c1910. Watercolour, 31.8 x 66.2cm. Stains to upper right and lower centre. More

c1913. Pencil drawing, signed by the artist’s great-niece Gael Hammer in pencil and stamped “From the studio of Miles Evergood” verso, 9.4 x 13.1cm. Slight discolouration to edges. Illustrated in Hammer, Miles Evergood: No end of passion, 2013, p48. Exhibited at the Great Synagogue, Sydney, 1989. Ref: GH111. More

1913. Pencil drawing, titled, signed and dated lower left, 26.4 x 18.3cm. Slight foxing, stains, soiling and crinkles overall, pinholes to lower margin. More

c1915. Watercolour, signed verso, 25.2 x 16.8cm (paper). Slight cockling. Olga Rozanova was a Russian Constructivist painter, who experimented with Cubism and Futurism before settling on her particular abstract style. She was among the first in Russia to advocate abstract art in an essay published in 1913. She illustrated several..... More

1916. Pen and ink, signed and dated lower right, annotated in pencil below image, 13.6 x 14.1cm. Indentations to left edge of image, slight stains and discolouration overall. Annotation reads “‘Delight.’ [And on mule, riding swiftly] soon came into view, [That most amiable person] good Isaac, the Jew.” Illustrated in..... More

c1920s. Gouache, obscured signature lower centre, sketch verso, 24.6 x 16.1cm. Minor paint loss and slight missing portion to image right and lower left corner, old glue stains to margins. One winged figure captioned with “Hopes.”. More

c1910s-1920s. Watercolour, signed “Fukanori” lower left, 49.3 x 33.2cm. Slight foxing to margins. Provenance: W.A. Pennell estate. See Item 23. More

c1920s. Watercolour, signed lower left, 32.6 x 51cm. Old mount burn to edges. More

c1920s. Pen and ink with pencil and water-colour, titled lower centre, 26.1 x 22.3cm. In the style of Jean Dupas. More

1926. Watercolour, signed and dated lower left, 22.7 x 19.5cm. Pinholes, minor stain to upper left margin, old mount burn. More

1926. Watercolour and pencil, signed “Rual” and dated in image lower left and centre, 47.3 x 57.5cm. Slight foxing and crinkles. More

c1930s. Double-sided oil painting on paper, signature incised into image lower right, titled and signed in ink below image verso, 68.2 x 50cm. Pinholes, missing portions and tears to edges, slight crinkles. Verso image shows a musician playing a banjo. Maurice Bilton was a lecturer at Ridgewood Art Institute (RAI)..... More

c1930s. (1) Walter Jardine (Australian, 1884-1970). [Dr William Gilbert “W.G.” Grace]. c1930s. Watercolour, signed upper left, 18.2 x 13.2cm. Slight soiling. Design for the accompanying card, An Ideal Cricket Eleven Series. No. 1: Dr W.G. Grace, based on a 1908 photograph of Grace when he made his final first-class appearance..... More