c1940s. Pencil sketch, signed lower centre, 24.5 x 25cm. Slight foxing, stains, creases. Sydney-born artist Rachel Mary Roxburgh was also an educator, conservationist, and architectural heritage campaigner. She studied at East Sydney Technical College and Adelaide Perry School. She exhibited with the Contemporary Group and the Society of Artists, and... More about Portrait Of A Woman

1941. Crayon drawing, signed “Nan” and dated in pencil lower right, 51.5 x 39.7cm. Missing portions, stains and tears overall. Laid down on acid-free backing. Nan Hortin (née Lyall) was a painter, sketcher, craft-worker and art teacher. She travelled extensively and was a member of several art groups in Sydney..... More about Café Scene

c1943. Watercolour with pencil, signed lower right, 35.6 x 28cm. Slight foxing to lower edge. Nevill-Smith was a finalist for the 1943 Wynne Prize with a painting titled “Blue Mountain Ranges.”. More about The Three Sisters, Katoomba, NSW

c1944. Watercolour and gouache with pencil on card, signed lower right, 37.2 x 55.2cm. Minor foxing and soiling, pinholes to edges. Unusually large artwork for the cover of the comic Wally and the Major by Stan Cross. More about Wally And The Major, 12th Edition

c1944. Pen and ink with white gouache, signed in ink lower right, publishing annotation “3. col.” in pencil lower centre, 22.9 x 30cm. Creases, cracking, old pinholes, slight foxing, soiling. Provenance: Campbell estate. Francis (Frank) Herbert Campbell was the husband of artist Margaret Campbell. More about Labor Principles. No Coalition

1945. Watercolour, titled, dated “10.11.45” and signed lower left to right, 26.7 x 36.7cm. Slight tears to right edge. More about Church Point [Boatshed, Pittwater, NSW

1946. Ink and wash, signed and dated lower left, typed text including date and caption on two slips affixed to lower margin, dated in pencil verso, 28.4 x 36.4cm. Slight soiling and stains to edges of image and margins. Captions in image include “Zoning. Liquor reform. Teachers’ salaries. Auditor report... More about Mr McKell: “We’d Better Put Through An Order For Another Set Of Pigeonholes”

1946. Oil on board, signed and dated lower left, titled (twice), signed, dated “Sept. 1946” and annotated in ink on frame label verso, 54.8 x 46.7cm. Minor soiling or scuffing to image. Original frame. An overpainted title reads “The white man’s gift.” Annotation reads “Boolambayte, Buladelah [Hunter region, NSW].” Eric..... More about The Gift

1947. Carbon drawing, dated “Sept. ‘47” and initialled twice lower centre, 25.4 x 25.3cm. Minor stains, slight creases and chips to edges. Framed. More about Study For “Kelly Series”

1948. Watercolour with pencil and crayon, signed and dated in pencil upper left, 28.5 x 39.4cm. Pinholes. Provenance: artist’s estate. Muriel Medworth, wife of prominent artist Frank Medworth, was a watercolour painter, interior decorator, textile and fashion designer, ceramicist and teacher who, along with her husband, pursued her career in... More about Coastal Scene With Flowers

1949. Pen and ink with colour pencil, four panel cartoon strip, signed in image lower left, publishing annotations in pencil in upper margin, stamped “Herald, 29 Jul. 1949” verso, 22.6 x 46cm. Soiling to left portion of image and to margins. Captions include “1948-49 Racing Season ends tomorrow and resumes... More about Victorian Football League & Racing Season

c1950s. Ink drawing, titled and signed upper and lower right, 24.2 x 18.4cm. Stains to corners and upper edge, slight foxing overall. More about Hunter’s Hill Commuter

c1950s. Pencil drawing, initialled and annotated “U/S” and “A11” in ink lower right, 24.4 x 18.1cm. Creases overall, slight stains to upper corners. Provenance: artist’s sister, Margery Ann Strachan. More about The Fruitpicker And Blacksmith