c1931-1932. Watercolour, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 17.8 x 25.4cm. Ref: GH83. More

c1935. Oil on canvas, signed lower right by Evergood, titled by wife Polly Evergood in pencil and annotated and signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.4 x 40.5cm. Slight wear to edges, laid down on board. Annotation includes “Exhibited Athenaeum Gallery Dec. 1935..... More

c1938. Oil on board, signed lower left, 30.5 x 40.6cm. Slight surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p81. Ref: GH19. More

c1932. Oil on board, signed lower left, 30 x 40cm. Minor surface loss to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p43. Ref: GH43. More

c1938. Oil on board, signed lower right, 29 x 39cm. Framed. Ref: GH59. More

c1933. Oil on board, signed by the artist’s great-niece Gael Hammer in ink on authentication label verso, 30.6 x 40.5cm. Ref: GH36. More

1935. Oil on board, signed and dated lower left, 30.5 x 40.5cm. Slight chips to corners. Ref: GH31. More

c1930s. Ink and wash, accompanied by authentication note signed by artist’s sister Reta Morton, 24.2 x 22.3cm. Paper loss to lower edge of image. At the age of 29 in 1937, Normand H. Baker was the youngest artist to win the Archibald Prize with his self-portrait. Although relatively unknown at..... More

c1930s. Oil on canvas, signed lower right, 61.1 x 45.6cm. Minor scuffing to edges, slight stains upper left. Oil paintings by Trompf rarely appear in the market. Victorian-born, Percival Albert (Percy) Trompf studied at the Ballarat Technical Art School, later joining Giles & Richards in Melbourne, where he designed chocolate..... More

1966-1967. Pencil drawing, dated lower right, 27.5 x 36.4cm. Minor creases, tears to right edge and stains to lower portion. Provenance: artist’s estate. The Sydney Opera House Trust commissioned Robert Emerson Curtis to illustrate, stage by stage, the erection of the Sydney Opera House. Some of his images are illustrated..... More

1979. Three crayon drawings, two signed, one initialled, each dated and captioned in pencil or crayon lower right or verso, sizes range from 27.8 x 23.7cm to 34 x 48.1cm. Minor foxing, old folds and minor tears to lower edge of one image, one with paint discolouration to lower portion..... More

c1940. Transfer drawing, titled and captioned lower left, 19.7 x 25.6cm. Old folds, slight foxing, trimmed left edge and corners. Caption reads “Period 1880. [Centenary] 1840 to 1940.” Shows the Garden Palace, purpose-built for the Sydney International Exhibition in 1879. This drawing is a study for a mural for Farmer..... More

1933. Pair of pencil drawings, one with ink, each captioned, dated and initialled in pencil lower right, 23.2 x 20.3cm and 25.9 x 20.3cm (paper). Minor creases. Captions read “Central Railway Station” and “Central Station Tower, Sydney.”. More