c1898. Watercolour, signed lower left, 46.1 x 31.5cm. Foxing with old repairs overall, old mount burn to edges. Laid down on acid-free backing. More about Two Ducks In Flight, One Shot

c1900. Pencil drawing, titled and initialled “W’m P.” lower right, 11.5 x 18cm. Minor foxing to right and lower edges. The Albury Railway Station was built in 1881 at the end of the main south line, 642km from Sydney, NSW, on the border of Victoria. Clocks were not originally installed..... More about Railway Station, Albury [NSW

1902. Pen and ink, signed in image lower right”, publishing annotation “usual ‘Arrow’ size” in ink in lower margin, 30.7 x 13.6cm. Pinholes not affecting image, old folds and creases, minor soiling to margins. This artwork, which appeared on the cover page of The Arrow on 8 March 1902, was..... More about Rats!

1903. Pencil drawing, dated “Oct. 15 ‘03” in pencil lower right, posthumous studio stamp lower right, 27.8 x 19.6cm. Slight soiling overall. Mahony drew this work while he was in London at the Langham Sketching Club (later the London Sketch Club). He was persuaded by artist Phil May to join... More about Young Woman With Chair

1904. Pen and ink, captioned in image, signed and dated “Aug. ‘04” lower left, 25 x 21cm. Pinholes, slight foxing, old mount burn. Captions include “Labor”; “Fitzroy Dock tender”; “Extinction”; and “Jack Want’s fruit knife.” Towards the end of 1903, “poor economic conditions and drought” forced Sir John See’s NSW..... More about The See Government [Debate Over The Public Works Program

c1905. Ink and wash, signed “Drawed by Hops Understudy” lower left, 31.3 x 48.3cm. Minor tears or missing portions to edges, slight foxing. Image shows the Attorney-General Sir Charles Gregory Wade “Weighed” with a quill in his hat labelled “NSW Likker [Liquor] Act”, holding a pocket watch and auger with..... More about The Pollytickle Situation

1907. Watercolour, titled, signed and dated lower left, 26.9 x 74.6cm. Slight foxing and stains overall, cockling to centre of image. Framed. Annotation verso reads “Jack Woolston.” Frederick Carl Gerke (1851-1928) and his wife emigrated from Germany, arriving in South Australia in 1877. Twenty-two years later he purchased a property... More about Orchard, Bundaleer Springs, [Commissioned For] F.C. Gerke

1908. Ink and wash with collage, signed “Hop’s understudy” in ink lower right, publishing annotation in crayon on backing below image, 37.1 x 28.4cm. Minor foxing and stains overall, missing portions to left edge of backing. Captions make mention of boxers Jack Johnson and Tommy Burns, and the White Australia..... More about White Australia Policy & Other Highlights Of Past Year’s Events

1909. Ink and wash, signed in image lower left, titled, captioned and annotated by Lindsay and dated “9-09” in pencil in unknown hand verso, 23 x 23.7cm. Pinholes, slight foxing and soiling overall, minor handling creases and paper loss to left and lower edges not affecting image. Caption reads “Mama..... More about The Finish

1910. Ink drawing on card, signed lower left, titled, dated “25/4/10” and annotated with poem in ink and pencil, with letterpress publishing receipt attached verso, 28.2 x 23cm. Minor soiling, pinholes to margins. Annotations include Young’s address at “Grange Road, Toorak, Victoria.” The handwritten poem reads “The autumn days for..... More about Autumn Days

c1910. Oil on board, titled in image upper centre, titled with faded signature in pencil on label attached to frame verso, 22.7 x 12.5cm. Surface loss, slight soiling. Original frame. Melbourne-born artist and writer, Alice Jane Muskett was an early pupil of Julian Ashton, who recognized her talent and beauty... More about The Butterflies [Self Portrait

c1910. Crayon drawing, signed and captioned in ink below image, 27 x 17.2cm. Slight tears to right edge, creases and slight foxing. Caption reads “Slimm: ‘Yes, I’m an artist now.’ Stoutt: ‘Oh! One of these bally chaps who paint pictures & study from the leud, eh?’” A good friend of..... More about Slimm And Stoutt

1912. Gouache on board, signed and dated in pencil lower right, 40.6 x 40.4cm. Crazing, soiling, paper remnants to edges. More about Afternoon Drive