c1920s. Pen and ink with white gouache, signed lower right, annotated and titled in pencil below image, 34.8 x 28.2cm. Slight foxing overall, old fold, creases and tears to edges, slip of paper attached to caption. Captions read “Australia, the land of golden opportunities, welcomes all, has work for all..... More about Memories

c1920s. Watercolour, signed in image lower left, 50.8 x 37.3cm. Slight paper remnants to edges of image. More about Kismet – Portrait Of Actor Oscar Asche

c1920s. Pen and ink, monogrammed in pencil lower right, 12.3 x 26cm. Slight foxing. Framed. More about Reclining Female Nude

c1920s. Watercolour with pencil, faint title in pencil lower centre, 16.8 x 33.5cm. Repaired tears, foxing, soiling. Provenance: Margaret Campbell estate. More about Summer

c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More about Suggestion For Perfume Bottle

c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More about Honor Where Honor Is Due

c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More about Wine Is A Villain, Make No Doubt [Temperance Poem

c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More about The Fortune Teller

1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of... More about Cloudscape

1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More about Chinese Gardens

1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More about Theatre Audience

1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More about Scarf Dance

1925. Pen and ink, signed lower left, various captions in ink and pencil above and below image, stamped “Published Jan. 8, ‘25” verso, 25.9 x 10cm. Soiling overall, pinholes to margins. Cancelled captions include “Sometime Secretary of Victorian State Premier’s Department, who has been given the job of waking up..... More about G.S. McLean