![Surrey And Oxfordshire Scenes]. Anon](/pictures/thumb/CL175-4_1.JPG?v=1492659683)
1867-1898. Group of seven watercolours, all titled and some dated in pencil below image or verso, some initialled “H.G.” in pencil below image, 18.8 x 16.8cm to 18.4 x 25.7cm (approx. each). Slight foxing, soiled margins, some laid down on old backing, paper remnants verso, old mount burn. Titles read..... More
![Salamander And The Gates of Hell]. Charles Conder, Aust](/pictures/thumb/CL183-27.JPG?v=1486012764)
c1900. Crayon and pencil drawing, 20 x 25cm (paper). Minor soiling, old mount burn, laid down on old backing. There are many legends connecting the salamander to fire, possibly due to the tendency of salamanders to live inside rotting logs. When placed into a fire, the salamander would attempt to..... More
![Marianne, Pierrot And Moor]. Charles Conder, Australian](/pictures/thumb/CL183-28.JPG?v=1486012764)
c1900. Crayon drawing, 21 x 26.1cm (paper). Slight soiling including fingerprint lower right, repaired minor tear upper left, laid down on old backing. A possible study for commedia dell’arte, a theatrical art form based on traditional characters wearing masks in improvised comic scenarios. It began in Italy in the 16th..... More
c1900. Watercolour with gouache, signed lower left, annotated and titled verso, 27.8 x 17.8cm. Slight wear to edges. Annotation reads “New Zealand set (6), No. 1 to pair with No. 2, Maoris – Old Order.” Australian-born Federation-era painter, illustrator and Bulletin cartoonist, Frank Mahony is best known for images of..... More
![Cat In Bowtie]. Louis Wain, British](/pictures/thumb/CL184-164.JPG?v=1486091874)
1901. Ink drawing, signed and dated “Feb. 18, 1901” lower left, 13.2 x 10.1cm. Old mount burn. More
1909. Oil on board, signed “M.E. Blashki” and dated lower left to right, artist’s name and title in an unknown hand in ink on label verso, 30.4 x 40.8cm. Slight stains overall, surface loss and missing portion to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p24..... More
![Thatched Huts By A Mountain Stream, Japan]. Anon, Japanese](/pictures/thumb/CL173-83.JPG?v=1492652469)
c1910. Watercolour, 31.8 x 66.2cm. Stains to upper right and lower centre. More
![Sacrifice Inside A Heptagram]. Norman Ault, Brit](/pictures/thumb/CL184-50.JPG?v=1486091885)
1911. Watercolour with ink and gouache, signed and dated in ink lower right, 32.3 x 22.9cm. Minor paint loss to image upper left, foxing and missing portions to margins. More
![Poole Harbour [Dorset, UK]. Miles Evergood, Australian](/pictures/thumb/CL170-4_1.JPG?v=1492493801)
c1913. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 9.4 x 13.1cm. Slight discolouration to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Exhibited at the Great Synagogue, Sydney, 1989. Ref: GH111. More
![Chalk Pit], Amberley, Sussex. Miles Evergood, Australian](/pictures/thumb/CL170-33.JPG?v=1492493797)
1913. Oil on canvas, signed “M. Evergood Blashki” and dated lower right, titled and annotated in an unknown hand in pencil verso with Chelsea art stores stamp, 30.5 x 40.7cm. Minor stains to upper portion, slight dents and surface loss to corners, laid down on board. Annotation reads “Exhibited at..... More
![Piazza Della Cisterna S. Gimignano [Italy]. Albany E. Howarth, Brit](/pictures/thumb/CL168-71.JPG?v=1492489384)
1913. Pencil drawing, titled, signed and dated lower left, 26.4 x 18.3cm. Slight foxing, stains, soiling and crinkles overall, pinholes to lower margin. More
![Corfe Castle [Dorset, UK]. Miles Evergood, Australian](/pictures/thumb/CL170-3_1.JPG?v=1492493794)
