1922. Oil on board, signed and dated lower right, titled and signed with address in pencil and ink on label attached verso, 27.2 x 34.8cm. Minor soiling. Framed. Label includes “J.T. Rosendale, 74 Cairo Street, North Sydney.”. More

1921. Oil on canvas, signed and dated lower right, 39.5 x 49.2cm. Minor chips or indentations to image. There is a study for a landscape painting verso. Similar images held in AGNSW, with the comment “His well-regarded landscapes, more often in the medium of watercolour, arose from a love of..... More

c1964. Gouache and ink, scarf design, titled and signed in image centre and lower right, captioned throughout image, 70 x 70cm. Slight scuffs, surface loss and stains overall, creases and pinholes to margins. Captions identify Adelaide landmarks depicted around the edges of the image, and include “King William Street, Elder..... More

1870. Ink and wash with pencil, initialled in ink lower left, dated in pencil lower right, 25.6 x 33.1cm. Old repairs and crinkles overall, missing portions and tears to edges of image, surface loss verso. More

c1939. Watercolour with pencil, signed in ink lower right, titled in ink verso, 26.1 x 36.4cm. Stains to upper portion of image. More

c1930s. Pencil drawing, accompanied by authentication note signed by artist’s sister Reta Morton, 24 x 21.2cm. Slight foxing, discolouration to edges. More

1930. Pair of pencil drawings, each initialled, captioned and dated lower right, 16.5 x 25.9cm and 24.8 x 18.9cm. Trimmed margins. Captions read “On the Sydney Show Ground, Easter” and “Looking towards the grand stand, Sydney Show Ground.”. More

c1940. Transfer drawing, titled and captioned lower left, 19.7 x 25.6cm. Old folds, slight foxing, trimmed left edge and corners. Caption reads “Period 1880. [Centenary] 1840 to 1940.” Shows the Garden Palace, purpose-built for the Sydney International Exhibition in 1879. This drawing is a study for a mural for Farmer..... More

1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More

c1870-1871. Two pencil drawings, each initialled “R.A.T.”, titled “Elerslie [sic]” and dated lower left or right, 9.3 x 17.5cm and 15.8 x 23.8cm. Minor foxing. Rosalie Ann Thorne was reputedly a pupil of Conrad Martens. She was a friend of his daughter, Rebecca Martens (Aust.,1836-1909), who was also her mentor..... More

1864. Pencil drawing, titled, annotated “copy C. Martens”, monogrammed and dated “Nov. 8th 1867” lower right, 15.5 x 29.2cm. Slight foxing, creases. Rosalie Ann Thorne was reputedly a pupil of Conrad Martens. She was a friend of his daughter, Rebecca Martens (Aust., 1836–1909), who was also her mentor. The two..... More

1864. Pencil and wash, titled, annotated, dated and initialled “R.A.T.” in pencil lower right, 19 x 31cm. Tears to edges, creases, minor missing portions, slight foxing. Annotation reads “Taken July 13th, 1847 by C. Martens, copied Nov. 27th, 1864.”. More

c1860s-1890s. Eighteen (18) watercolours, some with gouache or white highlight, two signed (one signature obscured by missing portion) and one dated “Oct. ‘80” lower left, 19.1 x 29.5cm to 63.8 x 47.1cm. Slight foxing overall, some with missing portions, repaired tears or minor creases. Six images laid down on acid-free..... More