1846. Hand-coloured lithograph, text including artist and title above and below image, 18.1 x 31.1cm (image). Repaired tear to image right side, slight creases to upper and left edges. Framed. Text reads “Dessiné par Le Breton, lith. par Lassalle. Gide editeur. Imp. Lemercier, Benard & Co. Voyage au Pole Sud..... More

1847. Tinted lithograph, titled, signed and lithographer “L. Haghe” in image in lower portion, publisher’s line with date and title in lower margin, 34.4 x 51.5cm. Mark with minor dents to upper right portion, creases, repaired tear to margins. More

c1847. Ink and watercolour on paper, titled upper left and annotated in ink verso, 26.5 x 54.3cm. Missing portions including lower half, stains, old folds. Annotation verso reads “Old plan of Liverpool showing lands claimed by Daniel Cooper Esq. through Court of Claims.” Provenance: Daniel Cooper estate. Rare early street..... More

1847. Colour woodcut, signed with artist’s and censors’ seals “Muramatsu, Yoshimura” in block centre right, 36.1 x 24.4cm. Perforations to left side of image. Held in Museum of Fine Arts, Boston, with full description “Actors Bando Hikosaburo IV as Ichimonjiya Saihei [right panel], Onoe Kikujiro II as Okaru [centre panel]..... More

c1848. Four lithographs, all initialled in image lower left, title, printer’s line and captions above and below image, 35.9 x 23.7cm (paper; approx. each). Foxing and slight stains overall, minor tears to edges. Images are from series Les Alarmistes et Les Alarmés; Physionomie de l’Assemblee; Tout ce Qu’on Voudra; and..... More

1848. Hardcover quarto, olive buckram and gilt illustrated boards, gilt edges and repaired spine, two ex-libris plates laid in on prelim pages, inscribed “With the best respects of William Gaspey, Jan. 3, 1848” in ink on half-title, 27.5 x 22cm. Spine repaired with blue tape, bumping and scuffing to boards..... More

c1850s. Albumen paper photograph, numbered “2” in pencil in “R. Macpherson, Rome” blind stamp on backing below image, 31.3 x 40cm. Slight developing flaws and scuffing to image lower centre and right, repaired minor tears to upper edge, minor foxing or soiling, laid down on original backing. Held in Canadian..... More

c1850s. Salt paper print, 26.5 x 28.9cm. Pinholes, stains and foxing to image upper left and centre, silvering and discolouration to edges, slight crinkles overall. More

c1850s. Watercolour and pencil, annotated “Lady Selina Hinde” in pencil verso, 25.4 x 42.1cm. Foxing to centre and upper portion, discolouration and old glue stains to edges. More

c1850s. Hand-coloured etching, signed and titled in plate lower right and below image, 14.6 x 39.7cm (image). Old folds, slight tears, surface loss and minor stains to margins. Held in NGA; NLA; and Powerhouse Museum. More

c1840s-1850s. Daguerreotype, quarter-plate size, in original hinged case, annotated in a modern hand in pencil on accompanying slip, 9.2 x 6.7cm (image), 12.3 x 9.7cm (case). Scratch to image lower centre, slight oxidation to right edge, minor scuffs to case. Annotation reads “Portrait of John Carroll Hele belonging to Elizabeth..... More

c1850s. Daguerreotype, sixth-plate size, in original hinged case, photographer’s line stamped in case, 7.1 x 5.8cm (image), 9.4 x 8.1cm (case). Minor oxidation to upper centre and edges of image, slight wear to edges of original case. Photographer’s line reads “Whitney, Roch[ester]. N.Y.” Edward Topkins Whitney initially worked as a...... More

c1850s. Daguerreotype with hand-colouring, sixth-plate size, in original hinged case, 5.2 x 6.5cm (image), 9.4 x 8.1cm (case). Slight oxidation to edges of image, minor wear to case. More