c1910-1914. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 16.8 x 13cm. Slight soiling to upper centre. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p6. Ref: GH163. Exhibited in Kozminsky Galleries, Melbourne, 2001. More
![Abstract Composition]. Olga Rozanova, Russian](/pictures/thumb/CL184-142.JPG?v=1486091863)
c1915. Watercolour, signed verso, 25.2 x 16.8cm (paper). Slight cockling. Olga Rozanova was a Russian Constructivist painter, who experimented with Cubism and Futurism before settling on her particular abstract style. She was among the first in Russia to advocate abstract art in an essay published in 1913. She illustrated several..... More
c1916. Oil on canvas, titled lower centre, 44 x 58cm. Minor surface loss to centre of image, slight soiling and crazing overall. Original frame. HMS Talbot was a cruiser built for the British Royal Navy in the mid-1890s. During WWI Talbot participated in the Battle of Gallipoli. The cruiser was..... More
1916. Pen and ink, signed and dated lower right, annotated in pencil below image, 13.6 x 14.1cm. Indentations to left edge of image, slight stains and discolouration overall. Annotation reads “‘Delight.’ [And on mule, riding swiftly] soon came into view, [That most amiable person] good Isaac, the Jew.” Illustrated in..... More
1916. Watercolour, titled, signed and dated lower left, annotated and signed in pencil verso, 21.8 x 31.9cm. Slight foxing. Annotation reads “I can guarantee this is an authentic sketch of the warship in question. W.M. Birchall.” HMS Warspite was a Queen Elizabeth-class battleship “built for the Royal Navy during the..... More
![New York [Portrait Of A Man]. Horace Brodzky, Aust](/pictures/thumb/CL183-8.JPG?v=1486091846)
1917. Ink drawing, signed, dated and titled lower left and centre, 21.6 x 15.4cm. Repaired tears and missing portions to edges, old mount burn. Laid down on acid-free paper. Horace Ascher Brodzky was an Australian-born artist and writer, who worked mainly in London and New York. He was an early..... More
![Burning Heart With Cupid, Goblin, Angel And Fairy Figures]. Anon](/pictures/thumb/CL184-46.JPG?v=1486091884)
c1920s. Gouache, obscured signature lower centre, sketch verso, 24.6 x 16.1cm. Minor paint loss and slight missing portion to image right and lower left corner, old glue stains to margins. One winged figure captioned with “Hopes.”. More
![Untitled]. Karl Opfermann, German](/pictures/thumb/CL184-132.JPG?v=1486091861)
c1920. Ink and wash, stamped signature upper right, “Lewis and Patricia Morley” ex-libris label attached to frame verso, 34.1 x 20.4cm. Cockling and foxing. Framed. Provenance: Lewis Morley estate. More
c1910s-1920s. Watercolour, signed “Fukanori” lower left, 49.3 x 33.2cm. Slight foxing to margins. Provenance: W.A. Pennell estate. See Item 23. More
![Figure On Forest Road]. active Japanese, s](/pictures/thumb/CL173-85.JPG?v=1492652471)
c1920s. Watercolour, signed lower left, 50.7 x 34.3cm. Repaired minor tears to lower edge. More
![Homes By A Mountain Stream]. active Japanese, s](/pictures/thumb/CL173-86.JPG?v=1492652472)
c1920s. Watercolour, signed lower left, 32.6 x 51cm. Old mount burn to edges. More
![Rural Scene, Japan]. Suigetsu, Japanese](/pictures/thumb/CL173-87.JPG?v=1492652472)
c1920s. Watercolour, signed in pencil lower right, 25.8 x 38cm. Slight foxing overall, old mount burn to edges. More
c1920s. Pen and ink with pencil and water-colour, titled lower centre, 26.1 x 22.3cm. In the style of Jean Dupas. More
c1920s. Watercolour with gouache, monogrammed “T.W.” lower left, 10 x 45.8cm. Minor surface loss, old glue stains to edges. More