c1930s. Ink with crayon and gouache, signed upper right, 26.2 x 44.3cm. Slight stains. George Finey’s caricatures were captioned as “the man of the week” in Smith’s Weekly where his work was published from 1921 to 1931. “In fearless portraits he distorted people’s features so that their characteristics and temperament..... More

c1960s. Pair of pen and ink cartoons, each signed centre or lower right and titled in pencil in upper margin, 12.8 x 38cm (approx. each). Minor crinkles, soiling. One cartoon shows an art connoisseur fail in his attempt to get a bargain price on a Sickert portrait by pretending he..... More

c1924. Pen and ink sketch on “Coogee Bay Hotel” letterhead paper, inscribed and signed below image, 26 x 20.7cm (paper). Foxing and creases overall, slight tears to edges. This sketch was most likely made in 1924, based on recorded correspondence from Lambert to his wife on Coogee Bay Hotel letterhead..... More

c1943. Watercolour with pencil, signed lower right, 35.6 x 28cm. Slight foxing to lower edge. Nevill-Smith was a finalist for the 1943 Wynne Prize with a painting titled “Blue Mountain Ranges.”. More

c1930s. Watercolour, signed lower right, 20.1 x 37.3cm. Slight foxing, stains to margins, old mount burn. More

1953. Ink drawing, captioned, dated “13/10/53” and signed above and below image, 20.8 x 10.1cm. Slight paper loss to image lower centre, stains to corners and image centre left. Caption continues “delivers the address at the Commemoration of Benefactors. University [of Sydney].”. More

1953. Watercolour with ink, initialled, signed and dated in ink lower right, 32 x 23cm. Repaired tears upper right and lower left, stains and paper loss to edges. Framed. More

c1950s. Gouache and crayon, signed in pencil upper left with crayon sketch verso, 27.5 x 19.4cm. More

c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson..... More

1903. Ink and wash with highlight, artwork for publication, three handwritten stanzas, signed and dated lower centre, 35.4 x 29.5cm. Foxing, discolouration, laid down on original backing. Framed. This illustrated poem was published in the The Town and Country Journal, Christmas issue, 1903. The verses read “‘Alas’, sighed the ‘Roo..... More

c1920s. Pen, ink and wash drawing, illustration for a publication, initialled “I.R.O.” lower right, 20 x 15.5cm. Slight foxing below image. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career..... More

c1922. Pen, ink and wash drawing, initialled “I.R.O.” lower left, 17.6 x 17.7cm. Minor retouching and old mount burn to left and right side of image. Framed. In Sleepy Bay was included in an exhibition of 55 works by Outhwaite at Preece’s Gallery, King William Street in Adelaide in November..... More

c1950s. Pen and ink with watercolour, titled and signed lower right, captioned throughout image, 30.2 x 44.9cm. Foxing, soiling. Captions include “De Quiros – Duyfken, 1606; Tasman, 1642; Dampier, 1699; Cook, 1770; Phillip, 1788; Blaxland, Lawson, Wentworth, 1813.”. More