[Portrait Of Ezra Pound]
1943. Pen and ink, signed and dated lower right, 28.3 x 24.7cm. Minor creases to image. Framed. More
1943. Pen and ink, signed and dated lower right, 28.3 x 24.7cm. Minor creases to image. Framed. More
c1920s. Pen and ink, initialled lower right, titled in ink on portion of original mount hinged below image, 13.6 x 16.6cm. Slight foxing overall, paper remnants and old mount burn to edges. More
1907. Watercolour, titled, signed and dated lower left, 26.9 x 74.6cm. Slight foxing and stains overall, cockling to centre of image. Framed. Annotation verso reads “Jack Woolston.” Frederick Carl Gerke (1851-1928) and his wife emigrated from Germany, arriving in South Australia in 1877. Twenty-two years later he purchased a property..... More
1894. Watercolour, signed and dated lower right, 29 x 21.4cm. Slight foxing. Framed. John Mitchell Cantle was an architectural draughtsman and railway surveyor, but is best known as an ornithological painter, illustrator, cartoonist and postcard designer. Ref: State Library of NSW. More
1898. Watercolour, signed and dated lower right, 46 x 31.4cm. Foxing with old repairs overall, repaired tear to lower centre of image, old mount burn to edges. Laid down on acid-free backing. More
c1898. Watercolour, signed lower left, 46.1 x 31.5cm. Foxing with old repairs overall, old mount burn to edges. Laid down on acid-free backing. More
c1930. Oil on board, original exhibition label verso, 29.3 x 20.4cm. Framed. Provenance: Jim Alexander’s exhibition Important Women Artists held in 1979 in Victoria. More
c1940s. Graphite with colour pencil, signed and inscribed in graphite centre right and below image, 11.5 x 9.9cm (paper). Slight discolouration, laid down on original backing. Inscription reads “With best wishes from Ginge.” Ginger Meggs, Australia’s longest-running comic strip, was created by Enmore-born Jimmy Bancks, who spent his childhood in..... More
c1920s. Oil on board, signed lower right, 24.6 x 16cm. Slight soiling. Framed. Bank’s work is represented in the Art Gallery of NSW collection. More
c1920s. Ink and wash, signed lower left, titled in pencil with trimmed publishing stamp verso, 47.4 x 47.4cm (paper). Slight soiling throughout, paper remnants to edges, trimmed margins. Most likely an illustration for a Conan Doyle serial in the American magazine Collier’s, founded in 1888. Ref: Wiki. A Sydney-born illustrator..... More
c1819. Watercolour, 41.6 x 55cm. Some discolouration overall, slight foxing, repaired tears and paper loss to upper portion. Laid down on acid-free tissue. A number of similar watercolours by Lycett are illustrated in McCormick, First Views of Australia, 1788-1825, plates 209-212, dated 1819; including plate 110, which appears to depict..... More
c1908-1913. Pen and ink, signed lower right, publishing annotations verso, 22.4 x 39.4cm. Soiling, rubbing and slight foxing overall, missing portions, cracks and pinholes to edges and margins. Captions in image read “Advance Australia”, and “King Billy” and “Gib it tchillin [shilling].” Appears to be a demonstration celebrating the arrival..... More
c1917. Watercolour, signed lower left, 29.4 x 21.8cm. Minor soiling to upper portion of image. This image is similar to an untitled spirit aquatint listed in Mendelssohn #153b. More
1900. Pencil drawing, annotated in an unknown hand “By Lionel, 1900”, titled and dated with artist’s name upper right and on backing below image, 15.3 x 9.6cm. Discolouration overall, uneven edges. This is a rare, early portrait of Norman at the age of 21 by older brother Lionel. More
c1910. Ink and wash, gouache and pencil on board, captioned and signed in image lower centre, 40.6 x 32.1cm. Cracks and minor missing portion to corners. This illustration is the original artwork for an advertisement for Schweppes, which most likely appeared in the publication The Lone Hand. More
c1890s. Pen and ink on card, signed lower right and captioned in and below image, 47.2 x 39.2cm. Soiling, foxing, slight surface loss. Captions read “New South Wales Debentures; I.O.U.” and “Those Treasury Bills. Parkes utilises his private experience in public finance. W. [Wilkins] Micawber. Parkes: ‘Thank God, that little..... More
c1890s. Pen and ink on card, signed lower right, captioned in ink in lower margin, 47.2 x 39.3cm. Soiling, foxing and minor surface loss. Captions read “New South Wales Debentures,” “I.O.U.” and “Those Treasury Bills. Parkes utilises his private experience in Public Finance. W. Member Parkes: ‘Thank God, that little..... More
1931. Pencil drawing, signed lower left, annotated, titled and dated in pencil in left margin 13.9 x 24.9cm. Minor foxing, soiling and crinkles. Annotation includes “no. 20” and “no. 1.” Another drawing appears verso. More
c1920s. Pencil drawing, signed lower left, 15.2 x 11.4cm. Repaired tears and glue remnants to borders. Laid down on acid-free paper. It is believed that items 145 and 146 were signed by Rees in 1975 for inclusion in an exhibition at the Lister Gallery in Perth, WA. These signatures are..... More
1866. Pencil drawing, dated and titled lower centre and right, 23 x 34.7cm. Slight foxing and soiling. Port Melbourne was first named Sandridge by William Darke, one of three surveyors sent by Governor Bourke in 1836 to survey the shore of Port Phillip Bay and plot the course of the..... More
1888. Oil on canvas, signed, dated and annotated “3/4” lower left, 43.3 x 63.4cm. Slight restoration to crazing and surface loss. In original frame with replaced stretcher. Shows Milsons Point ferry terminal, on the present site of the northern pylon of the Sydney Harbour Bridge, with Fort Denison visible in..... More
c1990s. Gouache, signed lower left, 32.6 x 38cm. Ink marks to upper and left margins. More
c1990s. Gouache, signed lower left, 32.4 x 28.6cm. Margaret Early has been a regular exhibitor in Australia since 1986. More
1886. Watercolour and gouache highlight, signed and dated lower left, annotated in pencil in an unknown hand on frame verso, 45.9 x 35.9cm. Slight discolouration to paper, foxing. Framed. This is the original watercolour for the accompanying framed colour supplement printed by John Sands and published in The Illustrated Sydney News..... More
1970. Ink drawing with overlay sheet, captioned and signed upper centre and lower right, various publishing annotations and stamps in lower margin, 20.1 x 25.3cm. Glue stains overall. Stamps include “26 Jan 1970.” In the early 1970s, Leunig’s cartoons were published in satirical magazines Nation Review, The Digger and Oz..... More