[Afternoon Drive]
1912. Gouache on board, signed and dated in pencil lower right, 40.6 x 40.4cm. Crazing, soiling, paper remnants to edges. More
1912. Gouache on board, signed and dated in pencil lower right, 40.6 x 40.4cm. Crazing, soiling, paper remnants to edges. More
1913. Oil on board, captioned and dated “6.3.13” lower right, 29.7 x 40cm. Missing portions, minor scratches and paint loss to upper and lower portions. Caption continues “(HCD) Season 1912–13.” Kismet was built by Chas. E. Dunn, Sydney and launched September 1912. The owners were Ravell Bros. It was skippered by..... More
1914. Pencil and watercolour, signed, dated and titled lower left to right, 18.2 x 22.2cm. Framed. More
1914. Watercolour and ink, signed and dated lower right, titled in ink on mount below image, 38.9 x 25cm. Minor foxing overall, slight stains to lower centre. Framed. Title continues “Shakespeare: Sonnet LXXXVII.”. More
c1914. Watercolour, titled in pencil lower right, 22.8 x 32.9cm. Foxing, old mount burn. Possibly inspired by Henry Lawson’s poem, Kerosene Bay written in 1914: “Tis strange on such a peaceful day / With white clouds flying o’er, / That foreign boats are in the bay / As prisoners of..... More
1910-c1914. Pair of pen and ink illustrations, each captioned in image, one annotated, dated “4/1/10” and signed “Alice I. Downey” in ink verso, 10 x 16cm (approx. each). Slight foxing to edges of paper including image, minor missing portions to edges where removed from notebook. Captions include “To Victoria Barracks..... More
c1915. Collection of five illustrations consisting of an affixed colour process print reproducing a Leason painting, bordered by an original pen and ink drawing by Leason, each drawing is signed with one dated “1915” lower right, 18.6 x 14.5cm (approx. each). Slight foxing. Framed. These five drawings are part of the..... More
c1916. Oil on canvas, titled lower centre, 44 x 58cm. Minor surface loss to centre of image, slight soiling and crazing overall. Original frame. HMS Talbot was a cruiser built for the British Royal Navy in the mid-1890s. During WWI Talbot participated in the Battle of Gallipoli. The cruiser was..... More
1916. Ink and wash with white highlight and pencil, signed, titled and captioned below image, artist’s line in ink, stamped “passed by censor S.D. Jul. 3 1916” and “published 6-7-16” verso, 33 x 26cm. Pinholes, minor soiling, crinkles to edges. Caption reads “He: ‘Frightful lot of red tape in the..... More
1917. Pen and ink, signed lower right, captioned below image, stamped “published 5.7.17” verso, 24.2 x 25.8cm. Soiling and crinkles overall, surface loss and paper remnants to edges. Caption reads “Teacher (after explanation): ‘Now, can any of you describe the meaning of the word drought?’ Johnny: ‘Pleassir, it’s when the..... More
c1917. Three pencil drawings on postcards, each signed and one dated upper right, 13.8 x 8.8cm (approx. each). Creases overall, minor chips to some edges. Mounted together. (1) Shows a woman seated under a willow tree with stanzas from a poem including “Under the willow shady / wait yet a...... More
c1917. Oil on canvas, signed and captioned lower left and centre, 53 x 66.5cm. Crazing, slight stains. Original frame. Owned by the Union Steam Ship Company, the Royal Mail Ship (RMS) Niagara, an ocean liner launched in 1912, was intended for the Australia–Vancouver, Canada service. She was nicknamed the “Titanic..... More
c1918. Ink and wash with gouache, titled in ink lower centre, annotated “Drawing by Douglas Dundas circa 1918, ref. Kerry Dundas” in pencil by artist’s son (Kerry) verso, 22.2 x 17.9cm. Slight foxing. An early sketch by Douglas Dundas at the age of 18, this image, alluding to WWI, shows..... More
c1914-1919. Watercolour with pen and ink and white highlight, signed in ink lower right with copyright symbol in pencil, 30.7 x 24.6cm. Repaired tear to upper left corner, minor missing portions and stains to edges not affecting image. This WWI image depicts a crying baby sitting on a newspaper with..... More
c1920s. Gouache with ink, partially obscured initials “A.J.[?]” in gouache lower right, 21.6 x 17.9cm. Laid down on original backing. In the style of Ida Rentoul Outhwaite (Aust., 1888-1960). More
1920. Ink and wash, signed and dated upper left, 30.5 x 27.8cm. Slight foxing overall, surface loss, rubbing and stains to margins, old mount burn. Very early, detailed work by Feint. More
1920. Ink drawing, signed and dated upper right, 21.4 x 21cm. Minor foxing and surface loss, old mount burn. More
c1920s. Pencil drawing, signed lower right, 32.2 x 24.4cm. More
c1920s. Watercolour with pencil, signed lower centre, annotated verso, 25.7 x 22cm. Minor paper remnants and pinhole to right edge. Annotation concerning framing includes the name “Carl Norland.”. More
c1920s. Colour pencil drawing, titled with architect’s line “James W. Elkins, 28 Bond St, Sydney” in pencil below image, 20.2 x 30.7cm. Minor foxing. More
c1920s. Watercolour with gouache, signed lower right, 20.7 x 11.7cm. Slight soiling to margins, laid down on original backing. Born in Temora, NSW, Nancy Edith Fullarton worked in London and Sydney as an artist, writer and illustrator of children’s books, cartoonist and ballet costume designer. Ref: DAAO. More
c1920s. Oil on eucalyptus leaf, 8.6 x 21.8cm. Perforations to leaf prior to painting. In original frame. More
c1920s. Pen and ink with white gouache, signed lower right, annotated and titled in pencil below image, 34.8 x 28.2cm. Slight foxing overall, old fold, creases and tears to edges, slip of paper attached to caption. Captions read “Australia, the land of golden opportunities, welcomes all, has work for all..... More
c1920s. Watercolour, signed in image lower left, 50.8 x 37.3cm. Slight paper remnants to edges of image. More
1920. Watercolour with pencil, signed and dated lower left, 20.9 x 27.8cm. Slight foxing overall, stains and repaired missing portions to edges of image and margins. Laid down on acid-free tissue. More