old mount burn. More
1975. Colour screenprint, titled, editioned 110/300 and signed in pencil in lower margin, 91.3 x 69.5cm. Minor crinkles and cockling to image lower centre. Held in Museum of Fine Arts, Boston. More
1982. Colour screenprint, titled, annotated “artist’s proof”, signed and dated in pencil with “Charles Cardinale serigraph” blind stamp in lower margin, 103 x 38cm. Slight stain to upper margin. “Will Barnet studied at the School of the Museum of Fine Arts in Boston, then moved to New York in 1930..... More
c1920s. Colour woodcut, monogrammed in block lower left, titled in pencil in lower margin, 26.6 x 47.6cm. Creases, minor foxing and missing portions to margins. More
1957. Monotype, annotated “Nr 2” in pencil verso, signed, titled and annotated “monotypia” and dated in pencil on accompanying original mount, 34 x 47.1cm. Slight glue stains to upper edge of image, old mount burn. More
1933. Lithograph, signed, dated and titled in image lower left to right, signed and dated “1934” in ink below image, 19.5 x 33.2cm. Stains overall. Blampied made over 30 lithographs, many of dogs, which were not recorded in either catalogue raisonné. Ref: Wiki. More
1921. Colour stencil, initialled in pencil on image lower right, titled, annotated “trial proof,” signed and dated in pencil below image, 19.8 x 25.8cm. Surface loss, paper remnants, tears to margins, laid down on old backing. More
1877/later printing. Etching, aquatint and drypoint, 21.5 x 32.6cm (image). Minor surface loss to image centre right, trimmed to edges of image, tipped to mount. Plate C from the Disparates (Follies) . Held in the Metropolitan Museum of Art collection. More