[Malcolm Fraser]
c1972-1980. Crayon drawing, signed lower right, 77 x 55.8cm. Minor repaired tears. Linen-backed. More
c1972-1980. Crayon drawing, signed lower right, 77 x 55.8cm. Minor repaired tears. Linen-backed. More
c1970. Oil on card with silver gelatin collage, oil sketch of a landscape verso, 50.7 x 40.6cm. Paper remnants to edges, surface and paint loss verso. Provenance: artist’s estate. More
1907. Pen and ink, titled, signed, captioned and dated in ink below image, 30.2 x 27cm. Slight foxing and soiling overall, minor missing portions to edges. Caption reads “L.E.N. 07. Extract from a wheat farmer’s letter: ‘Share-farming is all very well so long as you only have the landowner to..... More
1908. Ink and wash with collage, signed “Hop’s understudy” in ink lower right, publishing annotation in crayon on backing below image, 37.1 x 28.4cm. Minor foxing and stains overall, missing portions to left edge of backing. Captions make mention of boxers Jack Johnson and Tommy Burns, and the White Australia..... More
1909. Pen and ink with newsprint slips, captioned “All this lot” and signed by “Hop his Understuddy [sic]”, 48.1 x 29.8cm. Slight stains, correctional overlay to illustration upper right. The themes of this cartoon include Kaiser Bill (Wilhelm II) and the press, women’s opposition to NSW Premier Charles Wade for..... More
c1894. Ink and wash with affixed slips of letterpress and postage stamp, signed lower left, titled on backing verso, 44 x 28.9cm. Foxing, soiling, laid down on original backing. The centre panel depicts the character “The Little Boy from Manly”, created by Hopkins in 1885 in relation to the Sudan..... More
1893. Pen and ink with wash and slips of newsprint, signed in ink lower right, captioned throughout image, publishing annotations including date “April 1st 1893” in crayon and ink on lower right corner of image, 47.1 x 28.9cm. Foxing and soiling overall, tears to edges of image, creases, pinholes and..... More
c1905. Ink and wash, signed “Drawed by Hops Understudy” lower left, 31.3 x 48.3cm. Minor tears or missing portions to edges, slight foxing. Image shows the Attorney-General Sir Charles Gregory Wade “Weighed” with a quill in his hat labelled “NSW Likker [Liquor] Act”, holding a pocket watch and auger with..... More
c1887. Pen and ink, signed lower right, captioned in ink in image and in pencil below, 27.5 x 45.7cm. Minor perforations, paper loss and repaired tears, slight foxing and ink stains. Laid down on acid-free paper. Captions in ink read “Centennial graveyard scheme” and “Payment of Members Bill.” The two..... More
c1890. Pen and ink with wash, signed and captioned lower right, 34.6 x 30.5cm. Foxing and soiling overall, missing portion and tear to lower edge. George Reid was Australia’s fourth Prime Minister, from 1904 to 1905. More
c1890s. Ink and wash with letterpress text overlays, 11 panels, titled and signed “Drew by Hop’s Understudy” upper centre and lower right, 44 x 28.7cm. Minor soiling, discolouration. This drawing, which shows caricatures by Hopkins of himself both as a young boy and as an older man, was used for..... More
c1870s. Ink and wash with pencil, signed lower right, 13.7 x 21.5cm. Repaired tear to upper right portion of image, slight surface loss, foxing and minor soiling overall. More
1870. Ink and wash with pencil, initialled in ink lower left, dated in pencil lower right, 25.6 x 33.1cm. Old repairs and crinkles overall, missing portions and tears to edges of image, surface loss verso. More
c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. More
c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More
c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More
c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More
c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More
c1920s. Coloured pencil with graphite and wash, 48.8 x 33.7cm. Missing lower left portion, tears, slight foxing, laid down on old backing. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. Ref: JLG. More
1949. Coloured pencil with graphite, titled, signed and dated lower centre to right, 21.1 x 30.3cm. Trimmed lower edge, minor foxing centre left and lower right. Australia’s first studio potter William Merric Boyd also produced a large body of drawings often showing his strong imagery of trees. More
1976. Coloured and graphite pencil drawing, titled centre right, signed and dated lower left, 27.3 x 28.3cm. Minor foxing to upper right portion, old mount burn. More
c1980s. Ink and wash, monogrammed lower right, 24 x 26.8cm. This is the original drawing published in The National Times to promote a jazz event during a Sydney festival. More
1998. Oil on canvas, dated, titled, signed and annotated “15” in ink on canvas verso, 60.6 x 83.5cm. More
1979–1992. Nineteen (19) items comprising of 12 ink illustrations and seven letters including examples of book cover art, each illustration captioned, and each letter signed by Leunig in ink, some letters or envelopes stamped “received” with date, 4 x 6cm (illustrations approx. each). Most images taped to paper, some with..... More