[Thatched Huts By A Mountain Stream, Japan]
c1910. Watercolour, 31.8 x 66.2cm. Stains to upper right and lower centre. More
c1910. Watercolour, 31.8 x 66.2cm. Stains to upper right and lower centre. More
c1920s. Gouache, obscured signature lower centre, sketch verso, 24.6 x 16.1cm. Minor paint loss and slight missing portion to image right and lower left corner, old glue stains to margins. One winged figure captioned with “Hopes.”. More
c1920s. Gouache with ink, partially obscured initials “A.J.[?]” in gouache lower right, 21.6 x 17.9cm. Laid down on original backing. In the style of Ida Rentoul Outhwaite (Aust., 1888-1960). More
c1830s-1850s. Graphite with coloured pencil and white highlight, signed “S. Gurnen [?]” with illegible annotation lower right and titled in pencil verso, 16.4 x 21.5cm (paper). Minor discolouration, tears to upper right edge. More
c1897. Group of six watercolours, one dated and most titled and initialled “M.D.T.” in pencil lower left to right, some annotated or numbered in various hands in pencil verso, sizes range from 11 x 14.3cm to 20.4 x 27cm. Foxing and mount burn overall. Titles read: (a) Abyssynian dwelling, Jerusalem..... More
c1920s. Pen and ink with pencil and water-colour, titled lower centre, 26.1 x 22.3cm. In the style of Jean Dupas. More
c1880s. Pencil with white pastel, 34.2 x 26.2cm. Stains and discolouration overall, missing portions to edges. The last known North American passenger pigeon was a female named Martha who died at the Cincinnati Zoo in 1914. She was approximately 29 years old. The name of the species is derived from..... More
1867-1898. Group of seven watercolours, all titled and some dated in pencil below image or verso, some initialled “H.G.” in pencil below image, 18.8 x 16.8cm to 18.4 x 25.7cm (approx. each). Slight foxing, soiled margins, some laid down on old backing, paper remnants verso, old mount burn. Titles read..... More
c1914. Watercolour, titled in pencil lower right, 22.8 x 32.9cm. Foxing, old mount burn. Possibly inspired by Henry Lawson’s poem, Kerosene Bay written in 1914: “Tis strange on such a peaceful day / With white clouds flying o’er, / That foreign boats are in the bay / As prisoners of..... More
c1850s. Watercolour and pencil, annotated “Lady Selina Hinde” in pencil verso, 25.4 x 42.1cm. Foxing to centre and upper portion, discolouration and old glue stains to edges. More
c1890s. Watercolour, 31.3 x 19.5cm. Repaired tears, crazing and creases, stains, paint loss, original backing. More
c1950s. Oil on paper, “The studio of Murch” estate stamp lower right, 30.7 x 25.6cm. Old creases, crinkles, oil stain outline verso. Artists Lloyd Rees and Arthur Murch were members of the Society of Artists, which was an “influential Sydney-based group of progressive artists who staged annual exhibitions from 1895..... More
1933. Sanguine drawing, titled, signed and dated lower right, 36.7 x 56.7cm (paper). Pinholes, repaired tears, creases and missing portions, slight stains to edges. Laid down on acid-free tissue. In 1933, Arthur Murch accompanied a professor of physiology, H. Whitridge Davies, on a scientific expedition to Central Australia as a...... More
c1930s. Oil on canvas, signed lower right, 44.5 x 59.7cm. Framed. More
c1930s. Oil on canvas, signed lower left, 49 x 66.7cm. Slight surface loss, soiling and crazing. Framed. More
c1950s. Crayon, signed lower right, artist name, address, title and price “10 guineas” in ink on original frame verso, 33 x 43.2cm. Framed. Address reads “Barbara Chapman, 264 Eastern Valley Way, Middle Cove, JY2234.”. More
c1950s. Oil on canvas, signed lower right, 29.3 x 36.7cm. Crazing and slight surface loss. Framed. Bette Hays nee Passmore studied at East Sydney Technical College under Frank Norton, Douglas Dundas and Roland Wakelin. She lived in Papua New Guinea from 1950 to 1959 and then taught at Townsville Grammar..... More
1935. Watercolour with pencil, signed and dated lower right, 35.4 x 36.6cm. Foxing overall. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 30 x 32cm. Pinholes to edges. Provenance: artist’s estate. Information about Betty Solomons seems to be scarce. She appears to have studied pottery at the Technical Education Department in Sydney, with her name listed in the Department’s published examination results in 1923. From 1925 she was known..... More
c1930s. Watercolour, unsigned, 40.6 x 33.5cm. Pinholes to edges, slight foxing. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 32.8 x 39.1cm. Slight foxing, pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, “Schoellers Parole” paper blind stamp upper left, 28.9 x 39.7cm. Insect damage lower right portion, minor missing portions to edges. Provenance: artist’s estate. More
1939. Watercolour, signed and dated lower right, 34 x 41.4cm. Minor foxing, cockling, pinholes to edges. Provenance: artist’s estate. More
c1930s. Watercolour, unsigned, 32.8 x 27.9cm. Pinholes to edges. Provenance: artist’s estate. More
1934. Watercolour, signed and dated lower left, 33 x 39.8cm. Pinholes to edges. Provenance: artist’s estate. More