1921. Pen and ink with wash and pencil, signed and dated in ink and pencil upper right, publishing annotations in ink to margins and verso, titled in pencil by Leason and annotated in ink in another hand verso, 26 x 42.3cm. Slight foxing overall, missing portion, rubbing, pinholes and tears..... More

c1922. Pen, ink and wash drawing, initialled “I.R.O.” lower left, 17.6 x 17.7cm. Minor retouching and old mount burn to left and right side of image. Framed. In Sleepy Bay was included in an exhibition of 55 works by Outhwaite at Preece’s Gallery, King William Street in Adelaide in November..... More

1923. Ink and wash with gouache highlights, signed upper left, publishing annotations including date in crayon verso, 26 x 47cm. Minor perforations and missing portions to edges, repaired tears to lower left corner. Annotations include “Xmas, p28. Published Xmas ’23.”. More

1924. Etching and pencil study: (a) editioned 13/20, titled, signed and dated in pencil in lower margin, 12.7 x 12.8cm. Slight mount burn; (b) signed and dated lower right, 12.7 x 12.6cm. Perforation and rubbing to image, chips to edges. Mounted together. More

1925. Pen and ink, signed lower left, various captions in ink and pencil above and below image, stamped “Published Jan. 8, ‘25” verso, 25.9 x 10cm. Soiling overall, pinholes to margins. Cancelled captions include “Sometime Secretary of Victorian State Premier’s Department, who has been given the job of waking up..... More

1925. Pen and ink, signed and dated by artist lower left, titled and annotated with artist’s name in ink in another hand on accompanying original frame label, 22.9 x 20.4cm. Pinholes, slight stains and crinkles to edges of paper not affecting image. More

c1890s-1927. Group of five portraits, four inspired by Henry King’s iconic photograph:. (1) Henry King (Aust., 1855-1923). Australian Aborigine, c1890s. Albumen paper photograph, cabinet card format, titled (faint) in negative lower left, photographer’s blind stamp on image lower right, caption in letterpress on backing below image, 14.7 x 9.9cm. Slight..... More

1929. Etching and aquatint, editioned 3/60, titled and signed in pencil in lower margin, 26.7 x 26.3cm. Slight foxing and old tape stains to margins. Image held in the National Gallery of Australia with alternate title “Moonrise on the Lake.” “In paintings and etchings of this period, the lake is..... More

c1930. Pencil drawing, signed lower right, 30 x 7cm (image). Painter and cartoonist John Baird was a foundation member of the Society of Australian Black and White Artists. Baird became known for his oil paintings, especially for his portrait of ‘Model of the Year’ Patricia “Bambi” Tuckwell in 1946. Ref..... More

1930. Pair of pencil drawings, each initialled, captioned and dated lower right, 16.5 x 25.9cm and 24.8 x 18.9cm. Trimmed margins. Captions read “On the Sydney Show Ground, Easter” and “Looking towards the grand stand, Sydney Show Ground.”. More

c1930s. Seven crayon drawings, each signed upper or lower right, one titled “Mr Farr-A-Loft” in pencil below image, sizes range from 26.7 x 20cm to 28.3 x 22.8cm. Each with stains and missing portions to edges not affecting image, some with minor tears in image, slight soiling overall. These drawings..... More

c1930s. Ink and wash with crayon and white gouache, signed lower right, titled in pencil in lower margin, 24.8 x 33.5cm. Slight soiling and foxing overall. Caption reads “Canberra Civil Service bus stop.”. More

c1930s. Pencil sketch, initialled lower right, 26 x 15.6cm. Minor crinkles, soiling and foxing overall, pinholes to corners. Provenance: Curtis estate. More