1935. Watercolour, signed and dated lower right, 36.1 x 33.3cm. Insect damage lower right, slight foxing, laid down on original backing. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 34.6 x 32.2cm. Pinholes to edges. Provenance: artist’s estate. More

c1930s. Watercolour, unsigned, 28 x 34.6cm. Pinholes to edges. Provenance: artist’s estate. More

1910. Ink drawing on card, signed lower left, titled, dated “25/4/10” and annotated with poem in ink and pencil, with letterpress publishing receipt attached verso, 28.2 x 23cm. Minor soiling, pinholes to margins. Annotations include Young’s address at “Grange Road, Toorak, Victoria.” The handwritten poem reads “The autumn days for..... More

c1984. Lithograph, editioned 9/20, titled and signed in pencil with “Victorian Print Workshop” blind stamp in lower margin, 40.8 x 57cm. Slight foxing. From the series Corner of a Room: Six lithographs by Brian Dunlop. Held in NGA. This image was most likely drawn in Dunlop’s house when he was..... More

1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More

c1930s. Pencil drawing, titled and signed in pencil on backing below image, 7.4 x 14cm. Minor surface loss and foxing to image, tipped to original backing. Carl Newland Werntz was an American painter, fine arts photographer, illustrator, cartoonist and educator who founded the Chicago Academy of Fine Arts. Werntz was..... More

c1910. Crayon drawing, signed and captioned in ink below image, 27 x 17.2cm. Slight tears to right edge, creases and slight foxing. Caption reads “Slimm: ‘Yes, I’m an artist now.’ Stoutt: ‘Oh! One of these bally chaps who paint pictures & study from the leud, eh?’” A good friend of..... More

1970. Pencil drawing, titled and signed lower right, 20.2 x 25.5cm. Old tape remnants to upper edge, minor surface loss and creases to corners. Illustrated in Emanuel, Historic Sydney: drawings and notes, 1970, p65, with the comment “Bare Island stands as one of the rare examples of fortress architecture in..... More

c1970. Pen and ink, titled and signed lower right, 39 x 42.3cm. Slight stains and crinkles. Illustrated in Emanuel, Historic Sydney: Drawings and notes, 1970, p70 with the caption “Stanley Place, Woolloomooloo.”. More

c1973. Two ink drawings, each titled and signed in pencil below image, one dated “1973”, 36 x 26cm and 36 x 28.9cm. Slight stains and creases to paper not affecting image. Provenance: Hogarth Galleries. Charis Schwarz, an Australian artist and former nurse, “met the dashing, Swiss-born artist, George, on a...... More

c1900. Crayon and pencil drawing, 20 x 25cm (paper). Minor soiling, old mount burn, laid down on old backing. There are many legends connecting the salamander to fire, possibly due to the tendency of salamanders to live inside rotting logs. When placed into a fire, the salamander would attempt to..... More

c1900–1920s. Group of 23 pictures consisting of one watercolour and 22 oil painting studies, including four on board, two on stretchers, one signed “Meynell Withers” lower left, three captioned in ink (one illegible) and one annotated “Mary” in pencil verso, sizes range from 14.2 x 22cm to 23.2 x 38cm..... More