Pinkenba [Brisbane, Queensland]
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More
1933. Watercolour, 13.1 x 17.2cm. Framed. Exhibited in Argosy Gallery, Sydney, 1933. Ref: GH213. More
c1931-1933. Watercolour, 25.4 x 17.9cm. A watercolour sketch, possibly by Polly, Evergood’s de facto wife, appears verso. Ref: GH80. More
c1931. Oil on board, inscription “to Polly” scratched on image lower right, signed, and annotated by the artist’s great-niece Gael Hammer in ink on authentication label verso, 40.7 x 30.5cm. Minor surface loss to edges. Annotation reads “Pauline Konitzer Romero became Miles’ de facto wife. They met in 1930 and..... More
1930. Pencil drawing, annotated by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamp with facsimile signature verso, 10.8 x 14.4cm. Old folds, creases, discolouration, slight tears to edges of image and margins. Annotation reads “1st lesson Polly dear.” Drawn on the verso..... More
1933. Ink and wash, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 7.4 x 10.4cm. Minor creases to lower edge. The reverse side of the image features a printed invitation from “Miss Yolande Proctor to view an exhibition of oils..... More
c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More
c1933. Oil on canvas, signed lower right, 51.2 x 40.8cm. Minor wear to edges. Ref: GH38. More
c1933. Oil on canvas, signed by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 30.6 x 40cm. Surface loss to image centre right. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p62. Ref: GH37. More
c1933. Oil on canvas, signed lower right, 29 x 39cm. Slight surface loss to upper left corner, laid down on board. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p47. Ref: GH192. More
c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More
c1937. Oil on board, signed lower right, 29.5 x 39.8cm. Framed. Ref: GH27. More
c1938. Watercolour with pencil, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. The oil painting Pasture is held in National Gallery of Victoria collection. Ref: GH79. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 35.9 x 27.8cm. Minor crazing. Ref: GH6. More
c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More
1937. Oil on board, signed and dated lower left, 40.3 x 50.8cm. Minor chips to edges. Ref: GH33. More
1931. Oil on canvas, signed and annotated by the artist’s great-niece Gael Hammer in ink on accompanying authentication label, 40.5 x 50.8cm. Slight wear to edges, minor perforation to lower right corner. Annotation reads “View from first home on returning to Australia, July 1931, Brisbane.” Evergood lived in Queensland from..... More
1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More
1902. Pen and ink, signed in image lower right”, publishing annotation “usual ‘Arrow’ size” in ink in lower margin, 30.7 x 13.6cm. Pinholes not affecting image, old folds and creases, minor soiling to margins. This artwork, which appeared on the cover page of The Arrow on 8 March 1902, was..... More
1948. Watercolour with pencil and crayon, signed and dated in pencil upper left, 28.5 x 39.4cm. Pinholes. Provenance: artist’s estate. Muriel Medworth, wife of prominent artist Frank Medworth, was a watercolour painter, interior decorator, textile and fashion designer, ceramicist and teacher who, along with her husband, pursued her career in..... More
1897. Watercolour, signed and dated lower right, 41.2 x 45.7cm. Foxing overall, slight soiling to lower portion. Original frame. More
c1953. Ink and wash with coloured pencil, signed in image lower left, and publishing annotation “Guardian, 35cms” in unknown hand in pencil in lower margin, 25.3 x 26cm. Repaired minor tears and stains to margins. Captions include “‘Out Menzies’ committee, join here” and “See! Happy, laughing faces, gay and confident..... More
1936. Oil on canvas on board, signed and dated lower right, 43.8 x 35.7cm. Original frame. Some of the books in the image bear titles relating to art, along with two books by Llewellyn Powys. More
c1920s. Pen and ink, signed in ink lower centre by Lindsay, captioned in ink below image in an unknown hand, 35.9 x 50.6cm. Framed. Possibly an illustration for The Bulletin or The Lone Hand magazine. More
c1910. Ink and wash with white gouache, initialled centre left, 29.4 x 22.4cm. Repaired tears and missing portions to edges of image. Laid down on acid-free backing. Appears to be a proposed book cover illustration. More
c1943. Pencil drawing, initialled “N.L.” below image, 17.3 x 36.4cm. Slight foxing, crinkles. Framed. The model for this image may be a “Miss Wheeler,” who is illustrated in a similar pose in Bloomfield, Norman Lindsay: 80 years of pencil drawing, 2008, p161. More