![The Three Sisters, Katoomba, NSW]. H. Nevill-Smith, active 1930s-1950s Aust](/pictures/thumb/CL192-116.JPG?v=1524199143)
[The Three Sisters, Katoomba, NSW]
c1943. Watercolour with pencil, signed lower right, 35.6 x 28cm. Slight foxing to lower edge. Nevill-Smith was a finalist for the 1943 Wynne Prize with a painting titled “Blue Mountain Ranges.”. More
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Clearing In The Copse, Hampshire
1934. Watercolour, signed and dated in pencil lower right, signed and titled in pencil verso, 38.6 x 52.4cm. Pinholes to edges, slight mount burn. More
![Ti-Trees]. Harold B. Herbert, Aust](/pictures/thumb/CL192-58.JPG?v=1524199242)
[Ti-Trees]
c1917. Watercolour stencil, signed in pencil on image lower right, 13.8 x 13.8cm. Minor paper loss and stains to margins. Unusual early work by Herbert; National Gallery of Australia holds a different image of the same medium. More
Winter, Franklin Square (Hobart)
c1932. Pencil drawing, titled and signed in pencil below image, 20.5 x 17.9cm. Pinholes, soiling and foxing to margins, slight stains to upper and lower portions of image. This drawing was most likely a study for an etching for the 1932 publication Hobart: Eight etchings in facsimile by Charles Robinson..... More
Vue De Sydney
c1840s-1850s. Watercolour and ink, title and signature transcribed by another hand in ink from original album page to replacement mount c1960s, 22.9 x 36cm. Minor stains to upper portion verso. Fanciful view most likely by an artist who had not visited Australia: while Government House and Fort Macquarie are appropriately..... More
Cumberland St, Sydney
1881. Pencil with gouache, initialled, dated and titled lower left to right, 10.3 x 15.9cm. Slight foxing. Framed. More
![Orchard, Bundaleer Springs, [Commissioned For] F.C. Gerke. J J. Christie, Aust](/pictures/thumb/CL169-85.JPG?v=1492491449)
Orchard, Bundaleer Springs, [Commissioned For] F.C. Gerke
1907. Watercolour, titled, signed and dated lower left, 26.9 x 74.6cm. Slight foxing and stains overall, cockling to centre of image. Framed. Annotation verso reads “Jack Woolston.” Frederick Carl Gerke (1851-1928) and his wife emigrated from Germany, arriving in South Australia in 1877. Twenty-two years later he purchased a property..... More
Chinese Gardens
1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More
![Rural Landscape]. Jessie Traill, Aust](/pictures/thumb/CL176-133.JPG?v=1492661820)
[Rural Landscape]
1961. Watercolour with pencil, signed and dated in pencil lower right, 24 x 32.5cm. Repaired tears to edges. Framed. More
![Cloudscape]. John D. Moore, Aust](/pictures/thumb/CL192-105_1.JPG?v=1524199138)
[Cloudscape]
1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More
A Corner In Paddington
c1958. Watercolour, titled, dated “about 1958” with artist’s name and annotation “AES cousin [?]” in ink on slip attached to frame verso, 25.5 x 36.6cm. Old mount burn. Framed. More
Adelaide – South Australia
c1964. Gouache and ink, scarf design, titled and signed in image centre and lower right, captioned throughout image, 70 x 70cm. Slight scuffs, surface loss and stains overall, creases and pinholes to margins. Captions identify Adelaide landmarks depicted around the edges of the image, and include “King William Street, Elder..... More
![House In The Country]. Louis Buvelot, Swiss/Aust](/pictures/thumb/CL169-31.JPG?v=1492490598)
[House In The Country]
c1870s. Ink and wash with pencil, signed lower right, 13.7 x 21.5cm. Repaired tear to upper right portion of image, slight surface loss, foxing and minor soiling overall. More
![Rural Landscape]. Louis Buvelot, Swiss/Australian](/pictures/thumb/CL169-28.JPG?v=1492490594)
[Rural Landscape]
1870. Ink and wash with pencil, initialled in ink lower left, dated in pencil lower right, 25.6 x 33.1cm. Old repairs and crinkles overall, missing portions and tears to edges of image, surface loss verso. More
![Sydney Harbour Bridge]. Michael Fitzjames, b.1948 Aust](/pictures/thumb/CL176-39.JPG?v=1492661054)
[Sydney Harbour Bridge]
c1980s. Ink and wash, monogrammed lower right, 24 x 26.8cm. This is the original drawing published in The National Times to promote a jazz event during a Sydney festival. More
![Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-56.JPG?v=1492493816)
Beaumaris [Victoria]
c1936. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.5 x 40.7cm. Minor wear to edges. Annotation reads “Miles and Polly lived at 20 Surf St, Beaumaris, Melbourne, in 1936.” Ref: GH17. More
![“Boomerang”, Elizabeth Bay, [Sydney]. Miles Evergood, Australian](/pictures/thumb/CL170-27.JPG?v=1492493791)
“Boomerang”, Elizabeth Bay, [Sydney]
1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 19 x 28.5cm. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p59. Ref: GH75. Exhibited in Argosy Gallery, Sydney, 1933. More
![Cleaveland [Sic], Queensland. Miles Evergood, Australian](/pictures/thumb/CL170-6_1.JPG?v=1492493818)
Cleaveland [Sic], Queensland
1931. Pencil drawing, titled by Evergood in pencil below image, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 15.7 x 24.3cm. Minor stains to edges of image. Ref: GH169. More
Coral Tree, Brisbane
c1933. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 25.4 x 17.8cm. Slight mount burn to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p41. Also known as Flame Tree. Ref: GH74. More
![Dandenong No. 2 From Ridge Road [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-63.JPG?v=1492493820)
Dandenong No. 2 From Ridge Road [Victoria]
c1938. Oil on board, signed lower right, 30.3 x 40.5cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p82. Ref: GH40. More
Marine No. 8
c1936. Oil on board, signed lower right, 30.5 x 40.7cm. Some crazing, slight surface loss to image. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p90. Ref: GH49. More
![Marine With Figure, Beaumaris [Victoria]. Miles Evergood, Australian](/pictures/thumb/CL170-58.JPG?v=1492493817)
Marine With Figure, Beaumaris [Victoria]
c1937. Oil on board, signed lower right, 29.2 x 39cm. Framed. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p78. Ref: GH20. More
Marine, Collaroy
c1935. Oil on board, signed lower right, 30.7 x 40.3cm. Crazing to surface, slight chips and surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p53. Kozminsky Gallery, Melb., label verso. Ref: GH32. More
Mount Nebo No. 2, Queensland
c1932. Oil on canvas, signed lower left, 30.3 x 40.6cm. Laid down on board. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p64. Mount Nebo is 18km north of Brisbane. Ref: GH26. More