[Boat Moorings]
1920. Watercolour with pencil, signed and dated lower left, 20.9 x 27.8cm. Slight foxing overall, stains and repaired missing portions to edges of image and margins. Laid down on acid-free tissue. More
1920. Watercolour with pencil, signed and dated lower left, 20.9 x 27.8cm. Slight foxing overall, stains and repaired missing portions to edges of image and margins. Laid down on acid-free tissue. More
c1920s. Pen and ink, monogrammed in pencil lower right, 12.3 x 26cm. Slight foxing. Framed. More
c1920s. Pen and ink, monogrammed in pencil lower right, 25 x 14.2cm. Slight foxing. Framed. More
c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. More
c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More
c1920s. Pen and ink, titled upper right, captioned in image, 13.9 x 31.8cm. Minor soiling, paper loss. Captions include “Leason Exploration Party” and “The Farthest Out Hotel.”. More
c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More
c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More
c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More
c1920s. Watercolour with pencil and gouache, captioned “decoration” in pencil below image, 36 x 25.3cm. Pinholes, creases and tears (some repaired) to edges, slight stains overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines..... More
c1920s. Crayon with pencil, watercolour and gouache, titled in pencil upper left, signed in ink lower right, 34.5 x 19.3cm. Slight stains and tears to edges. Provenance: Margaret Campbell estate. More
c1920s. Watercolour with pencil and gouache, captioned and initialled “E.C.” in pencil below image, 17.5 x 24cm. Pinholes, slight foxing and stains to edges. Caption continues “Long after the twilight cold.” Provenance: Margaret Campbell estate. More
c1920s. Coloured pencil with graphite and wash, 48.8 x 33.7cm. Missing lower left portion, tears, slight foxing, laid down on old backing. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. Ref: JLG. More
c1920s. Ink drawing, initialled “F.” and signed in image centre and lower right, captioned “front of book” in pencil verso, 14.5 x 20.8cm. Slight foxing, paper loss to margins not affecting image, old mount burn. A Sydney-born illustrator and cartoonist, Flanagan studied at the Royal Art Society of NSW. In..... More
c1920s. Two watercolours with ink, signed “Cuthbert Bryant” in ink upper right or left, 7.6 x 7.8cm and 8 x 8cm. Cuthbert Bryant was the eldest son of Rev. Harry Bryant, rector of the St Paul’s Church of England, Burwood, NSW. Ref: SMH, 26.12.1928, 22.6.1935. More
c1920s. Three watercolour and pencil drawings, one signed in pencil lower left, from 14.9 x 20.9cm to 22.3 x 36cm. Slight stains, crinkles. Provenance: Sydney Ure Smith estate. More
c1920s. Watercolour and pencil, 33.8 x 24.4cm. Provenance: Sydney Ure Smith estate. More
c1920s. Pencil with pen and ink, 18.3 x 16.5cm. Crinkles, creases. Framed. A certificate of authenticity accompanies this drawing. More
c1920s. Pen, ink and wash drawing, illustration for a publication, initialled “I.R.O.” lower right, 20 x 15.5cm. Slight foxing below image. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career..... More
c1920s. Watercolour with pen and ink, signed in ink lower right, 28.6 x 45.1cm. Slight foxing to lower foreground. Framed. Melbourne-born Ida Rentoul (later Outhwaite) was a highly popular internationally-recognised Australian children’s fantasy illustrator, who held at least 18 one-woman exhibitions over her lifetime. During her long career, Outhwaite illustrated..... More
c1920s. Group of five hand-painted cameo-shaped porcelain brooch panels, one with caption in image, each signed and some numbered verso, either in paint or embossed, sizes from 2.9 x 3.5cm to 5 x 3.8cm. Caption reads “Oh! Wild black swan, ‘twere a world of wonder at night to join in..... More
c1920s. Pencil drawing, stamped facsimile artist’s signature lower right, 59.1 x 55.9cm (paper). Slight foxing overall, paper remnants to upper edge. Provenance: Clive Wallis estate auction in Hunters Hill,1988. This rare drawing for a bookplate design was created in a large format to facilitate a more finely detailed image, which..... More
1920. Watercolour, titled, signed and dated lower left to right, 30.4 x 44.6cm. Slight discolouration to upper left corner, repaired minor perforations to upper right and lower centre. Original frame. Born in England, Frederick James 'Fred’ Elliott “worked as a lithographic artist in the Queensland Government Printing Office from July 1896..... More
1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More