[Park With Deer]
c1910. Watercolour, signed in ink lower left, 29.9 x 32.7cm. More
c1910. Watercolour, signed in ink lower left, 29.9 x 32.7cm. More
1917. Pen and ink, signed lower right, captioned below image, stamped “published 5.7.17” verso, 24.2 x 25.8cm. Soiling and crinkles overall, surface loss and paper remnants to edges. Caption reads “Teacher (after explanation): ‘Now, can any of you describe the meaning of the word drought?’ Johnny: ‘Pleassir, it’s when the..... More
c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More
c1920s-1930s. Ink and wash, signed lower right, publishing annotations in pencil to upper margin, 18.2 x 5.5cm. Foxing and soiling overall, repaired minor paper loss. Laid down on acid-free backing. Walter Albert Lindrum, OBE (1898-1960) was an Australian professional player of English billiards who held the World Professional Billiards Championship..... More
c1950s. Pencil drawing, initialled and annotated “U/S” and “A11” in ink lower right, 24.4 x 18.1cm. Creases overall, slight stains to upper corners. Provenance: artist’s sister, Margery Ann Strachan. More
c1950s. Pencil drawing, initialled, annotated “U/S” and “A100” in ink lower right, titled in pencil in French verso, 19 x 24.3cm (paper). Minor tears to right edge, slight stains. Provenance: artist’s sister, Margery Ann Strachan. More
c1960s. Pair of watercolours with ink, signed and titled in ink lower right and below image, 33 x 35cm (each). Slight soiling, creases, minor tears and crinkles to edges. These watercolours were created to illustrate a publication. HMS Mermaid was purchased by the British Royal Navy in Sydney in 1817..... More
c1988. Watercolour on card, signature in ink lower right obscured with attached slip, 56.2 x 101cm. Slight foxing overall. Children in the lower left of image are shown holding Australian Bicentenary signs. More
c1988. Watercolour on board, annotated and signed in ink lower right, 51.2 x 101.8cm. Slight foxing overall. Annotation reads “Cover illustration by Don Stephens.” One image, lower right, is captioned “Bicentennial Bullock Drive.”. More
c1964. Pen and ink, initialled lower right, signed, annotated “illustration” and titled in ink below image, 21.9 x 36cm. Slight foxing to image centre, old mount burn. This image is illustrated on page 36 of Alan Villiers’ chapter “Hunters of the Antarctic” in Kangaroo Tales: A collection of Australian stories..... More
c1960s. Oil on canvas, signed on image lower right, titled, artist’s name with address and annotated “xm3513” in ink verso, 26.6 x 21.7cm. Minor paint loss to upper and lower edges. Framed. Address reads “23 Parriwi Road, Mosman, NSW.” Dora Toovey's work is held in AGNSW, and the NPG with..... More
1936. Oil on canvas, signed and dated lower right, titled and signed in pencil on stretcher verso, 64.5 x 44.5cm. Minor scuffing and perforations lower right. Framed. Provenance: Dundas and Thornhill estate. Painter and teacher at the National Art School for almost forty years, Thornhill was the second wife of..... More
1932. Pencil drawing, signed and dated lower right, 28.4 x 23.3cm. Slight foxing and paper loss to image centre. Image depicts the artist’s wife, painter Dorothy Thornhill. Dundas studied at the Sydney Art School with Julian Ashton. In 1927 he won the Society of Artists’ Travelling Scholarship, which enabled him..... More
c1936. Oil on canvas, signed in pencil on stretcher verso, 59.6 x 49.7cm. Slight scuffing and paint loss. Framed. Provenance: Dundas and Thornhill estate. The image seems to be have been inspired by one of the figures in Renoir’s 1917 painting depicting two bathers. Ref: Athenaeum (USA). Renoir’s model may..... More
c1918. Ink and wash with gouache, titled in ink lower centre, annotated “Drawing by Douglas Dundas circa 1918, ref. Kerry Dundas” in pencil by artist’s son (Kerry) verso, 22.2 x 17.9cm. Slight foxing. An early sketch by Douglas Dundas at the age of 18, this image, alluding to WWI, shows..... More
1874. Pencil drawing with watercolour, captioned and dated “4/Oct./74” lower left to right, 11.8 x 20cm. Discolouration, stains, missing portions to edges not affecting image. More
1877. Pencil drawing with white highlight and wash, panorama in two parts, captioned centre right, initialled and dated “11/8/77” lower right, 12.4 x 29.4cm. Slight creases to joined edges, soiling to image upper centre and lower right, minor foxing. Laid down on acid-free paper. From a sketchbook with two different..... More
c1850s-1860s. Pencil, ink, wash and white gouache, circular format, obscured initials in ink lower right, titled lower centre in pencil, 32.3cm (diameter). Stains and soiling overall, pinholes, creases, repaired tears and missing portions to edges of image. Laid down on acid-free backing. Provenance: Turner family. Edward Turner, lithographer and publisher..... More
c1960s. Oil on board, signed lower right, 26.5 x 31.5cm. Framed. Eric John Smith’s work is represented in the AGNSW and NGV. More
c1942. Double-sided drawing with pencil, ink and crayon, 15.6 x 9.2cm. Minor perforations. Framed. Born in Annandale, NSW, painter Eric Wilson studied under Henry Moore, after winning a travelling art scholarship in 1937. Wilson returned to Australia after travelling through Europe and began creating works in the cubist style. In..... More
c1920s. Group of five hand-painted cameo-shaped porcelain brooch panels, one with caption in image, each signed and some numbered verso, either in paint or embossed, sizes from 2.9 x 3.5cm to 5 x 3.8cm. Caption reads “Oh! Wild black swan, ‘twere a world of wonder at night to join in..... More
1980. Pencil drawing, signed, dated and titled lower left and right, 41.2 x 42.3cm. Slight soiling overall. More
c1940. Pen and ink with white gouache, 23 x 29.3cm. Soiling, foxing, slight surface loss, old glue stains. Captions include “Moroney. Miner’s family.” Provenance: Campbell estate. Timothy Moroney was an office bearer of the Australian Railway Union. Frank Campbell was an illustrator for The Worker, a newspaper affiliated with the..... More
1950. Pen and ink with coloured pencil, captioned, dated and signed in ink, 26 x 23cm. Pinholes, minor foxing, ink stains to centre of image and left edge. Caption includes “Resolutions for 1951. Unite for Peace & Prosperity.”. More