1909. Oil on board, signed “M.E. Blashki” and dated lower left to right, artist’s name and title in an unknown hand in ink on label verso, 30.4 x 40.8cm. Slight stains overall, surface loss and missing portion to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p24..... More
c1910. Watercolour, 31.8 x 66.2cm. Stains to upper right and lower centre. More
1911. Watercolour with ink and gouache, signed and dated in ink lower right, 32.3 x 22.9cm. Minor paint loss to image upper left, foxing and missing portions to margins. More
c1913. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 9.4 x 13.1cm. Slight discolouration to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Exhibited at the Great Synagogue, Sydney, 1989. Ref: GH111. More
1913. Oil on canvas, signed “M. Evergood Blashki” and dated lower right, titled and annotated in an unknown hand in pencil verso with Chelsea art stores stamp, 30.5 x 40.7cm. Minor stains to upper portion, slight dents and surface loss to corners, laid down on board. Annotation reads “Exhibited at..... More
1913. Pencil drawing, titled, signed and dated lower left, 26.4 x 18.3cm. Slight foxing, stains, soiling and crinkles overall, pinholes to lower margin. More
c1910-1914. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 16.8 x 13cm. Slight soiling to upper centre. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p6. Ref: GH163. Exhibited in Kozminsky Galleries, Melbourne, 2001. More
c1915. Watercolour, signed verso, 25.2 x 16.8cm (paper). Slight cockling. Olga Rozanova was a Russian Constructivist painter, who experimented with Cubism and Futurism before settling on her particular abstract style. She was among the first in Russia to advocate abstract art in an essay published in 1913. She illustrated several... More
c1916. Oil on canvas, titled lower centre, 44 x 58cm. Minor surface loss to centre of image, slight soiling and crazing overall. Original frame. HMS Talbot was a cruiser built for the British Royal Navy in the mid-1890s. During WWI Talbot participated in the Battle of Gallipoli. The cruiser was... More
1916. Pen and ink, signed and dated lower right, annotated in pencil below image, 13.6 x 14.1cm. Indentations to left edge of image, slight stains and discolouration overall. Annotation reads “‘Delight.’ [And on mule, riding swiftly] soon came into view, [That most amiable person] good Isaac, the Jew.” Illustrated in..... More
1917. Ink drawing, signed, dated and titled lower left and centre, 21.6 x 15.4cm. Repaired tears and missing portions to edges, old mount burn. Laid down on acid-free paper. Horace Ascher Brodzky was an Australian-born artist and writer, who worked mainly in London and New York. He was an early... More
c1920s. Gouache, obscured signature lower centre, sketch verso, 24.6 x 16.1cm. Minor paint loss and slight missing portion to image right and lower left corner, old glue stains to margins. One winged figure captioned with “Hopes.”. More
c1920. Ink and wash, stamped signature upper right, “Lewis and Patricia Morley” ex-libris label attached to frame verso, 34.1 x 20.4cm. Cockling and foxing. Framed. Provenance: Lewis Morley estate. More
c1910s-1920s. Watercolour, signed “Fukanori” lower left, 49.3 x 33.2cm. Slight foxing to margins. Provenance: W.A. Pennell estate. See Item 23. More
c1920s. Watercolour, signed lower left, 50.7 x 34.3cm. Repaired minor tears to lower edge. More
c1920s. Watercolour, signed lower left, 32.6 x 51cm. Old mount burn to edges. More
c1920s. Watercolour, signed in pencil lower right, 25.8 x 38cm. Slight foxing overall, old mount burn to edges. More
c1920s. Pen and ink with pencil and water-colour, titled lower centre, 26.1 x 22.3cm. In the style of Jean Dupas. More
1926. Ink and wash with coloured pencil, signed “Deane” and dated upper left, 27.1 x 16cm. Minor foxing overall, pinholes, tipped to original backing. More
1926. Watercolour, signed and dated lower left, 22.7 x 19.5cm. Pinholes, minor stain to upper left margin, old mount burn. More
1926. Watercolour, signed, titled and dated in ink lower left, 22.5 x 33.1cm. Minor foxing and paper loss to image left edge. More
1926. Watercolour and pencil, signed “Rual” and dated in image lower left and centre, 47.3 x 57.5cm. Slight foxing and crinkles. More
c1929. Oil on board, signed and annotated by the artist’s great-niece Gael Hammer in pencil on authentication label verso, 30.3 x 40.5cm. Slight surface loss to edges. Annotation reads “Probably from USA period, 1922-31.” Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p40. Ref: GH9. More
c1930s. Double-sided oil painting on paper, signature incised into image lower right, titled and signed in ink below image verso, 68.2 x 50cm. Pinholes, missing portions and tears to edges, slight crinkles. Verso image shows a musician playing a banjo. Maurice Bilton was a lecturer at Ridgewood Art Institute (RAI)... More
c1930s. Pencil with white highlight, signed upper right, 12.5 x 10.8cm. More
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![[Figure On Forest Road]. active Japanese, s.](/pictures/thumb/CL173-85.JPG?v=1492652471)
![[Homes By A Mountain Stream]. active Japanese, s.](/pictures/thumb/CL173-86.JPG?v=1492652472)
![[Rural Scene, Japan]. Suigetsu, Japanese.](/pictures/thumb/CL173-87.JPG?v=1492652472)
![[Woman With Muff]. Anon.](/pictures/thumb/CL184-48.JPG?v=1486091884)
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