![Three Illustrations]. Adrian Feint, Aust](/pictures/thumb/CL192-35_1.JPG?v=1524199214)
c1917. Three pencil drawings on postcards, each signed and one dated upper right, 13.8 x 8.8cm (approx. each). Creases overall, minor chips to some edges. Mounted together. (1) Shows a woman seated under a willow tree with stanzas from a poem including “Under the willow shady / wait yet a...... More
![Ti-Trees]. Harold B. Herbert, Aust](/pictures/thumb/CL192-58.JPG?v=1524199242)
c1917. Watercolour stencil, signed in pencil on image lower right, 13.8 x 13.8cm. Minor paper loss and stains to margins. Unusual early work by Herbert; National Gallery of Australia holds a different image of the same medium. More
c1917. Oil on canvas, signed and captioned lower left and centre, 53 x 66.5cm. Crazing, slight stains. Original frame. Owned by the Union Steam Ship Company, the Royal Mail Ship (RMS) Niagara, an ocean liner launched in 1912, was intended for the Australia–Vancouver, Canada service. She was nicknamed the “Titanic..... More
c1918. Ink and wash with gouache, titled in ink lower centre, annotated “Drawing by Douglas Dundas circa 1918, ref. Kerry Dundas” in pencil by artist’s son (Kerry) verso, 22.2 x 17.9cm. Slight foxing. An early sketch by Douglas Dundas at the age of 18, this image, alluding to WWI, shows..... More
![WWI Wartime Nursery]. Harold Gaze, NZ/Aust./Amer](/pictures/thumb/CL192-45.JPG?v=1524199231)
c1914-1919. Watercolour with pen and ink and white highlight, signed in ink lower right with copyright symbol in pencil, 30.7 x 24.6cm. Repaired tear to upper left corner, minor missing portions and stains to edges not affecting image. This WWI image depicts a crying baby sitting on a newspaper with..... More
![Gnome Fairies]. Anon](/pictures/thumb/CL183-1.JPG?v=1486091804)
c1920s. Gouache with ink, partially obscured initials “A.J.[?]” in gouache lower right, 21.6 x 17.9cm. Laid down on original backing. In the style of Ida Rentoul Outhwaite (Aust., 1888-1960). More
![The Party Is Over]. Adrian Feint, Aust](/pictures/thumb/CL183-50.JPG?v=1486091837)
1920. Ink and wash, signed and dated upper left, 30.5 x 27.8cm. Slight foxing overall, surface loss, rubbing and stains to margins, old mount burn. Very early, detailed work by Feint. More
![Woman Making An Offering To Dionysus]. Adrian Feint, Aust](/pictures/thumb/CL183-51.JPG?v=1486091838)
1920. Ink drawing, signed and dated upper right, 21.4 x 21cm. Minor foxing and surface loss, old mount burn. More
![Artist’s Studio]. J S. Watkins, Aust](/pictures/thumb/CL183-177.JPG?v=1486091826)
c1920s. Pencil drawing, signed lower right, 32.2 x 24.4cm. More
![City View Framed By Archway]. Hardy Wilson, Australian](/pictures/thumb/CL183-183.JPG?v=1486091827)
c1920s. Watercolour with pencil, signed lower centre, annotated verso, 25.7 x 22cm. Minor paper remnants and pinhole to right edge. Annotation concerning framing includes the name “Carl Norland.”. More
c1920s. Colour pencil drawing, titled with architect’s line “James W. Elkins, 28 Bond St, Sydney” in pencil below image, 20.2 x 30.7cm. Minor foxing. More
![Floating Nymph With Cherubs]. Nan Fullarton, Aust](/pictures/thumb/CL181-129_1.JPG?v=1486091701)
c1920s. Watercolour with gouache, signed lower right, 20.7 x 11.7cm. Slight soiling to margins, laid down on original backing. Born in Temora, NSW, Nancy Edith Fullarton worked in London and Sydney as an artist, writer and illustrator of children’s books, cartoonist and ballet costume designer. Ref: DAAO. More
c1920s. Oil on eucalyptus leaf, 8.6 x 21.8cm. Perforations to leaf prior to painting. In original frame. More
c1920s. Pen and ink with white gouache, signed lower right, annotated and titled in pencil below image, 34.8 x 28.2cm. Slight foxing overall, old fold, creases and tears to edges, slip of paper attached to caption. Captions read “Australia, the land of golden opportunities, welcomes all, has work for all..... More
![Kismet – Portrait Of Actor Oscar Asche]. Ossie Brock](/pictures/thumb/CL166-21.JPG?v=1492485867)
c1920s. Watercolour, signed in image lower left, 50.8 x 37.3cm. Slight paper remnants to edges of image. More
![Boat Moorings]. Norman Campbell, active Aust](/pictures/thumb/CL166-24.JPG?v=1492485869)
1920. Watercolour with pencil, signed and dated lower left, 20.9 x 27.8cm. Slight foxing overall, stains and repaired missing portions to edges of image and margins. Laid down on acid-free tissue. More
![Reclining Female Nude]. Rupert Bunny, Aust](/pictures/thumb/CL176-12.JPG?v=1492661035)
c1920s. Pen and ink, monogrammed in pencil lower right, 12.3 x 26cm. Slight foxing. Framed. More
![Nude, Facing Right]. Rupert Bunny, Aust](/pictures/thumb/CL176-13.JPG?v=1492661036)
c1920s. Pen and ink, monogrammed in pencil lower right, 25 x 14.2cm. Slight foxing. Framed. More
c1920s. Watercolour, titled in pencil lower left, 34.4 x 19.2cm. Creases, pinholes and repaired tears to margins, foxing overall. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both were illustrators for newspapers and magazines. More
c1920s. Watercolour and gouache, captioned “Parfum des Violettes” in image, titled in pencil in lower margin, 16 x 9.3cm. Surface loss and pinholes to margins. Incomplete watercolour of a still life verso. Provenance: Margaret Campbell estate. Queensland artist Margaret Campbell was the wife of artist Francis (Frank) Herbert Campbell. Both..... More
c1920s. Pen and ink, titled upper right, captioned in image, 13.9 x 31.8cm. Minor soiling, paper loss. Captions include “Leason Exploration Party” and “The Farthest Out Hotel.”. More
c1920s. Pen and ink, signed, titled and captioned lower right and below image, 24 x 16.3cm. Repaired tears, creases and missing portions, minor stains to upper edge. Laid down on acid-free backing. Caption reads “O’Razzle: ‘Of coursh, aeroplanesh greatest invenshun of Man.’ Fitz Brewery: ‘Hardly shay that, o’man, wha’ about..... More
c1920s. Pen and ink, signed below image, titled and captioned in ink verso, 21.5 x 24cm. Pinholes, minor creases and soiling overall. Caption reads “Sgt Brannigan: ‘Whin oi sid to the accused – did y’ siale [see all] Rines’ alleged horses last wake [week], the mahn gave me an evvoysive..... More
![Wine Is A Villain, Make No Doubt [Temperance Poem]. Hugh McCrae, Aust](/pictures/thumb/CL187-117.JPG?v=1496127463)
c1920s. Ink and wash, signed lower left, “H. Fleming” framing label attached to backing verso, 23.4 x 15.7cm. Slight foxing, minor missing portions or tears to edges, old mount burn, laid down on original glue-stained backing. Text continues “Who bolts and bans young Cupid out / Love’s of a lustre..... More
