1980. Pencil drawing, signed, dated and titled lower left and right, 41.2 x 42.3cm. Slight soiling overall. More

1950. Pen and ink with coloured pencil, captioned, dated and signed in ink, 26 x 23cm. Pinholes, minor foxing, ink stains to centre of image and left edge. Caption includes “Resolutions for 1951. Unite for Peace & Prosperity.”. More

c1944. Pen and ink with white gouache, signed in ink lower right, publishing annotation “3. col.” in pencil lower centre, 22.9 x 30cm. Creases, cracking, old pinholes, slight foxing, soiling. Provenance: Campbell estate. Francis (Frank) Herbert Campbell was the husband of artist Margaret Campbell. More

c1950s. Pen and ink with coloured pencil and gouache, signed in image lower centre, publishing annotations in pencil in lower margin, 29.4 x 23.3cm. Pinholes, paper remnants to image upper right, minor foxing overall, creases. Provenance: Campbell estate. Francis (Frank) Herbert Campbell was the husband of artist Margaret Campbell. More

1930. Pair of watercolours with pencil: a) initialled and dated “1930?” in pencil in lower margin, annotated “New York” in pencil verso, 19.5 x 8.6cm; and (b) annotated “N.Y.” in pencil in lower margin, annotated “Wiggins model” in pencil verso, 19.2 x 12.8cm. Each titled and dated on accompanying certificate..... More

1939. Pencil sketch, titled, dated (twice), signed and captioned above and below image, 19.8 x 24.3cm. Creases, slight foxing. Framed. Caption reads “We don’t know anything about art! But! We do know what people like!” Provenance: Bloomfield Galleries. Most likely a study for Hinder’s 1939 lithograph titled “Archibald Prize [AGNSW].”..... More

1939. Pencil drawing, signed and dated lower right, titled below image, 21 x 25cm. Slight foxing and soiling to image. More

1896. Watercolour on card, monogrammed in watercolour, dated and titled in faint pencil below image, 40.5 x 24.5cm. Pinholes, creases and slight foxing. Frank Prout Mahony was the first Australian-born artist whose work was purchased by the Art Gallery of NSW. He was a well-known illustrator during the latter part..... More

c1890s. Oil on board, posthumous artist’s stamp on board and frame verso, 49 x 36.5cm. Minor paint loss and indentations to upper portions of image, minor crazing and foxing overall. Framed. An unfinished painting of a horse carcass appears verso. The Art Gallery of NSW began acquiring paintings and drawings..... More

1966. Etching, editioned 1/10 and signed in pencil in lower margin, 20.5 x 12.6cm. Slight soiling to right margin. Illustrated in Mollison, Fred Williams: Etchings, 1968, plate 158. Prior to 1967, Williams focused more on figurative imagery, before concentrating on Australian landscapes in his etchings. More

c1890s. Group of four charcoal and pencil drawings, all titled and signed in image upper and lower left, two numbered “12” on old collection sticker lower right, sizes range from 33.8 x 12cm to 44 x 14.2cm. All with foxing overall, slight tears and missing portions to edges. (1) “Princess”..... More

1904. Pen and ink, captioned in image, signed and dated “Aug. ‘04” lower left, 25 x 21cm. Pinholes, slight foxing, old mount burn. Captions include “Labor”; “Fitzroy Dock tender”; “Extinction”; and “Jack Want’s fruit knife.” Towards the end of 1903, “poor economic conditions and drought” forced Sir John See’s NSW..... More

c1930s. Seven crayon drawings, each signed upper or lower right, one titled “Mr Farr-A-Loft” in pencil below image, sizes range from 26.7 x 20cm to 28.3 x 22.8cm. Each with stains and missing portions to edges not affecting image, some with minor tears in image, slight soiling overall. These drawings..... More